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In America, authors are as likely to be seen on television talk shows or magazine covers as in the more traditional settings of literary festivals or book signings. Is this literary celebrity just another result of ‘dumbing down’? Yet another example of the mass media turning everything into entertainment? Or is it a much more unstable, complex phenomenon? And what does the American experience tell us about the future of British literary celebrity?In Star Authors, Joe Moran shows how publishers, the media and authors themselves create and disseminate literary celebrity. He looks at such famous contemporary authors as Toni Morrison, J.D. Salinger, Thomas Pynchon, Don DeLillo, John Updike, Philip Roth, Kathy Acker, Nicholson Baker, Paul Auster and Jay McInerney. Through an examination of their own work, biographical information, media representations and promotional material, Moran illustrates the nature of modern literary celebrity. He argues that authors actively negotiate their own celebrity rather than simply having it imposed upon them – from reclusive authors such as Salinger and Pynchon, famed for their very lack of public engagement, to media-friendly authors such as Updike and McInerney. Star Authors analyses literary celebrity in the context of the historical links between literature, advertising and publicity in America; the economics of literary production; and the cultural capital involved in the marketing and consumption of books and authors.
There is no moment like the present; not only so, but, moreover, there is no moment at all, that is, no instant force and energy, but in the present. The man who will not execute his resolutions when they are fresh upon him can have no hope from them afterwards: they will be dissipated, lost, and perish in the hurry and skurry of the world, or sunk in the slough of indolence. -Maria Edgeworth. Maria Edgeworth, a noted English novelist, was born in Black Bourton, Oxfordshire, January 1, 1767, and died in Edgeworthstown, Ireland, May, 1849. She wrote: "Early Lessons," "Castle Rackrent," "Tales of Fashionable Life," "Belinda," "Leonora," "Moral Tales," "The Modern Griselda," "Helen," "Ormond," and "Patronage." 'Tis always morning somewhere in the world. "Orion," Book iii, Canto ii (1843).-Richard Henry Horne. Richard Henry Horne, a famous English miscellaneous writer, was born January 1, 1803, and died March 13, 1884. His principal works are: "The Dreamer and the Worker," "Cosmo de' Medici," "Orion," "A New Spirit of the Age," "The Death of Marlowe," "Judas Iscariot, A Miracle Play," "Australian Facts and Prospects," and "Exposition of the False Medium, and Barriers Excluding Men of Genius from the Public."
What does it take to go from unknown hopeful to published author? &break;&break;Writing is a lonely occupation where rejection is the norm, and learning about the early hardships of today's best-selling authors can provide vital reassurance (and comic relief) to aspiring authors. These compelling stories of perseverance and publication will nurture your dreams until you succeed. Inside you'll find: &break;&break; How more than eighty authors launched a successful career–in their own words. Many of these stories appear in this book for the very first time, while others are famous and have been passed down as literary legend.&break; Ten "absolute" rules to follow for publishing success, gleaned from an analysis of more than fifty "how to get published" books. &break; Inspiration and instruction that will help you realize your publishing dreams. &break;&break;How I Got Published focuses on the scary and exciting time when writers are poised to jump before they discover if they can fly–the days when a writer has nothing but a manuscript or an idea or a story, and a desire to get it published. &break;&break;Everybody loves a success story, and this book will leave you feeling energized and upbeat about finding your way. For resources, updates, and news visit: www.HowIGotPublished.com. &break;&break;Contributors include: &break;Clive Cussler, Gayle Lynds, David Brin, J.A. Jance, F. Paul Wilson, Sue Ann Jaffarian, Christopher Moore, Gillian Roberts, Greg Bear, John Lescroart, Marian Keyes, David Morrell, M.J. Rose, Stephen White, Karen Rose Smith, Stephen Coonts, and dozens of others.
The strange-but-true tales of the rumors, idiosyncrasies, and feuds of literary legends—including Agatha Christie, F. Scott Fitzgerald, William Shakespeare, and more This fascinating—and shocking!—tour through the lives of classic literature icons is the perfect stocking stuffer for book lovers and fans of little-known history. With outrageous and uncensored profiles of everyone from William Shakespeare to Thomas Pynchon, Secret Lives of Great Authors tackles all the tough questions your high school teachers were afraid to ask: What’s the deal with Lewis Carroll and little girls? Is it true that J. D. Salinger drank his own urine? How many women—and men—did Lord Byron actually sleep with? And why was Ayn Rand such a big fan of Charlie’s Angels? Classic literature was never this much fun in school! Authors included: William Shakespeare Lord Byron Honoré de Balzac Edgar Allan Poe Charles Dickens The Brontë Sisters Henry David Thoreau Walt Whitman Leo Tolstoy Emily Dickinson Lewis Carroll Louisa May Alcott Mark Twain Oscar Wilde Arthur Conan Doyle W.B. Yeats H.G. Wells Gertrude Stein Jack London Virginia Woolf James Joyce Franz Kafka T.S. Eliot Agatha Christie J.R.R. Tolkien F. Scott Fitzgerald William Faulkner Ernest Hemingway Ayn Rand Jean-Paul Sartre Richard Wright William Burroughs Carson McCullers J.D. Salinger Jack Kerouac Kurt Vonnegut Toni Morrison Sylvia Plath Thomas Pynchon
In 1788, the Catalogue of Five Hundred Celebrated Authors of Great Britain, Now Living forecast a form of authorship that rested on biographical revelation and media saturation as well as literary achievement. This collection traces the unique experiences of women writers within a celebrity culture that was intimately connected to the expansion of print technology and of visual and material culture in the nineteenth century. The contributors examine a wide range of artifacts, including prefaces, portraits, frontispieces, birthday books, calendars and gossip columns, to consider the nature of women's celebrity and the forces that created it. How did authors like Jane Austen, the Countess of Blessington, Louisa May Alcott, Alice Meynell, and Marie Corelli negotiate the increasing demands for public revelation of the private self? How did gender shape the posthumous participation of women writers such as Jane Austen, Ellen Wood, Mary Elizabeth Braddon and Christina Rossetti in celebrity culture? These and other important questions related to the treatment of women in celebrity genres and media, and the strategies women writers used to control their public images, are taken up in this suggestive exploration of how nineteenth and early twentieth century women writers achieved popular, critical, and commercial success.
The collection of essays in the book moves from the largest domain of celebrity culture in India – Bollywood – through celebrity life writing and biopics and, finally, to the politics of and by celebrity culture. The book begins with an exploration of films made around celebrity victims to the vernacular cosmopolitanism of Bollywood stars’ philanthropic and humanitarian work and, finally, to celebrity charisma and its role in the current era of ‘post-truth.’ Two studies of celebrity biopics and auto/biographies – from sports stars to Bollywood stars – and their disease memoirs are included. Finally, a section of essays are devoted to celebrity cultural politics, including Indian writing as a celebrity, the Narmada River as a celebrity, the desacralization of celebrity statues, Arundhati Roy’s celebrated and celebrity activism and the self-fashioning of Indian authors in the age of digital culture.
Bernadette has almost everything a twenty- six year old model could desire. She has a great home, beautiful clothing, and a wonderful family. Yet, all she really desires is a decent man to share her life with. Against her sister's wishes, Bernadette, joins the world of online dating. She can hardly believe her luck upon finding the profile of Martin Day, a handsome, successful businessman, who is moving to her hometown. The couple clicks instantly and their relationship is on the fast track to marital bliss, when suddenly a stranger brings unsettling news about Martin's past. Despite the warnings, Bernadette continues seeing him, and quickly finds out that some relationship mistakes cannot be easily fixed. As her situation grows increasingly out of control, she realizes that it has come down to life or death and that she must put a stop to Martin's reign of terror, at any cost.