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STARCALL Anthology of Novelized Radio Dramas and Teleplays, Vol. 1, illustrated by the author with Dramatis Personae (portraits of the main characters). Written in the tradition of The Outer Limits TV series, each "episode" (standalone story) is in its own genre: sci-fi, military fiction, space opera, mystery, suspense, action/adventure, cyberpunk, steampunk, romance, drama, apocalyptic, post-apocalyptic, supernatural, prehistory, alternate reality, time travel, etc. A little bit of everything for everyone, suitable for teens and adults alike.
STARCALL Anthology of Novelized Radio Dramas and Teleplays, Vol.2, by Bob Bello, illustrated by the author with Dramatis Personae (portraits of the main characters). Written in the tradition of The Outer Limits TV series, each "episode" (standalone story) is in its own genre: sci-fi, military fiction, space opera, mystery, suspense, action/adventure, cyberpunk, steampunk, romance, drama, apocalyptic, post-apocalyptic, supernatural, prehistory, alternate reality, time travel, etc. A little bit of everything for everyone, suitable for teens and adults alike. STRACALL is published yearly each Christmas since 2011.
STARCALL Anthology of Novelized Radio Dramas and Teleplays, Vol.3, by Bob Bello, illustrated by the author with Dramatis Personae (portraits of the main characters). Written in the tradition of The Outer Limits TV series, each of the 10 "episodes" (a standalone story) is in its own genre: sci-fi, military fiction, space opera, mystery, suspense, action/adventure, cyberpunk, steampunk, romance, drama, apocalyptic, post-apocalyptic, supernatural, prehistory, alternate reality, time travel, etc. A little bit of everything for everyone, suitable for teens and adults alike. STRACALL is published yearly each Christmas since 2011.
In 1999, the builders of the Lunar City discover something that is quickly code-named "Lunar Anomaly." An international team is scrambled to investigate, but the classified mission is botched, creating an unprecedented situation that will change the history of the world as we know it.
Feed is an electrifying and critically acclaimed novel of a world a half-step from our own that the New York Times calls “Astonishing” — a novel of zombies, geeks, politics, social media, and the virus that runs through them all — from New York Times bestseller Mira Grant. The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED. Now, twenty years after the Rising, Georgia and Shaun Mason are on the trail of the biggest story of their lives—the dark conspiracy behind the infected. The truth will out, even if it kills them. More from Mira Grant: Newsflesh Feed Deadline Blackout Feedback Rise Praise for Feed: "I can't wait for the next book."―N.K. Jemisin "It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club "Gripping, thrilling, and brutal... McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) “Feed is a proper thriller with zombies.” —SFX
Identity crises, consumerism, and star-crossed teenage love in a futuristic society where people connect to the Internet via feeds implanted in their brains. Winner of the LA Times Book Prize. For Titus and his friends, it started out like any ordinary trip to the moon - a chance to party during spring break and play around with some stupid low-grav at the Ricochet Lounge. But that was before the crazy hacker caused all their feeds to malfunction, sending them to the hospital to lie around with nothing inside their heads for days. And it was before Titus met Violet, a beautiful, brainy teenage girl who knows something about what it’s like to live without the feed-and about resisting its omnipresent ability to categorize human thoughts and desires. Following in the footsteps of George Orwell, Anthony Burgess, and Kurt Vonnegut, Jr., M. T. Anderson has created a brave new world - and a hilarious new lingo - sure to appeal to anyone who appreciates smart satire, futuristic fiction laced with humor, or any story featuring skin lesions as a fashion statement.
The idea of creating an artificial human is an old one. One of the earliest science-fictional novels, Frankenstein, concerned itself primarily with the hubris of creation, and one’s relationship to one’s creator. Later versions of this “artificial human” story (and indeed later adaptations of Frankenstein) changed the focus to more modernist questions… What is the nature of humanity? What does it mean to be human? These stories continued through the golden age of science fiction with Isaac Asimov’s I Robot story cycle, and then through post-modern iterations from new wave writers like Philip K. Dick. Today, this compelling science fiction trope persists in mass media narratives like Westworld and Ridley Scott’s Blade Runner, as well as twenty-first century science fiction novels like Charles Stross’s Saturn's Children and Paolo Bacigalupi’s The Windup Girl. The short stories in More Human than Human demonstrate the depth and breadth of artificial humanity in contemporary science fiction. Issues of passing . . . of what it is to be human . . . of autonomy and slavery and oppression, and yes, the hubris of creation; these ideas have fascinated us for at least two hundred years, and this selection of stories demonstrates why it is such an alluring and recurring conceit.