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Chronicles the last half century's haphazard attempt to harness fusion energy, describing how governments and research teams throughout the world have employed measures ranging from the controversial to the humorous.
Children ask, "Why is the sky blue?" but the question also puzzled Plato, Leonardo,and even Newton, who unlocked so many other secrets. The search for an answer continued forcenturies; in 1862 Sir John Herschel listed the color and polarization of sky light as "the twogreat standing enigmas of meteorology." In Sky in a Bottle, Peter Pesic takes us on a quest to theheart of this mystery, tracing the various attempts of science, history, and art to solve it. Hebegins with the scholars of the ancient world and continues through the natural philosophers of theEnlightenment, the empiricists of the scientific revolution, and beyond. The cast of charactersincludes Aristotle, Leonardo da Vinci, Kepler, Descartes, Euler, Saussure, Goethe, Rayleigh, andEinstein; but the protagonist is the question itself, and the story tells how we have tried toanswer it.Pesic's odyssey introduces us to central ideas of chemistry, optics, and atomic physics.He describes the polarization of light, Rayleigh scattering, and connections between the appearanceof the sky and Avogadro's number. He discusses changing representations of the sky in art, from newstyles of painting to new pigments that created new colors for paint. He considers what the sky'snighttime brightness might tell us about the size and density of the universe. And Pesic asksanother, daring, question: Can we put the sky in a bottle? Can we recreate and understand itsblueness here on earth? This puzzle, he says, opens larger perspectives; questions of the color andbrightness of the sky touch on secrets of matter and light, the scope of the universe in space andtime, the destiny of the earth, and deep human feelings.
Get an inside look at the real beginning of outlaw biker culture with this “raucous and heartfelt recounting of the early days of biker clubs” (Roadbike). The story starts one weekend in 1947, at a motorcycle race in Hollister, California. A few members of one club, the no-holds-barred “Boozefighters,” got a little juiced up and took their racing to the street. Word of the fracas spread, and soon enough Life magazine was on hand to tell the world, with sensational (albeit posed) pictures of the outlaws. And then the “Hollister riot” made its way into the movies, immortalized in Marlon Brando’s “The Wild One.” What was the reality behind the myth? Through interviews with the surviving members of the Boozefighters, current member Bill Hayes and club historian Jim “JQ” Quattlebaum take readers right into the fray for a firsthand account of what happened in Hollister, and the formation of the Boozefighters, where the outlaw biker culture truly began. The book, “with its great stories and entertaining real-life characters” (MotorcycleUSA.com), is “mandatory reading for anyone interested in American motorcycling history “(Minnesota Motorcycle Monthly).
Originally printed in 1987, is designed for the cultural historian, archaeologist, the bottle collector, and those just interested in pharmacopoeia. This book is a guide to the identification of the embossed, patent and proprietary medicine bottles produced in an era of American history when anything could be bottled, advertised and sold - legally. A cornucopia of cures, bitters, tonics, and balms, many of them little more and slightly disguised alcohol, were available to the gullible but willing public. Not only are the embossed and shapely bottles of this era highly collectable today, they are also valuable to archaeologists who interpret and date historical sites. This book has been designed as a reference book. It provided detailed descriptions to aid the researcher in identifying and evaluating whole or fragmented vessels. A discussion of the patent and proprietary medicine years, and the innovations applied to the production of glass, is followed by a brief interpretation of bottles by color, design and shape. Over 40 chapters detail nearly four thousand medicine bottles. Numerous line drawings, and color photographs will aid the researcher/collector/anthropologist in the identification process. Richard Fike, is a retired Bureau of Land Management Archaeologist. Rich is also an historian, writer, teacher and the developer of the Museum of the Mountain West of Montrose, Colorado. He continues to expand the Museum, which contains original and recreated historic buildings that house extensive collections of America's past. He has combined his professional knowledge and his personal interest in historic bottles to provide this authoritative, definitive, and entertaining guide.
A family finds a mysterious bottle. Within the bottle, a book. Within the book, a story. And within the story their own adventure. Supposing a book were to appear sewn from all the different parts of your favorite stories. What could it be, but a tale of change? .Frogs become princes, orphans become kings, kings become beggars, milkmaids become knights. Duels become dances, tombs become houses, a deathly chase becomes a coronation. We read to children bedtime stories that warn them and promise them: all thing change. Then we click off the light, expecting them to be unchanged when they wake in the morning. In a bottle is a book, and in the book is a city built of pieces. In that city is a beggar who became a duke, a rat who becomes a cat, a song that became a promise. Ghosts, assassins, kings and cobblers shift and dance across this city, finding who they are by what story they tell of themselves. And in the very center of the dance, a man stands balanced on a wheel.From the book: I consider. "A good adventure story has a chase through a graveyard. There shall be a duel on a cliff by moonlight or firelight or lightning. There must be treasure. A magic ring. A haunted tomb and a ruined castle. Guards tricked, villains confounded. A lost heir, disguises, an assassin, ghosts, revenge, mutant tigers -" "What?" I ignore that. "- mutant tigers, an ancient battle between good and evil, an execution, a daring escape. There must be a prophecy that actually surprises, a final battle with an unexpected ending. There must be dull villagers, street-smart orphans and an impossibly clever-but-wicked noble villain." "What book is this?" I brush that aside. "No one book. It is my list of pieces from the best. Adventures by night in a graveyard are in Tom Sawyer, in Great Expectations, The Horse and His Boy, in Harry Potter. Duels are in The Three Musketeers and The Princess Bride. The Westing Game and The Three Musketeers have mystery and disguises. The Treasure of Alpheus Winterborn and The Hobbit and Treasure Island and Tom Sawyer have treasures and a mystery. The High King and The Mouse and His Child have a prophecy that actually surprises. Lord of The Rings has magic rings and ghosts and the lost heir and mutant tigers -" "Does not!" " -and The Beggar Princess and The Prince and The Pauper have the clever street-wise kids. Harry Potter and The Black Cauldron and The Sword in the Stone and Momo and The Wizard of Oz all have the crazy wizard and the orphan with a destiny and The Last Unicorn and Lud in the Mist and The Thirteen Clocks and Three Musketeers and The Princess Bride have the sly noble villain."I have to stop for breath. I must be getting old.