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Maddy Braverman, thirty and single, has taught first grade at an uber-elite private school in Greenwich Village for the past six years, a hip downtown school lauded as much for its progressive pedagogy as its privileged progeny—and its multitude of sex-crazed staff—including the headmaster, aka the Head Molester. Angry at herself for not moving on, Maddy gets distracted from her pity party with a new student, Lola Magdalena—daughter of A-list celebrities Nic and Shelby Seabolt—a last-minute addition to her class roster. When tragedy strikes Lola, Maddy has the chance to meet with Nic in his TriBeCa apartment. Maddy’s sexy celebrity fantasies turn to reality, leaving her breathless and spellbound. But from her front-row vantage point, Maddy learns the hard way that celebrity is not all it seems, and gets dealt a devastating blow that could leave her jobless, loveless, and alone. If she could just see things clearly, she could save herself from going Star Craving Mad.
A journey through time and space with Australia's best known astronomer, Fred Watson
Your family has a hankering--a yen for chicken tikka masala or queso fundido, for shrimp pad thai or a Philly cheesesteak--and they want it bad. So you decide to eat out at a local ethnic or roadside restaurant, or do take-out. It's expedient, but is the food really that good? Really really good? Because Lucinda Scala Quinn's versions of all those dishes families crave will knock your socks off and prove beyond a doubt that the foods you love can be made better, faster, tastier, cheaper, and more healthfully at home. Lucinda Scala Quinn is all about smart strategies that simplify and make for great taste, so why outsource feeding our families when it takes less time, money, and effort to cook these favorite comfort foods ourselves? And why miss out on the untold gifts of sitting at home with your family around the dining room table? So next time there's a request for pulled pork or deep-dish pizza or chicken fettuccine Alfredo, or cold soba noodles or fried rice, forget about soggy takeout and overpriced restaurants--just crack open this book and you'll find simple recipes for all those dishes your family wants to eat, right now.
This critical work concentrates on the science fiction writings of Paul Linebarger, who wrote under the pseudonym Cordwainer Smith, as well as other pseudonyms he created to reflect his different writing styles. His writings give voice to concerns about humanity and personal struggle; his ideas about love, loss, alienation, and psychic pain continue to resonate today. This work begins with a brief biographical sketch of Cordwainer Smith, linking elements of his past to his writing and focusing on his contributions to science fiction as well as his concern with humanity. Also discussed are Smith's published and unpublished novel-length non-science fiction, his revision process, the true man-underpeople dichotomy in his published and unpublished short fiction, and his only published novel-length science fiction work Norstrilia.
Author of the beloved Mad Hungry: Feeding Men and Boys, Lucinda Scala Quinn is the country’s foremost evangelist for family meals every day of the week. And she knows that the only way to make them a reality is by building a repertoire of dishes that are quick and easy to prepare, and guaranteed to please. In Mad Hungry Family, Scala Quinn has collected all the no-fuss, big-flavor recipes that send her family stampeding to the kitchen table—from flat roast chicken to second-day spaghetti pancakes—and peppered them with tips, tricks, and solutions learned over a lifetime of cooking both professionally and for her family of five. Here are survival strategies for nothing-in-the-fridge crises, feeding unexpected guests, getting Thanksgiving dinner on the table before your family revolts, and more. Also included are primers on the ingredients and techniques you need—and permission to ignore those you don’t. With soulful, satisfying recipes and real talk about what it takes to make family meals a reality, Mad Hungry Family is the “you-can-do-this” handbook every home cook needs.
Linguistic mistakes. We all make them. And if your name is George W Bush, you might make them more often than others. In 'The Ants are My Friends' (delightfully misheard from Bob Dylan's "Blowing in the Wind") Martin Toseland has collected the very best (and very worst) linguistic gifts of the gaffe. The catergories features include: Malapropisms (named after Mrs Malaprop in Sheridan's "The Rivals" where the wrong word pops out to bizarre results); Eggcorns (where a new word is created from misheard real one - the name comes from someone misunderstanding 'acorn' as 'eggcorn', as it has the same shape); Bushisms (the humour in which cannot be misunderestimated); and Mondegreens or misheard lyrics, which include such classic examples as: Who Ya Gonna Call, Gus Foster ("Ghostbusters" by Ray Parker Junior); Last Night I Dreamed of Some Bagels ("La Isla Bonita" by Madonna); Sparing His Life For His Mum's Sausages ("Bohemian Rhapsody" by Queen); It's a Fruit, Fruit Samba ("Cruel Summer" by Bananarama); and, Mr Tangerine Man ("Mr Tambourine Man" by Bob Dylan).
Winner of the 2021 Los Angeles Times Book Prize for Biography A Publishers Weekly Best Book of 2020 in Nonfiction A resonant biography of America’s most celebrated novelist of the Great Depression. The first full-length biography of the Nobel laureate to appear in a quarter century, Mad at the World illuminates what has made the work of John Steinbeck an enduring part of the literary canon: his capacity for empathy. Pulitzer Prize finalist William Souder explores Steinbeck’s long apprenticeship as a writer struggling through the depths of the Great Depression, and his rise to greatness with masterpieces such as The Red Pony, Of Mice and Men, and The Grapes of Wrath. Angered by the plight of the Dust Bowl migrants who were starving even as they toiled to harvest California’s limitless bounty, fascinated by the guileless decency of the downtrodden denizens of Cannery Row, and appalled by the country’s refusal to recognize the humanity common to all of its citizens, Steinbeck took a stand against social injustice—paradoxically given his inherent misanthropy—setting him apart from the writers of the so-called "lost generation." A man by turns quick-tempered, compassionate, and ultimately brilliant, Steinbeck could be a difficult person to like. Obsessed with privacy, he was mistrustful of people. Next to writing, his favorite things were drinking and womanizing and getting married, which he did three times. And while he claimed indifference about success, his mid-career books and movie deals made him a lot of money—which passed through his hands as quickly as it came in. And yet Steinbeck also took aim at the corrosiveness of power, the perils of income inequality, and the urgency of ecological collapse, all of which drive public debate to this day. Steinbeck remains our great social realist novelist, the writer who gave the dispossessed and the disenfranchised a voice in American life and letters. Eloquent, nuanced, and deeply researched, Mad at the World captures the full measure of the man and his work.
An important, shrewd, and laugh-out-loud funny debut novel that answers the question: What happens when Bridget Jones or the Sex and the City girls get married and have babies? Maybe you know Amanda. Maybe you are Amanda. Whoever you are, you will love Amanda. Nothing ever prepared Amanda for this: not her elite college degree, not her brainy friends, not her mother the feminist heroine. At age 35, she finds herself at home with two children, mopping spills and singing The Itsy-Bitsy Spider. It doesn't help that her husband's face is all over national television or that her best friend is dating a billionaire or that every woman she knows seems to have a plastic surgeon and an interior decorator. While everyone else is racing up the fast track, it's getting hard for Amanda to remember why she left work in the first place. Set amidst the glamour and power of boom-time Washington, D.C., Amanda Bright is a novel about status and ambition marriage and jealousy and a woman's struggle to discover the things that matter most. Amanda Bright@Home will become an anthem for a generation of women that is learning that success is not always found at the office.
Routledge Dictionary of English Language Studies is an indispensable guide to the richness and variety of the English language for both students and the general reader.
The Hawthorne University Witch Series, Books 4-6, is now available in this three-book collection. This trilogy is a standalone series that can be enjoyed without having read the previous books. Witch Mirror, Book 4: Reflections of a wicked witch. Cadence Hawthorne's love life is threatened by a demon-witch, but she has her teacher’s magic to protect her. Actually, not only does she have her magic, she has Alondra’s spirit inside her, possessing her. Ravens, Book 5: When evil lands on my doorstep. Cadence’s friends believe she is fighting a curse. But Cadence feels like she has to do whatever it takes to save the town, even if it means teaming up with her archenemy witch, Enora. Evil empowers Cadence, but her dark spellcasting threatens to drive a stake right through her heart and the heart of Hawthorne University. Shadow Cast, Book 6: You can't cast shadows in darkness. Enora claims Cadence is haunting her coven’s dreams. A séance is performed. But during the séance, Cadence doesn’t just see ghosts or spirits, she sees evil. Her new revelation might be enough to protect Bryce and her unborn baby—or save her greatest adversary. Content warning: The Hawthorne University Witch Series is a new adult college paranormal romance containing profanity, sexual scenes, adult situations, and, of course, witchcraft.