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Two lost souls. One thing in common. Nothing left to lose. Only Brady McCassey could get himself into so much trouble by just looking at a pretty girl. For the bad boy who knows better than to let his guard down, mistakes like that can be deadly. The first time Starr sees Brady, she knows he's the reason she was so drawn to Hagerstown, Maryland. Her horrifying past behind her, Starr has dedicated her life to living in peace, and is surprised by how easily she accepts the violence surrounding Brady and his tight-knit family. When Brady's blindsided by ghosts from his past, it's Starr who comes to his rescue—twice—forcing him to put down his flask and take a good look in the mirror. Finally ready to face his demons, Brady sobers up and takes on the roll of leader, as the McCasseys band together and stand behind him.
Two lost souls. One thing in common. Nothing left to lose. Only Brady McCassey could get himself into so much trouble by just looking at a pretty girl. For the bad boy who knows better than to let his guard down, mistakes like that can be deadly. The first time Starr sees Brady, she knows he's the reason she was so drawn to Hagerstown, Maryland. Her horrifying past behind her, Starr has dedicated her life to living in peace, and is surprised by how easily she accepts the violence surrounding Brady and his tight-knit family. When Brady's blindsided by ghosts from his past, it's Starr who comes to his rescue—twice—forcing him to put down his flask and take a good look in the mirror. Finally ready to face his demons, Brady sobers up and takes on the roll of leader, as the McCasseys band together and stand behind him.
"In Barefoot on Barbed Wire Starr provides vivid portraits of screen stars, studio executives, and fellow writers from 1919 through the 1960s. He also discusses his contemporary publicists and columnists, including Howard Strickling and Harry Brand."--BOOK JACKET.
Joy and enthusiasm, Peale points out, are eminently cultivable qualities - and they are the basic ingredients of a good life. These qualities have changed the lives of countless people - and now they can, and will, change yours.
The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture. Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style. This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.