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Volumes in the Early Korea Project Occasional Series focus on centralissues related to the study of early Korea history and archaeology. Thepresent volume addresses several seminal questions associated with themiddle and late periods of the Silla kingdom (ca. 668-935): What was thecomposition of Silla's ruling elite? How did the state administer localareas? What was the relationship between the Buddhist church and thestate? How did the government evolve over the course of the middle andlate periods of Silla's rule? And what were the causes of Silla'sdemise?
"The Silla Kingdom, which flourished in Korea from 57 B.C. to 935 A.D., is known for its intricately crafted ornaments, many in resplendent gold, and for the creation of prominent Buddhist temples. Silla focuses on the striking artistic traditions of the Old and Unified Silla Kingdoms (4th-8th century), and is the first publication in English to explore the artistic and cultural legacy of this ancient realm. Among the topics explored are Korea's position as the eastern culmination of the Silk Road in the first millennium A.D. and the character and evolution of Buddhism, as illuminated by objects from major monuments, temples, and tombs. The book also presents new research about Silla's ancient capital, Gyeongju, which is known for the Gyerim-ro Dagger, as well as the pottery, glass, and beads discovered in tombs located there." -- Publisher's description.
An expansive and accessible introduction to the history of Korea during the first millennium CE. Korea’s Three Kingdoms period is a genuine “lost civilization,” during which ancient realms vied for supremacy during the first millennium CE. Nobles from this period’s feuding states adopted and adapted Buddhism and Confucianism through interactions with early medieval Chinese dynasties. It was not until the mid-seventh century that the aristocratic Silla state, with the assistance of the mighty Chinese Tang empire, unified the Three Kingdoms of Korea by conquering the kingdoms of Koguryo and Paekche. Weaving together legends of ancient kings with the true histories of monks, scholars, and laypeople, this book sheds new light on a foundational period that continues to shape Korean identity today.
Now in a fully revised and updated edition, this comprehensive text surveys Korean history from Neolithic times to the present. All readers looking for a balanced, knowledgeable history will be richly rewarded with this clear and concise book.
Now in a fully revised and updated edition including new primary sources and illustrations, this engaging text provides a concise history of Korea from the beginning of human settlement in the region through the late nineteenth century. Michael J. Seth’s thorough chronological narrative equally emphasizes social, cultural, and political history. Students will be especially drawn to descriptions of everyday life for both elite and nonelite members of society during various historical periods. The book emphasizes how Korean history can be understood as part of an interactive sphere that includes three basic areas: China, Japan, and the Manchurian/Central Asian region. Throughout, Seth draws comparisons between developments in Korea and those in neighboring regions. All readers looking for a balanced, knowledgeable history will be richly rewarded with this clear and cogent book.
A Study of Korean Pagodas, a monumental work of research in which Korean pagodas are described by focusing on their stylistic history, is considered as the archetype of this field. In Buddhist art history this work is a classic that set the stylistic standard for studying stone pagodas, the periods of classification, and the basic framework of analysis. The theories first presented in this book have exerted a great influence to the present day. The author Go Yuseop 高裕燮 (1905–1944), a representative scholar in the field of Korean art history, studied at Gyeongseong Jedae 京城帝大, the only university during the colonial period, and served as director of Gaeseong Museum and professor at Yeonhui Professional School and Ewha Womans Professional School. His research was based on the direct exploration of scenic spots, historical remains, and Buddhist temples. In addition to A Study of Korean Pagodas, Go Yuseop left Songdo gojeok 松都古蹟 (Historical Remains at Songdo), Joseon misulsa nonchong 朝鮮美術史論叢 (A Collection of Studies on History of Korean Art), and other writings. A Study of Korean Pagodas explains that Korean pagodas originated from wooden and brick pagodas of the Three Kingdoms period; their size was reduced during the early period of the Unified Silla dynasty, in which the typical style was established; during the middle to the end of the Unified Silla dynasty, the atypical pagoda appeared. Go Yuseop explains the arrangement of buildings in temples in the Three Kingdoms period and its variations on the basis of the relationship between the main hall, Geumdang金堂, and pagodas. Although criticism and alternative theories have been advanced, his explanation is still valid to understand the emergence of the monastery arrangement with twin pagodas. The base text for this translation is the published edition by Eulyoo Munhwasa (1948), but references are made to other editions, including those of Donghwa Chulpan (1975), Tongmungwan (1993), and Yeolhwadang (2010).
Evelyn Rawski presents a revisionist history of early modern China in the context of northeast Asian geopolitics and global maritime trade.
The Baekgyo hoetong 百敎會通, originally authored by Yi Neunghwa in 1912, is a book of comparative religion written from a Buddhist point of view. As the first book authored by Yi, a prominent Buddhist scholar and one of the top three researchers of Korean folk culture during modern times, the Baekgyo hoetong is a significant work in the history of academic endeavors on Korean culture and Korean Buddhism. While the title of the book can be translated as “harmonizing the hundred teachings,” the content of the book reveals that the author considers Buddhism an important key in this harmonizing. Initially, Yi compares Buddhism with eleven teachings — traditional, foreign and indigenous — showing that Buddhism has points of similarity with all of them. After proceeding to produce an outline of basic Buddhist doctrine, he concludes by arguing against the common criticisms of Buddhism at the time, often using comparative examples from other religions. Although the Baekgyo hoetong is written in the traditional styles of arraying quotes in the structure of a series of questions and answers, it reflects well the complexity of Korea’s newly-modernizing society that was teeming with intellectual diversity for the first time in centuries. Yi, an avid scholar of Chinese classics, Buddhist scriptures, western science and Korean folk culture, makes the book possible by his broad erudition. Yi uses his newly acquired knowledge to “harmonize the hundred teachings” from a Buddhist point of view, warning readers that dogmatic belief in one’s own truth is in fact what is farthest from the truth.
The Handbook of East and Southeast Asian Archaeology focuses on the material culture and lifeways of the peoples of prehistoric and early historic East and Southeast Asia; their origins, behavior and identities as well as their biological, linguistic and cultural differences and commonalities. Emphasis is placed upon the interpretation of material culture to illuminate and explain social processes and relationships as well as behavior, technology, patterns and mechanisms of long-term change and chronology, in addition to the intellectual history of archaeology as a discipline in this diverse region. The Handbook augments archaeologically-focused chapters contributed by regional scholars by providing histories of research and intellectual traditions, and by maintaining a broadly comparative perspective. Archaeologically-derived data are emphasized with text-based documentary information, provided to complement interpretations of material culture. The Handbook is not restricted to art historical or purely descriptive perspectives; its geographical coverage includes the modern nation-states of China, Mongolia, Far Eastern Russia, North and South Korea, Japan, Taiwan, Vietnam, Cambodia, Laos, Thailand, Burma, Malaysia, Indonesia, the Philippines and East Timor.
Centered on the practice of seeking rebirth in the Pure Land paradise Sukhāvatī, the Amitābha cult has been the dominant form of Buddhism in Korea since the middle of the Silla period (ca. 300–935). In Aspiring to Enlightenment, Richard McBride combines analyses of scriptural, exegetical, hagiographical, epigraphical, art historical, and literary materials to provide an episodic account of the cult in Silla times and its rise in an East Asian context through the mutually interconnected perspectives of doctrine and practice. McBride demonstrates that the Pure Land tradition emerging in Korea in the seventh and eighth centuries was vibrant and collaborative and that Silla monk-scholars actively participated in a shared, international Buddhist discourse. Monks such as the exegete par excellence Wŏnhyo and the Yogācāra proponent Kyŏnghŭng did not belong to a specific sect or school, but like their colleagues in China, they participated in a broadly inclusive doctrinal tradition. He examines scholarly debates surrounding the cults of Maitreya and Amitābha, the practice of buddhānusmṛti, the recollection of Amitābha, the “ten recollections” within the larger Mahāyāna context of the bodhisattva’s path of practice, the emerging Huayan intellectual tradition, and the influential interpretations of medieval Chinese Pure Land proponents Tanluan and Shandao. Finally, his work illuminates the legacy of the Silla Pure Land tradition, revealing how the writings of Silla monks continued to be of great value to Japanese monks for several centuries. With its fresh and comprehensive approach to the study of Pure Land Buddhism, Aspiring to Enlightenment is important for not only students and scholars of Korean history and religion and East Asian Buddhism, but also those interested in the complex relationship between doctrinal writings and devotional practice “on the ground.”