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From a thrilling train crash staged in Queenstown for The Whip, a 1917 melodrama, to modern romantic comedies such as Runaway Bride and Wedding Crashers, the beautiful Eastern Shore has long sung its siren call to Hollywood filmmakers. Big stars were born here, have lived here, and are buried here. Natives and come-heres alike have had films made about them. Robert Mitchum. Tallulah Bankhead. The Lindas, Hamilton and Harrison. Annie Oakley. Misty of Chincoteague. Lucille Fletcher and Douglass Wallop. Edna Ferber, Showboat, and the James Adams Floating Theatre. The First Kiss. Violets Are Blue. Failure to Launch. Novelists and screenwriters tend to love this place, but at least one scribe who spent formative years here and didn't like it a bit-James M. Cain-would go on to author some of the most scorching crime stories ever to shatter Hollywood censorship standards. You'll read about all this and more in Stardust by the Bushel. Eastern Shore historian and lifelong resident Brent Lewis offers a wide-ranging compass-from Wilmington to Cape Charles, Oxford to Ocean City-finding literally scores of connections to Tinseltown. No Eastern Shore bookshelf will be complete without this fresh look at an underappreciated dimension of Eastern Shore history-its distinctive role as a hatchery, sanctuary, and stage setting for universally known moments in American pop culture.
Stephen Digges is the kind of angry adolescent a lot of parents would have given up on. He is out of control by the time he is 13 -- running with gangs, stealing cars, fooling around with drugs and guns, and in general making his family’s life hell. Confronted with his growing recklessness and defiance, his mother, the poet Deborah Digges, decides to try to accept Stephen on his own terms--a course that stuns her family and leads to the breakup of her second marriage. Digges “shadows” him on his late-night forays so that she can understand his world, welcomes his gang into their apartment, and tries to see life through his eyes. When she discovers that children who are devoted to animals have an easier time forming attachments to other people, she fills their home with a menagerie of ailing or abandoned pets. She also turns to an unconventional therapist who offers unusual — but helpful — treatment. The Stardust Lounge isn’t your usual story of rebellious adolescence. The power of Digges’s memoir comes from her stubborn unwillingness to give up on Stephen. Even when things are roughest, Digges manages to see the intelligent, sensitive child behind the hostile behavior. However difficult the path she chooses, her story is ultimately a heartening one, and it’s impossible not to root for this family as it rebuilds itself.
Perched on the brink of stardom, Jan Welles had to choose between abandoning her career that she had worked hard to achieve or admit her lesbianism. She walked away from stardom and kept her integrity intact.
This book combines for the first time Carmichael's two autobiographies, "The Stardust Road" (1945) and "Sometimes I Wonder" (1965) with the addition of eight new pages of photos and a new introduction and select discography. of photos.
Fifty years ago, no one could explain mountains. Arguments about their origin were spirited, to say the least. Progressive scientists were ridiculed for their ideas. Most geologists thought the Earth was shrinking. Contracting like a hot ball of iron, shrinking and exposing ridges that became mountains. Others were quite sure the planet was expanding. Growth widened sea basins and raised mountains. There was yet another idea, the theory that the world's crust was broken into big plates that jostled around, drifting until they collided and jarred mountains into existence. That idea was invariably dismissed as pseudo-science. Or "utter damned rot" as one prominent scientist said. But the doubtful theory of plate tectonics prevailed. Mountains, earthquakes, ancient ice ages, even veins of gold and fields of oil are now seen as the offspring of moving tectonic plates. Just half a century ago, most geologists sternly rejected the idea of drifting continents. But a few intrepid champions of plate tectonics dared to differ. The Mountain Mystery tells their story.
NATIONAL BESTSELLER • A “beautiful and eye-opening” (Jacqueline Woodson), “hilarious and heart-rending” (Celeste Ng) graphic memoir about American identity, interracial families, and the realities that divide us, from the acclaimed author of The Sleepwalker’s Guide to Dancing. ONE OF THE TEN BEST BOOKS OF THE YEAR: Chicago Tribune, The New York Public Library, Publishers Weekly • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, BuzzFeed, Esquire, Literary Journal, Kirkus Reviews “How brown is too brown?” “Can Indians be racist?” “What does real love between really different people look like?” Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love. Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation—and to the hope that hovers in our most difficult questions. LONGLISTED FOR THE PEN/OPEN BOOK AWARD “Jacob’s earnest recollections are often heartbreaking, but also infused with levity and humor. What stands out most is the fierce compassion with which she parses the complexities of family and love.”—Time “Good Talk uses a masterful mix of pictures and words to speak on life’s most uncomfortable conversations.”—io9 “Mira Jacob just made me toss everything I thought was possible in a book-as-art-object into the garbage. Her new book changes everything.”—Kiese Laymon, New York Times bestselling author of Heavy
The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside