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Engaging essays by an internationally prominent historian and theorist of theater set design
In this collection of short stories Richard Thomas shows us in dark, layered prose the human condition in all of its beauty and dysfunction. A man sits in a high tower making tiny, mechanical birds, longing for the day when he might see the sky again. A couple spends an evening in an underground sex club where jealousy and possession are the means of barter. A woman is victimized as a child, and turns that rage and vengeance into a lifelong mission, only to self-destruct, and become exactly what she battled against. These 20 stories will take you into the darkness, and sometimes bring you back. But now and then there is no getting out, the lights have faded, the pitch black wrapping around you like a festering blanket of lies. What will you do now? It's eat or be eaten-so bring a strong stomach and a hearty appetite. Praise for ''Staring into the Abyss'' "The stories in STARING INTO THE ABYSS are little literary predators that are smart, savage, and stealthy, with a lethal pounce at the end. Readers who enjoy finely-crafted and genuinely disturbing dark fiction will love Richard Thomas's outstanding collection." -Lisa Morton, Bram Stoker Award-winning author of Monsters in L.A. "STARING INTO THE ABYSS by Richard Thomas is an outstanding book, a grim tapestry of broken lives and shattered dreams, of dark fantasies and dark reflections. It's one of the better single-author collections I've had the pleasure to read in recent years, and as such, gets my highest recommendation. It's also a fine testament to a talent I suspect we are going to be hearing a lot more from, and soon." -Kealan Patrick Burke, Bram Stoker Award-winning author of The Turtle Boy, and Kin. "With STARING INTO THE ABYSS, Richard Thomas takes you on a ride into a world of darkness and despair, punches you in the gut, and leaves you breathless. You'll hug your psyche a little tighter after reading." -Damien Walters Grintalis, author of Ink "STARING INTO THE ABYSS is gritty and ugly, seductive and sexy. Inside these filthy walls you will find everything you've ever feared you'd become; thugs, drunks, cons, prostitutes, murderers. Think of these pages as a mirror of what anyone--even you--can become, after just a few critical mistakes in life. Richard Thomas has proven time and again that he is one of the rising stars in the neo-noir culture. With Staring into the Abyss, he proves he has mastered it." -Max Booth III, author of True Stories Told By a Liar and Black Cadillacs "NO ONE DOES IT like Richard Thomas. Dark and disturbing, his unique blend of horror and noir digs its way into your psyche and leaves you begging for more." -C. W. LaSart, author of Ad Nauseam Reviews: "Richard Thomas may well be the best author that you haven't heard of yet...The longest story in the collection ['Victimized'] is...one of the best short stories that I've ever read. This kind of transgressive fiction is absolutely my favorite style of writing, leaning close enough towards horror to satisfy all of my darker urges." -P.M. Buchan, Starburst Magazine "Richard Thomas is a workhorse who is no stranger to dark fiction. But with his newest anthology of short fiction...[he] cranks the intensity up a notch while simultaneously turning the dimmer switch all the way down...Richard Thomas presents his gritty vision of despair at an unflinching, rapid-fire pace." -Sean Leonard, Horror News "This collection examines darker elements of the human condition with a mixture of wit and unflinching brutality...There are some great stories here, ranging from subtle humor to rushes of adrenaline. 'Underground Wonder Bound' had me practically euphoric with its pitch-perfect ending. 'Victimized' had me on the edge of my seat, completely wrapped up in the story and oblivious to the world around me." -The Indiscriminate Critic
"Built on her ... Modern Love column, 'When a Couch is More Than a Couch' (9/23/2016), a ... memoir of living meaningfully with 'death in the room' by the 38-year-old great-great-great granddaughter of Ralph Waldo Emerson--mother to two young boys, wife of 16 years--after her terminal cancer diagnosis"--
Guts, the Black Swordsman, goes from the frying pan to the fire as he must enter the mating chamber in the horrifying lair of trolls to rescue his love, Casca, and the Lady Farnese from the loathsome attentions of the hideous beasts. But while even an army of trolls cannot stand against Guts's boundless fury, the mightiest of warriors is no match for a demon lord. And so when Slan of the Godhand manifests from the entrails of slain trolls and takes Guts into her deadly embrace, Guts discovers he may not only be fighting for his life, but for his very soul!
Zarathustra was Nietzsche's masterpiece, the first comprehensive statement of his mature philosophy, and the introduction of his influential and well-known (and misunderstood) ideas including the "overman" or "superman" and the "will to power." It is also the source of Nietzsche's famous (and much misconstrued) statement that "God is dead." Though this is essentially a work of philosophy, it is also a masterpiece of literature, a cross between prose and poetry. A considerable part and parcel of Nietzsche's genius is his ability to make his language dance, and this is what becomes extraordinarily difficult to translate. It has been almost 40 years since Hollingdale's version for Penguin and almost 50 since Kaufmann's. However, anyone who appreciates the German original knows that these translations are merely adequate. While earlier translators have smoothed out the rough edges, cut corners and sometimes omitted troublesome passages outright, this one honors and respects the original as no other. Kaufmann and others are guilty of the deplorable tendency to "improve" on the original. Much is lost by this means, to say nothing of the interior rhythms, the grace notes, the not always graceful but omnipresent and striking puns and wordplays. And in not a few instances the current translation improves on Kaufmann's use of English or otherwise clarifies what Nietzsche is really saying
Courting the Abyss updates the philosophy of free expression for a world that is very different from the one in which it originated. The notion that a free society should allow Klansmen, neo-Nazis, sundry extremists, and pornographers to spread their doctrines as freely as everyone else has come increasingly under fire. At the same time, in the wake of 9/11, the Right and the Left continue to wage war over the utility of an absolute vision of free speech in a time of increased national security. Courting the Abyss revisits the tangled history of free speech, finding resolutions to these debates hidden at the very roots of the liberal tradition. A mesmerizing account of the role of public communication in the Anglo-American world, Courting the Abyss shows that liberty's earliest advocates recognized its fraternal relationship with wickedness and evil. While we understand freedom of expression to mean "anything goes," John Durham Peters asks why its advocates so often celebrate a sojourn in hell and the overcoming of suffering. He directs us to such well-known sources as the prose and poetry of John Milton and the political and philosophical theory of John Locke, Adam Smith, John Stuart Mill, and Oliver Wendell Holmes Jr., as well as lesser-known sources such as the theology of Paul of Tarsus. In various ways they all, he shows, envisioned an attitude of self-mastery or self-transcendence as a response to the inevitable dangers of free speech, a troubled legacy that continues to inform ruling norms about knowledge, ethical responsibility, and democracy today. A world of gigabytes, undiminished religious passion, and relentless scientific discovery calls for a fresh account of liberty that recognizes its risk and its splendor. Instead of celebrating noxious doctrine as proof of society's robustness, Courting the Abyss invites us to rethink public communication today by looking more deeply into the unfathomable mystery of liberty and evil.
Nietzsche once said, "He who fights with monsters should look to it that he himself does not become a monster. And if you gaze long into an abyss, the abyss also gazes into you." Gaze into the abyss if you dare. 100 lined pages to write down what you see in the abyss, what nihilistic shortcomings you face in life, and how they don't matter because all is meaningless, and meaninglessness is the only meaning you will ever find in your short, dreary existence. For the pessimist in your life, this notebook is the perfect reminder that nothing will ever matter.
Veteran criminal profiler Steve Daniels takes a detailed look into the behavioral intricacies that separate contract killers from sexual deviants, highly organized planners from low-functioning opportunists.
Violet has lost her memory, and her sense of self—but can she decide who she wants to be in time to save the world? Find out in this sequel to Falls the Shadow, which Kirkus Reviews called perfect “for fans of Divergent and The Hunger Games.” Violet Benson used to know who she was: a dead girl’s clone, with a dead girl’s memories. But after Huxley’s attempt to take over the government left her memories and personality wiped, all she has left is a mission: help the CCA fight back against the rest of Huxley’s deadly clones that are still at large. But when a group of clones infiltrate CCA headquarters, Violet is blamed. Already unsure of where her loyalties should lie, Violet finds herself running away with an unlikely ally: Seth, Jaxon’s unpredictable foster brother. With Seth at her side, Violet begins to learn about a whole new side of her city’s history—and her own. But when she learns the shocking truth about cloning, Violet will have to make a choice—and it may be one that takes her away from everyone she ever loved.
Written in Irvin Yalom’s inimitable story-telling style, Staring at the Sun is a profoundly encouraging approach to the universal issue of mortality. In this magisterial opus, capping a lifetime of work and personal experience, Dr Yalom helps us recognise that the fear of death is at the heart of much of our day-to-day anxiety. This reality is often brought to the surface by an 'awakening experience' — a dream, a loss (such as the death of a loved one, a divorce, or the loss of a job or home), illness, trauma, or ageing. Once we confront our own mortality, Dr Yalom writes, we are inspired to rearrange our priorities, communicate more deeply with those we love, appreciate more keenly the beauty of life, and increase our willingness to take the risks necessary for personal fulfillment. This is a book with tremendous utility, including the provision of techniques for dealing with the most prevalent kinds of fears of death — especially by living in the here and now, and by embracing what Dr Yalom calls ‘rippling’, the influence and impact we all have that has a life beyond our own.