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Virginia Heffernan gives a highly informative analysis of what the internet is and can be in an examination of its past, present and future.
~ STARLET'S WEB Gold Medal Winner: 2014 Readers' Favorite International Book Award Contest: Christian Romance ~ ~ STARLET'S WEB Gold Medal Winner: 2013 AUTHORdb Book Cover Contest! ~ ~ STARLET'S WEB WINNER: January 21, 2013 IBD AWARD! ~ Love. Lies. Acting. A novel about celebrity influence & teens in Hollywood. What makes a star shine? Humility empowers the spirit. Sometimes. Discover the Starlet Series for new adult & college readers and uncover the life of a talented actress caught in Hollywood's web of lies. I'm actress Liana Marie Michael. I won an Oscar at 17 but whatever. Celebrity is what it is: marketing a product. I'm part of a tight-knit group. I keep to myself and don't complain about my life. I've been happy until lately. Evan dumping me leveled me. Matthew shocked me. I knew he couldn't hurt me with my bodyguard so near, but his eyes...so I have trust issues. Dating super-hot Byron didn't help clear the confusion either. I'm torn between going to church on Sunday and making a living from pop culture. But experience builds perspective. My days of shutting up needed to end. First, I told Manuel. Then I told my mom. It turned out awesome until I learned the truth. Now I'm screwed. Totally. Let's face it: Hollywood's web entangles everyone. "YA fans will absolutely want to check out this series, where they'll find a new heroine to root for in the flawed but sympathetic Liana." - BlueInk Review ---Genres: YA contemporary romance, teen love and romance, young adult, coming of age fiction, new adult Christian romance, cultural fiction. Contains sex and mild swearing.
In an age of ubiquitous digital media and permanent mutual observation scandals are omnipresent. Everybody can release them, everybody can become their victim. Videos on mobile phones terminate careers, Twitter messages generate outrage, and SMS messages turn into evidence. Documents of embarrassment and public disgrace today display a novel kind of lightness and agility. They can be copied in no time, spread very quickly, resist all censorship - and in the extreme case stir up worldwide indignation. The consequence: the reputation of the powerful and the powerless, of enterprises and states, can be destroyed in record time. In order to illustrate these considerations the books describes recent case-(hi)stories, discussing public figures such as Tiger Woods and Anthony Weiner, the powerful and the helpless that suddenly find themselves in a worldwide pillory.
Acts of Media seeks to consolidate a field of multidisciplinary work around media technologies that intersects with legal scholarship. This volume brings together contributions from leading academics, lawyers, researchers and policy experts about contemporary India and Sri Lanka. The approaches to law and media taken in this volume challenge us to think outside of traditional disciplinary descriptions. Rather than approaching the law as being outside of, and constantly catching up with the media, the contributors of this book view law and media as being deeply intertwined. The chapters in this volume address the relationship between law and media through different entry points---disputes over media and information systems shaping law, theories of law that incorporate media forms, and law and media co-producing trials. The multidisciplinary nature of this book has facilitated a rich and productive conversation among legal scholars, researchers and lawyers from disciplines such as constitutional law, law and technology, media and cinema studies, legal anthropology and political science.
There no longer seems any point to criticizing the internet. We indulge in the latest doom-mongering about the evils of social media-on social media. We scroll through routine complaints about the deterioration of our attention spans. We resign ourselves to hating the internet even as we spend much of our waking lives with it. Yet our unthinking surrender to its effects-to the ways it recasts our aims and desires-is itself digital technology's most powerful achievement. A Web of Our Own Making examines how online practices are reshaping our lives outside our notice. Barba-Kay argues that digital technology is a 'natural technology'-a technology so intuitive as to conceal the extent to which it transforms our attention. He shows how and why this technology is reconfiguring knowledge, culture, politics, aesthetics, and theology. The digital revolution is primarily taking place not in Silicon Valley but within each of us.
Most people don’t know it yet, but branding is dead. Of course, we need to know about the things we want to buy, but the billions of pounds spent on logos, sponsorships, and jingles have little – if anything – to do with consumer behaviour. For example: -Dinosaur-headed execs in Microsoft ads didn't help sell software. -Citibank's artsy "live richly" billboards didn't prompt a single new account. -United Airlines' animated TV commercials didn't fill more seats on airplanes. In Branding Only Works on Cattle, branding guru Jonathan Salem Baskin reveals that modern consumers are harder to find, more difficult to convince, and even harder to retain. They make decisions based on experience – so what matters isn’t how creative, cool, or memorable the advertising is, but how companies can affect consumer behaviour. Marketing communications, distribution strategies, and customer service are all contributing to the new branding. This book will be the essential guide to understanding and thriving on this new branding dynamic.
The conditions in which 'development'—the process by which people, individually and collectively, enhance their capacities to improve their lives according to their values and interests—operates have significantly changed in the global information age, a period characterized by the technological revolution in information and communication, the rise of the networking form of social organization, and the global interdependence of economies and societies. This volume aims to redefine the means and goals of development in this new context: first, by characterizing the specific mode of development, informational development, that the authors consider to be the driver of the creation of material wealth in the twenty-first century; secondly, by reconceptualizing human development as the fulfilment of human wellbeing in the multidimensionality of the human experience, ultimately affirming dignity as the supreme value of development; thirdly, by examining the relationship between informational development and human development. After first setting out its analytical framework, the book brings together a diverse set of empirically-rich case studies to illustrate this investigation from across the globe—Silicon Valley, Costa Rica, Chile, South Africa, Finland, the European Union, and China—and concludes by attempting to reconceptualize development. It raises important questions and provides observations, including examining the concept of 'dignity as development', to contribute to a policy debate that should provide specific answers linked to the conditions of each society, and be enacted by democratic institutions in a concerted global effort to save humankind while there is still time.
This volume collects a wide-ranging sample of fresh analyses of Spider-Man. It traverses boundaries of medium, genre, epistemology and discipline in essays both insightful and passionate that move forward the study of one of the world's most beloved characters. The editors have crafted the book for fans, creators and academics alike. Foreword by Tom DeFalco, with poetry and an afterword by Gary Jackson (winner of the 2009 Cave Canem Poetry Prize).
A jargon-free manual for novice computer users covers everything one needs to know to enter the computer age, including how to select and set up a computer, how to sign up for e-mail and Internet access, and how to navigate the Web.
This history of the punk movement in the United States shows how punk music, fashion, art, and attitude clashed with and ultimately influenced mainstream culture. Unlike other volumes on the punk era that focus on just the music—and primarily on British punk bands—Punks: A Guide to an American Subculture spans the full expanse of punk as it happened in the United States, from the late-1960s blast from Iggy Pop and the Stooges to the full explosion of punk in the mid 1970s to its next-generation resurgences and continuing aftershocks. Punks covers it all—not just music, but the punk influence on film, fashion, media, and language. Readers will see how punk spread virally, through fan-created magazines, record labels, clubs, and radio stations, as well as how mainstream America reacted, then absorbed aspects of punk culture. The book includes interviews with key members of the punk subculture, including new conversations with people who participated in the punk scene in the 1970s and 1980s.