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How does a boy from a small California town end up traveling the world-teaching roller skating? Starlight Express, Andrew Lloyd Webber's immensely popular, long-running musical about racing trains is performed entirely on roller skates. "Skating The Starlight Express" tells the story of how Michal, hired to coach and train the performers of the Broadway production "to be comfortable on their skates," went on to become the trainer for Starlight productions around the world. Michal gives you a glimpse behind the scenes and reveals some of the challenges the actors face (his Skate School training is just one!) in preparing themselves for performing Starlight Express on stage.
A fascinating look at the special Starlight Express overnight train service between London and Glasgow/Edinburgh
Chronicles the efforts of an NPR contributor to read the "Encyclopedia Britannica" from A to Z, sharing the humorous mishaps that occurred as a result of the endeavor, from changed family relationships to his efforts to join Mensa.
Music and Lyrics by Barry Keating. Book by Barry Keating and Stuart Ross. Characters: 6 male, 6 female, plus 2 droids. Now released...a newly updated version! Dreaming her way into a comic book adventure in Innerspace, Eleanor saves the galaxy in this zingy rock musical. It is Eleanor, Spacepunk, the Starmites and the lizard man against the evil Banshees (weird women with dangerous hair-dos) led by Diva and Shak Graa. Diva's entrance song, "Hard to Be Diva," is a guaranteed show stopper. Every space age possibility for light hearted thrills is thoroughly exploited to delight fun loving comic book fans. "A space age Peter Pan!...Assets include Mr. Keating's eclectic pop rock score, which occasionally pauses for a sweet ballad or gospel number between the hard driving 60's style melodies...A light hearted space flight."-The New York Times"Wonderful entertainment for the young and the young at heart."-WNBC-TV "The score is irresistible."-ABC Radio "A campy adventure aimed at the latent teenager in all of us."-Christian Science Monitor
(Instrumental Solo). 40 of the most memorable songs composed by the inimitable Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: Amigos Para Siempre (Friends for Life) * Any Dream Will Do * Don't Cry for Me Argentina * I Believe My Heart * I Don't Know How to Love Him * Learn to Be Lonely * Love Changes Everything * Memory * No Matter What * The Phantom of the Opera * Pie Jesu * Starlight Express * Stick It to the Man * Tell Me on a Sunday * 'Til I Hear You Sing * Whistle Down the Wind * With One Look * You Must Love Me * and many more.
The New York Times called Stephen Sondheim "the greatest and perhaps best known artist in the American musical theater," while two months earlier, the same paper referred to his contemporary, Andrew Lloyd-Webber as "the most commercially successful composer in history." Whatever their individual achievements might be, it is agreed by most critics that these two colossi have dominated world musical theater for the last quarter century and hold the key to the direction the musical stage will take in the future. Here in the third volume of Stephen Citron's distinguished series The Great Songwriters--in depth studies that illuminated the musical contributions, careers, and lives of Noel Coward and Cole Porter (Noel & Cole: The Sophisticates), and Oscar Hammerstein 2nd and Alan Jay Lerner, (The Wordsmiths)--this eminent musicologist has taken on our two leading contemporary contributors to the lyric stage. His aim has not been to compare or judge one's merits over the other, but to make the reader discover through their works and those of their contemporaries, the changes and path of that glorious artform we call Musical Theater. In his quest, Citron offers unique insight into each artist's working methods, analyzing their scores--including their early works and works-in-progress. As in Citron's previously critically acclaimed books in this series, great significance is given to the impact their youthful training and private lives have had upon their amazing creative output. Beginning with Sondheim's lyrics-only works, West Side Story, Gypsy, Do I Hear A Waltz? through his scores for Saturday Night, Company, Anyone Can Whistle, Follies, Pacific Overtures, A Little Night Music, Sweeney Todd, Merrily We Roll Along, Sunday In the Park, Into the Woods, Assassins, and Passion, all these milestones of musical theater have been explored. Lloyd-Webber's musical contribution from his early works, The Likes of Us and Joseph to Jesus Christ Superstar, Evita, Cats, Starlight Express, Aspects of Love, By Jeeves, The Phantom of the Opera, Song & Dance, Mass, Sunset Boulevard to Whistle Down the Wind are also thoroughly analyzed. The works of these two splendid artists are clarified for the casual or professional reader in context with their contemporaries. Complete with a quadruple chronology (Sondheim, Lloyd-Webber, US Theater, British Theater), copious quotations from their works, and many never before published illustrations, the future of the artform that is the crowning achievement of the 20th century is made eminently clear in this book. Sondheim & Lloyd-Webber is a must-read for anyone interested in the contemporary theater.
Winner of the Jhalak Prize 'A revelation' Owen Jones 'Afropean seizes the blur of contradictions that have obscured Europe's relationship with blackness and paints it into something new, confident and lyrical' Afua Hirsch A Guardian, New Statesman and BBC History Magazine Best Book of 2019 'Afropean. Here was a space where blackness was taking part in shaping European identity ... A continent of Algerian flea markets, Surinamese shamanism, German Reggae and Moorish castles. Yes, all this was part of Europe too ... With my brown skin and my British passport - still a ticket into mainland Europe at the time of writing - I set out in search of the Afropeans, on a cold October morning.' Afropean is an on-the-ground documentary of areas where Europeans of African descent are juggling their multiple allegiances and forging new identities. Here is an alternative map of the continent, taking the reader to places like Cova Da Moura, the Cape Verdean shantytown on the outskirts of Lisbon with its own underground economy, and Rinkeby, the area of Stockholm that is eighty per cent Muslim. Johny Pitts visits the former Patrice Lumumba University in Moscow, where West African students are still making the most of Cold War ties with the USSR, and Clichy Sous Bois in Paris, which gave birth to the 2005 riots, all the while presenting Afropeans as lead actors in their own story.
A Prisoner in Fairyland - Algernon Blackwood - In the train, even before St. John's was passed, a touch of inevitable reaction had set in, and Rogers asked himself why he was going. For a sentimental journey was hardly in his line, it seemed. But no satisfactory answer was forthcoming -- none, at least, that a Board or a Shareholders' Meeting would have considered satisfactory. The old vicar spoke to him strangely. "We've not forgotten you as you've forgotten us," he said. "And the place, though empty now for years, has not forgotten you either, I'll be bound." Rogers brushed it off. Just silliness -- that was all it was. But after St. John's the conductor shouted, "Take your seats! Take your seats! The Starlight Express is off to Fairyland! Show your tickets! Show your tickets!" And then the forgotten mystery of his childhood came back to him. . . . Algernon Henry Blackwood, CBE (14 March 1869 – 10 December 1951) was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's." and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century". Blackwood was born in Shooter's Hill (now part of south-east London, then part of north-west Kent). Between 1871 and 1880, he lived at Crayford Manor House, Crayford and he was educated at Wellington College. His father, Stevenson Arthur Blackwood, was a Post Office administrator; his mother, Harriet Dobbs, was the widow of the 6th Duke of Manchester. According to Peter Penzoldt, his father, "though not devoid of genuine good-heartedness, had appallingly narrow religious ideas." After he read the work of a Hindu sage left behind at his parents' house, he developed an interest in Buddhism and other eastern philosophies. Blackwood had a varied career, working as a dairy farmer in Canada, where he also operated a hotel for six months, as a newspaper reporter in New York City, bartender, model, journalist for The New York Times, private secretary, businessman, and violin teacher. Throughout his adult life, he was an occasional essayist for periodicals. In his late thirties, he moved back to England and started to write stories of the supernatural. He was successful, writing at least ten original collections of short stories and later telling them on radio and television. He also wrote 14 novels, several children's books and a number of plays, most of which were produced, but not published. He was an avid lover of nature and the outdoors, as many of his stories reflect. To satisfy his interest in the supernatural, he joined The Ghost Club. He never married; according to his friends he was a loner, but also cheerful company. Jack Sullivan stated that "Blackwood's life parallels his work more neatly than perhaps that of any other ghost story writer. Like his lonely but fundamentally optimistic protagonists, he was a combination of mystic and outdoorsman; when he wasn't steeping himself in occultism, including Rosicrucianism, or Buddhism he was likely to be skiing or mountain climbing." Blackwood was a member of one of the factions of the Hermetic Order of the Golden Dawn, as was his contemporary Arthur Machen. Cabalistic themes influence his novel The Human Chord.