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"Essays address philosophical aspects of the five television series and ten feature films that make up the Star Trek fictional universe"--Provided by publisher.
Reunites the editors of Star Trek and Philosophy with Starfleet’s finest experts for 31 new, highly logical essays Features a complete examination of the Star Trek universe, from the original series to the most recent films directed by J.J. Abrams, Star Trek (2009) and Star Trek Into Darkness (2013) Introduces important concepts in philosophy through the vast array of provocative issues raised by the series, such as the ethics of the Prime Directive, Star Trek’s philosophy of peace, Data and Voyager’s Doctor as persons, moral relativism and the Federation’s quest for liberation, the effect of alternate universes on reality and identity, the Borg as transhumanists, Federation Trekonomics, Star Trek’s secular society, and much, much more…! An enterprising and enlightening voyage into deep space that will appeal to hardcore fans and science fiction enthusiasts alike Publishing in time to celebrate the 50th Anniversary of the original TV series
Countering the dystopic and the apocalyptic, Star Trek's Philosophy of Peace and Justice introduces political philosophical reflections on peace, justice, and non-violence through dramatic plots in the utopian Star Trek Universe. Using key insights from a global array of philosophers, thinkers, and activists, including Martin Luther King Jr., Cesar Chavez, Angela Davis, Martha Nussbaum, Johan Galtung, and Desmond Tutu, José-Antonio Orosco guides readers through different Star Trek episodes, applying key concepts from peace and justice studies. In the Star Trek Universe, seemingly impossible realities, based on peace and justice exist indefinitely in a post-scarcity society marked by economic cooperation. Orosco continues its bold utopian mission and brings new challenges to the field of peace and justice studies that center anti-racism and intersectional theory to encourage the exploration, over conquest, of our own galaxy.
For Trekkies everywhere, a fascinating look at the philosophy of Star Trek, from Kirk and Spock to Janeway and Seven of Nine For four decades, Star Trek has been the obsession of millions of fans. But real Trekkies know that the show is more than just riveting entertainment. Its complex moral dilemmas present a view of the future that holds important truths for us in the present. Drawing on episodes from all four Star Trek generations, this unique book explores the ethics of the series in relation to the theories of the world's great philosophers. Questions about good and evil, right and wrong, power and corruption are discussed in language that,is both readable and compelling as the authors show, how the program has evolved over the years to address society's changing values. For this century and beyond, The Ethics of "Star Trek" is an intriguing look at a brilliantly imagined-world and what it can teach us about how to live.
American auteur Jeffrey Jacob "J. J." Abrams's genius for creating densely plotted scripts has won him broad commercial and critical success in TV shows such as Felicity (1998--2002), Emmy-nominated Alias (2001--2006), Emmy and Golden Globe-winning Lost (2004--2010), and the critically acclaimed Fringe (2008--2013). In addition, his direction in films such as Cloverfield (2008), Super 8 (2011), and the new Mission Impossible and Star Trek films has left fans eagerly awaiting his revival of the Star Wars franchise. As a writer, director, producer, and composer, Abrams seamlessly combines geek appeal with blockbuster intuition, leaving a distinctive stamp on all of his work and establishing him as one of Tinsel Town's most influential visionaries. In The Philosophy of J.J. Abrams, editors Patricia L. Brace and Robert Arp assemble the first collection of essays to highlight the philosophical insights of the Hollywood giant's successful career. The filmmaker addresses a diverse range of themes in his onscreen pursuits, including such issues as personal identity in an increasingly impersonal digitized world, the morality of terrorism, bioethics, friendship, family obligation, and free will. Utilizing Abrams's scope of work as a touchstone, this comprehensive volume is a guide for fans as well as students of film, media, and culture. The Philosophy of J.J. Abrams is a significant contribution to popular culture scholarship, drawing attention to the mind behind some of the most provocative television and movie plots of our day.
Sensed a disturbance in The Force lately? This is whats been setting your midi-chlorians tingling. Seventeen Jedi adepts got together to probe the deeper reaches of the Star Wars epic. A hazardous quest philosophy is more risky than not letting a ...
Philosophers look at the deeper issues raised by the adventures of Doctor Who, the main character in the long-running science fiction TV series of the same name.
"A collection of essays exploring philosophical, political, and cultural themes of the television show Battlestar Galactica"--Provided by publisher.
When the first season of Star Trek opened to American television viewers in 1966, the thematically insightful sci-fi story line presented audiences with the exciting vision of a bold voyage into the final frontiers of space and strange, new galactic worlds. Perpetuating this enchanting vision, the story has become one of the longest running and most multifaceted franchises in television history. Moreover, it has presented an inspiring message for the future, addressing everything from social, political, philosophical, and ethical issues to progressive and humanist representations of race, gender, and class. This book contends that Star Trek is not just a set of television series, but has become a pervasive part of the identity of the millions of people who watch, read and consume the films, television episodes, network specials, novelizations, and fan stories. Examining Star Trek from various critical angles, the essays in this collection provide vital new insights into the myriad ways that the franchise has affected the culture it represents, the people who watch the series, and the industry that created it.
Drawing on a number of methodologies and disciplinary perspectives, this book boldly goes where none has gone before by focusing on the interplay between Star Trek, religion, and American culture as revealed in the four different Trek television series, and the major motion pictures as well. Explored from a Trek perspective are the portrayal and treatment of religion; the religious and mythic elements; the ritual aspects of the fan following; and the relationship between religion and other issues of contemporary concern. Divided into three sections, this detailed study of religion, myth, and ritual in the Star Trek context extends the boundaries of the traditional categories of religious studies, and explores the process of the (re)creation of culture. The first section explores the ways in which religion has primarily been understood in the Star Trek franchise in relationship to science, technology, scientism, and 'secular humanism.' What do Star Trek and its creator Gene Roddenberry have to say about religion, and what does this reveal about changing American perceptions about the role, value, and place of religion in everyday life? Section Two examines the mythic power and appeal of Star Trek, and highlights the mythic and symbolic parallels between the series' story lines and themes taken from both western religious tradition and the scientific and technological components of contemporary North American Society. In the final section, contributors discuss the mythic and ritual aspects of Star Trek fandom. How have Star Trek fans found meaning and value in the television programs, and how do they express that meaning in their lives? Contributors include Robert Asa, Michael Jindra, Larry Kreitzer, Jeffrey S. Lamp, Peter Linford, Ian Maher, Anne Pearson, Gregory Peterson, and Jon Wagner.