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Colour is a sensation and as such it is a subjective and incommunicable quantity. Colour measurement is possible because we can create a correspondence between colour sensations and the light radiations that stimulate them. This correspondence concerns the physics of light radiation, the physiology of the visual process and the psychology of vision. Historically, in parallel to standard colorimetry, systems for colour ordering have been developed that allow colour specifications in a very practical and concrete way, based on the direct vision of material colour samples arranged in colour atlases. Colour-ordering systems are sources of knowledge of colour vision, which integrate standard colorimetry. Standard Colorimetry: Definitions, Algorithms and Software: Describes physiology and psychophysics useful to understand colorimetry Considers all the photometric and colorimetric systems standardized by CIE (XYZ, CIELAB, CIELUV, LMS) Presents colorimetric instrumentation in order to guide the reader toward colorimetric practice Discusses colorimetric computation to understand the meaning of numerical colour specification Considers colorimetry in colour syntheses and in imaging colour reproduction Includes ready-to-use, freely-available software, “Colorimetric eXercise”, which has multiple toolboxes dedicated to displaying CIE systems, atlases, any colour and its whole numerical specification colour-vision phenomena and tests Standard Colorimetry: Definitions, Algorithms and Software is an accessible and valuable resource for students, lecturers, researchers and laboratory technicians in colour science and image technology. Follow this link to download the free software “Colorimetric eXercise”: http://booksupport.wiley.com/ Standard Colorimetry: Definitions, Algorithms and Software is published in partnership with the Society of Dyers and Colourists (SDC). Find out more at www.wiley.com/go/sdc
This fully revised and expanded 2nd edition provides a single authoritative resource describing the concepts of color and the application of color science across research and industry. Significant changes for the 2nd edition include: New and expanded sections on color engineering More entries on fundamental concepts of color science and color terms Many additional entries on specific materials Further material on optical concepts and human visual perception Additional articles on organisations, tools and systems relevant to color A new set of entries on 3D presentation of color In addition, many of the existing entries have been revised and updated to ensure that the content of the encyclopedia is current and represents the state of the art. The work covers the full gamut of color: the fundamentals of color science; the physics and chemistry; color as it relates to optical phenomena and the human visual system; and colorants and materials. The measurement of color is described through entries on colorimetry, color spaces, color difference metrics, color appearance models, color order systems and cognitive color. The encyclopedia also has extensive coverage of applications throughout industry, including color imaging, color capture, display and printing, and descriptions of color encodings, color management, processing color and applications relating to color synthesis for computer graphics are included. The broad scope of the work is illustrated through entries on color in art conservation, color and architecture, color and education, color and culture, and biographies of some of the key figures involved in color research throughout history. With over 250 entries from color science researchers across academia and industry, this expanded 2nd edition of the Encyclopedia of Color Science and Technology remains the most important single resource in color science.
All successful imaging systems employ some form of color management for previewing, controlling and adjusting color throughout the image-production process. Today’s increasingly complex systems pose challenging problems: they must support numerous devices and media having disparate color properties, and they also must provide for the interchange of images among dissimilar systems. In this book, the authors address and solve these problems using innovative methods of representing color in the digital domain. The second edition of this popular book explains the capabilities and limitations of existing color management systems and provides comprehensive practical solutions for communicating color within and among imaging systems, from the simplest to the most complex. Beginning with the fundamentals of color and human color perception, the book progresses to in-depth analyses of the nature of color images, digital color encoding, color management systems and digital color interchange. Fully revised and updated, this second edition of Digital Color Management features new and expanded coverage including: electronic displays and electronic imaging systems; scene-based and appearance-based color encoding methods; color management for digital cinema; a Unified Paradigm—a comprehensive, integrated color-managed environment for the color-imaging industry; four new chapters, two new appendices, and more than 80 new figures. This book is an essential resource for engineers, programmers and imaging professionals designing and engineering color-imaging systems and for others simply looking to increase their understanding of the field. Scientists, researchers, advanced undergraduates and graduate students involved in imaging technology also will find this book of significant interest and usefulness. Reviews for the first edition: ‘The absence of unnecessary jargon, the impeccable writing style, the material depth leads only to one conclusion: If you buy one digital color book this year, buy this one.’ W. David Schwaderer, Digital Camera Magazine ‘It [Digital Color Management] fulfils the need among engineers and scientists for a comprehensive understanding of color management, imaging, media, viewing conditions, appearance and communication.’ Arthur S. Diamond, Imaging News
Colorimetry: Understanding the CIE System summarizes and explains the standards of CIE colorimetry in one comprehensive source. Presents the material in a tutorial form, for easy understanding by students and engineers dealing with colorimetry. Provides an overview of the area of CIE colorimetry, including colorimetric principles, the historical background of colorimetric measurements, uncertainty analysis, open problems of colorimetry and their possible solutions, etc. Includes several appendices, which provide a listing of CIE colorimetric tables as well as an annotated list of CIE publications. Commemorates the 75th anniversary of the CIE's System of Colorimetry.
Printers nowadays are having to learn new technologies if they are to remain competitive. This innovative, practical manual is specifically designed to cater to these training demands. Written by an expert in the field, the Handbook is unique in covering the entire spectrum of modern print media production. Despite its comprehensive treatment, it remains an easy-to-use, single-volume reference, with all the information clearly structured and readily retrievable. The author covers both traditional as well as computer-aided technologies in all stages of production, as well as electronic media and multimedia. He also deals with training, research, strategies and trends, showing readers how to implement the latest methods. With 1,200 pages, containing 1,500 illustrations - over half in colour - the Handbook conveys the current state of technology together with its specific terminology. The accompanying CD-ROM includes the entire manual in fully searchable form, plus additional software tools. Invaluable information for both beginners and "old hands" in printing works, publishing houses, trade associations, the graphics industry, and their suppliers.
Meeting the need for a reliable publication on the topic and reflecting recent breakthroughs in the field, this is a comprehensive overview of color quality of solid-state light sources (LED-OLED and laser) and conventional lamps, providing academic researchers with an in-depth review of the current state while supporting lighting professionals in understanding, evaluating and optimizing illumination in their daily work.