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In 1884, when Laura, Manly, and their daughter Rose come from South Dakota to Mansfield, Missouri, looking for a better life, Laura's outspoken articles against a local timberman cause some problems.
Features an account of the evolution of Missouri's park system and essays on each of the state's historic sites and parks.
We are pleased to provide you with this Missouri Notary Public Handbook. We appreciate the responsibility that comes with being a notary in the State of Missouri, and know the work you do as a notary instills additional confidence in the documents that are vital to our state and economy. This handbook is provided in print and online to more than 60,000 notaries across the state, each of whom takes acknowledgements, administers oaths and affirmations, and certifies that copies of documents are true copies. The powers and responsibilities of a notary are described in the Missouri Revised Statutes Chapter 486. The provisions of this statute are included in this handbook for your convenience. In addition to the statutes, this resource provides general information related to your role as a notary, a glossary of important terms and copies of key application forms to assist you in the administration of your notary duties.
After fire destroyed Missouri's capitol in 1911, voters approved a bond issue to construct a new statehouse. The tax to pay the bonds produced a one-million-dollar surplus, leaving a vast amount of money to decorate the new building. A special commission of art-minded Missourians employed some of the nation's leading painters and sculptors to create powerful and often huge pieces of art to adorn Missouri's most important new structure. The art of the Missouri capitol was considered among the finest to adorn any state capitol. But the passage of time has lessened recognition of the pieces and their creators. Most people--even those daily wandering the marble halls--have little knowledge of the significance of the art and the history it portrays. Bob Priddy and Jeffrey Ball return the capitol's decorations to prominence in The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone. The book tells the many stories behind the art: the rigors of its creation, the political roadblocks that endangered the decoration program, and the triumph of the commissioners who devoted more than ten years to the project. The Art of the Missouri Capitol presents the art in 270 images, many by Lloyd Grotjan, mostly of the building's many compelling paintings, murals, and sculptures. Priddy, a journalist who has covered the Missouri legislature for more than three decades, and Ball, an art historian, use a wealth of historical materials to connect the grand design of the capitol decorations with accounts of sometimes temperamental artists and meddling politicians. The authors provide historical and artistic context to explain the many surprising, controversial choices the artists made, and they use Missouri history to explain the tales depicted in the artwork, revealing the events--and inaccuracies--that the paintings bring to life. The authors honor the Missouri capitol's artistic excellence in a way that will appeal to art enthusiasts and history buffs as well as to general readers. The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone is the definitive account of the art's creation, of the men who produced it, and of the Missourians who lived the history that inspired it.
The range of Walt Disney's accomplishments is remarkable. He is considered the most successful filmmaker in history. He won 32 Academy Awards, far more than those of any other filmmaker. He revolutionized the amusement park and resort industries, and his theme parks have been praised as among the most outstanding urban designs in the United States. As Ward Kimball, one of Walt Disney's most prominent animators, once said, "At the bottom line Walt was a down-to-earth farmer's son who just happened to be a genius." Walt Disney spent his formative years in Missouri. Some of the direct influences of these years on his career are documented in this book. "Snow White and the Seven Dwarfs," the first feature-length animated film to be produced, was inspired by a black-and-white, live-action silent film version of "Snow White" that he viewed as a teen-ager in Kansas City. A theatrical production of "Peter Pan" that he saw as a child in Marceline, Mo., led to his own animated version of the story. Born in Chicago in December 1901, he moved with his family to a farm near Marceline, where he lived from ages 4 to 9. "To tell the truth," Walt Disney once wrote, "more things of importance happened to me in Marceline than have happened since--or are likely to in the future." The town of Marceline was the inspiration for many features of future Disney theme parks, and the pastoral setting he lived in there is also reflected in many of his films. Except for a couple of years spent in Chicago and France, Disney lived in Kansas City from 1911 to 1923. During his years in Kansas City he learned the discipline that would enable him to persevere and prevail through the many hardships he experienced as a struggling filmmaker. It was in Kansas City that he trained to become a commercial artist and an animator, and Kansas City was the location of his first film production studio, Laugh-O-gram Films. Walt Disney's Missouri not only tells the story of the young Disney growing up, but it also paints a picture of the Kansas City he knew. With the bankruptcy of Laugh-O-gram Films, Disney moved to California, drawing with him many of his Kansas City colleagues, who would eventually win fame in animation themselves. This richly illustrated book describes Disney's Missouri years and chronicles his many connections and returns to the state until his death in 1966. The book also details two little-know projects in Missouri that Disney seriously considered in his later years--theme parks in his "hometown," Marceline, and in St. Louis. As his daughter Diane Disney Miller says in the foreword to the book, Walt Disney was "truly a Missourian."
As a key to understanding the meaning of slavery in America, the Missouri controversy of 181921 is probably our most valuable text. The heat of sectional rhetoric during the Missouri debates reached a level never exceeded, and rarely matched, until the secession crisis of 1860. Moreover, nearly all the arguments for and against slavery in Americ...
Sympathetic portrait from his entrance on the national scene as Senator to his Washington career as 33rd President of the U.S.
Missouri Legal Research was designed for teaching legal research to first-year law students, paralegals, and undergraduate students researching Missouri law. Missouri practitioners and others who need to be familiar with Missouri resources will also want this book in their library. Complex ideas and research processes are presented in a straightforward manner. Outlines of the research process and short excerpts from Missouri and federal resources make the book easy to use. Web addresses and examples point researchers to the many sources for finding free Missouri and federal legal material online. Concise explanations of resources needed for researching federal law and the law of other states are provided throughout. Thus, Missouri Legal Research can be used by instructors as a stand-alone text or in conjunction with a research text concentrating on federal law. This book is part of the Legal Research Series, edited by Suzanne E. Rowe, Director of Legal Research and Writing, University of Oregon School of Law.