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Between 1878 and 1881, Standish O’Grady published a three-volume History of Ireland that simultaneously recounted the heroic ancient past of the Irish people and helped to usher in a new era of cultural revival and political upheaval. At the heart of this history was the figure of Cuculain, the great mythic hero who would inspire a generation of writers and revolutionaries, from W. B. Yeats and Lady Augusta Gregory to Patrick Pearse. Despite the profound influence O’Grady’s writings had on literary and political culture in Ireland, they are not as well known as they should be, particularly in view of the increasingly global interest in Irish culture. This critical edition of the Cuculain legend offers a concise, abridged version of the central story in History of Ireland—the rise of the young warrior, his famous exploits in the Táin Bó Cualinge (The Cattle Raid of Cooley), and his heroic death. Castle and Bixby’s edition also includes a scholarly introduction, biography, timeline, glossary, editorial notes, and critical essays, demonstrating the significance of O’Grady’s writing for the continued reimagining of Ireland’s past, present, and future. Inviting a new generation of readers to encounter this work, the volume provides the tools necessary to appreciate both O’Grady’s enduring importance as a writer and Cuculain’s continuing resonance as a cultural icon.
Standish O'Grady was a major figure of the Irish Literary Revival. This work situates his literary, historical and political writing in its European intellectual context and considers the implications of his work.
"Standish O'Grady (1846-1928) is best remembered as the 'Father of the Irish Literary Revival'. Critics of have long puzzled, however, about the turns and contradictions of the 'Fenian-unionist's' thinking. This book offers an intellectual biography of O'Grady, tracing the tortuous development and influence of his ideas.It presents a new study of O'Grady's early historical and political works and, for the first time, a comprehensive overview of O'Grady's writing for the All Ireland Review. He edited the review between 1900 and 1907, the most prolific period of his writing life. This writing led O'Grady into many curious schemes, culminating in his turn to anarchism and promotion of 'Estates of the New Order', a plan to build communes in the Irish countryside.The portrait of the enigmatic writer contextualizes his role in the rise of Irish nationalism and explores the complexities of political and social affiliations during the first, formative decade of the twentieth century"--
An Irish quarterly review.
Both John Keats and Thomas Carlyle were born in 1795, but one rarely thinks of them together. When one does, curious speculations result. It is difficult to think of Carlyle as a young Romantic or of Keats as a Victorian Sage, but had Carlyle died prematurely and had Keats lived to a ripe old age, we might now be considering a Romantic Carlyle and a Victorian Keats. Such a juxtaposition leads one to consider the use and abuse, the fusions and confusions, of period terms in literary history and in criticism. Does Carlyle represent Romanticism as typically as Keats? Does Keats's work give us any cause to believe that he might have developed into a Victorian poet? Do the terms Romanticism and Victorian have any useful literary historical and literary critical value? What are the marks of the transition from one to the other? Or is the existence of such a transition an illusion? In this volume, some essays consider aspects of Keats or of Carlyle independently, or together, or focus on contemporaries of one or other or of both and explore the effect of their literary and ideological relationships, and the often indefinable sense that we all have of different styles, manners and periods, as well as the awareness that we might all be equally deceived about such distinctive boundaries and definitions.