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In the past, the examination of myth has traditionally been the study of the "Primitive" or the "Other." More recently, myth has been increasingly employed in movies and in television productions. Nowhere is this more apparent than in the Star Trek television and movie franchise. This collection of essays on Star Trek brings together perspectives from scholars in fields including film, anthropology, history, American studies and biblical scholarship. Together the essays examine the symbolism, religious implications, heroic and gender archetypes, and lasting effects of the Star Trek "mythscape."
Today's media, cinema and TV screens are host to new manifestations of myth, their modes of storytelling radically transformed from those of ancient Greece. They present us with narratives of contemporary customs and belief systems: our modern-day myths. This book argues that the tools of transmedia merchandising and promotional material shape viewers' experiences of the hit television series Star Trek, to reinforce the mythology of the gargantuan franchise. Media marketing utilises the show's method of recycling the narratives of classical heritage, yet it also looks forward to the future. In this way, it reminds consumers of the Star Trek story's ongoing centrality within popular culture, whether in the form of the original 1960s series, the later additions such as Voyager and Discovery or J. J. Abrams' `reboot' films. Chapters examine how oral and literary traditions have influenced the series structure and its commercial image, how the cosmological role of humanity and the Earth are explored in title sequences across various Star Trek media platforms, and the multi-faceted way in which Internet, video game and event spin-offs create rituals to consolidate the space opera's fan base. Fusing key theory from film, TV, media and folklore studies, as well as anthropology and other specialisms, To Boldly Go is an authoritative guide to the function of myth across the whole Star Trek enterprise.
The Star Trek phenomenon has grown since its creation by Gene Roddenberry, into several successful television series, numerous feature films, and a multi-million dollar merchandizing industry, including over 100 novels. This biography of Roddenberry exposes him as a contradictory and obsessive personality.
Deep Space and Sacred Time examines for the first time in book-length form the many ways Star Trek has served as a mythic reference point for American society--and suggests that an understanding of this phenomenon can help us to see ourselves more clearly as a culture.
The success of Star Trek is due in large part to the show's clever crafting of the stories, many of which come out of medieval topics and romances. This book will ask the questions only a critic would ask, and answer them in a way that fans of the show woill undertsnad; a literary and cultural review of the series.
Focusing primarily on the television series Star Trek, the Next Generation, Richards discusses the elements of the Star Trek series which enable it to successfully create a coherent universe, including the political structure, the psychology of individual characters, the stories and myths, the sense of religion, and how and why the various parts fit together.