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Some skeletons are better left in the closet. Steven Sharpe is on the road to recovery. After boozing, drugging, and sex with just about anything that moved, he’s making a comeback. Age is only a number, right? Why should he hang up his mic and guitar at thirty-seven when hard rock music needs a shot in the arm? And with his powerful voice, Steven figures he’ll have no problem regaining the adulation he once embraced as the lead singer of StarHaze. Despite all the crazy, fun times from back in the day, one night will forever be emblazoned in his mind—the moment he fucked up his chance at love. Driven and determined, Noah James is quickly climbing the corporate ladder. At twenty-eight, he’s been promoted to junior partner and has finally gained his peer respect. Though Noah still gets crap for being a gay black man, he doesn’t allow that to deter him from fulfilling his goal of being the only James man graduate college and build a successful career. But the past has a way of sneaking up when he least expects it and biting him in the ass. Ten years ago, Noah and Steven were strangers at a run-down bar with their only connection being a song. When they’re thrown together again by chance, neither of them is prepared for the roller coaster of emotions they can no longer deny. Now, the two men must face the truth that while love is a fierce emotion, so is fear.
Heroes And Hierophants is the culmination of a year of innovative writing from three of today's hottest underground authors. The plan was simple: each week one of them would propose a topic, and they would each have a week to write about it. Then the next week another would give a topic, and so forth for the whole of the year. From this simple high concept beginning, Marcus D'Ambrose, Douglas Palermo and Noel Rogers took the project into directions entirely unprecedented. From serious god knowledge to rape jokes, the fearless trio push the envelope, lift the skirt of reality and explore the boundaries of the written word. What is already described as "a bold and visionary experiment in 21st century literature" (The Milville Times) and "perhaps the first look at a new integral method for the evolution of the species into cosmic awareness" (The Dobbs Ferry Clarion) is finally ready for download into your consciousness. Are you ready for it?
A tour de force of suspense, violence, and New York City streetwise atmosphere. Detective Joe Cullen is on the track of dirty cops, dirty money, and dirty sex that leads from the murdered Detective Jenny Swale into the highest levels of the NYPD and the state capital.
The life and influence of singer Phil Ochs Phil Ochs burst onto the American music scene just as the popularity of folk music was breaking through on the national consciousness. Along with friend and rival Bob Dylan, Ochs wrote some of the most compelling topical music of his time. In There But for Fortune, Michael Schumacher explores the life and career of a singer, songwriter, and political activist whose music resonates today as much as it applied to a divided country a half-century ago. His politically charged songs were covered by Pete Seeger; Joan Baez; Gordon Lightfoot; Peter, Paul and Mary; and a host of others, and such songs as “I Ain’t Marching Anymore” and “The War Is Over” became anthems of the anti–Vietnam War movement. He seemed to be performing everywhere, from concerts on college campuses to huge demonstrations, culminating with an appearance at the Democratic National Convention in Chicago in 1968. But as this biography illustrates in painstaking detail, Ochs suffered from a dark side that gravely affected his life and music. Diagnosed as manic depressive, he shifted between incredible highs and debilitating lows that ultimately drove him to suicide at age 36. To piece together his life story, Schumacher interviewed Ochs’s friends, family members, and fellow musicians; examined his journals and scrapbooks; and even scrutinized his FBI files. While Phil Ochs’s life might have been plagued by downturn and tragedies, his music is an enduring call to activism and fighting for a better future.
A New York Times Bestseller! An Instant Indie Bestseller! A dark, twisty modern fairytale where three sisters discover they are not exactly all that they seem and evil things really do go bump in the night. Iris Hollow and her two older sisters are unquestionably strange. Ever since they disappeared on a suburban street in Scotland as children only to return a month a later with no memory of what happened to them, odd, eerie occurrences seem to follow in their wake. And they're changing. First, their dark hair turned white. Then, their blue eyes slowly turned black. They have insatiable appetites yet never gain weight. People find them disturbingly intoxicating, unbearably beautiful, and inexplicably dangerous. But now, ten years later, seventeen-year-old Iris Hollow is doing all she can to fit in and graduate high school on time--something her two famously glamourous globe-trotting older sisters, Grey and Vivi, never managed to do. But when Grey goes missing without a trace, leaving behind bizarre clues as to what might have happened, Iris and Vivi are left to trace her last few days. They aren't the only ones looking for her though. As they brush against the supernatural they realize that the story they've been told about their past is unraveling and the world that returned them seemingly unharmed ten years ago, might just be calling them home.
AUTO/ETHNOGRAPHIES Auto/ethnography is a quickly growing and popular sub-field of research in sociology, anthropology, communications, psychology, and health sciences. It is the examination of the self in culture, a "new" branch of memoir and auto/biography that takes the sociological imagination one step further into the postmodern use of the meta-narrative. It is a passionate blend of the "mystory" with academic discourse. Hemmingson follows in the footsteps of C. Wright Mills, Erving Goffman, David Hayano, Norman K. Denzin, and Carolyn Ellis, and then veers off in his own direction, seeking a personal methodology to uncover his own truth, shunning the old and embracing a pristine language of the self-anthropology of the self. A stunning collection! MICHAEL HEMMINGSON has penned over 35 books of literary, western, SF, horror, noir, autobiography, erotica, narrative journalism, gonzo journalism, cultural anthropology, critical theory, critifiction, and ethnography. He lives and works in Southern California.
A Hollywood lawyer and producer takes part in a Civil War reenactment to escape the monotony of his life in this novel by the author of All Joe Knight. As a young man, John Reynolds fled his provincial hometown of Gettysburg, Pennsylvania, for Los Angeles, lured by the promise of a life fueled by the excitement of show business. But after twenty years in Hollywood, Reynolds feels existentially unfulfilled. He resides in a beautiful mansion with his wife and daughter, and his business is booming, but Reynolds remains despondent as his attempts to pivot into producing his own movie projects fail again and again. Depressed and at a creative dead-end, Reynolds finds himself inexplicably drawn back to the historical setting of his youth: he has secretly signed up to participate in a weekend-long reenactment of the Battle of Gettysburg in the unlikely California town of Enchino, sixty miles east of Los Angeles. Just before his departure, an ex-Playmate—the very centerfold of Reynolds’s adolescent daydreams—pitches him her idea for a reality TV show. When Reynolds impulsively invites the former Playmate and her best friend, a former Miss Universe, to accompany him to the reenactment, his plans for a solitary weekend of self-discovery run amok. With a compulsively readable narrative that offers a satirical portrait of Hollywood—the deal-making, the politics, the pitches—Gettysburg is an intelligent and powerful book about contemporary America. Praise for Gettysburg “A showbiz satire from someone who knows what he writes. . . . A comic romp about a weekend misadventure at a Civil War re-enactment.” —Variety “Morris’s entertaining second novel, following All Joe Knight, zeros in on a particular male fantasy, and acknowledges the importance of entertainment and honoring the past, both personal and historic.” —Booklist “Though Reynolds’s plans for renewal end up wildly off the mark, he ultimately finds something of value. While delightedly skewering the privileged entertainment industry lifestyle, Morris uses Reynolds’s travails and the divisions of the Civil War period to make larger points about the current state of America.” —Library Journal
THE STORY: AFTER ASHLEY is a blisteringly funny and deeply affecting story about a teenage boy navigating the joys and terrors of life—all through the distorting prism of a media firestorm. When a family tragedy deals the Hammond family a dose of dubious celebrity, Justin finds himself paralyzed, unable to fully grieve or grow up. The only bright spot is a girl, only Justin can't decide if she's a saving angel or a self-interested groupie. In a world as weird as this one, she might just be both.