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Long before his momentous teaming with Oliver Hardy, comedian Stan Laurel (1890-1965) was a motion picture star in his own right. From his film debut in Nuts in May (1917) through his final solo starring effort Should Tall Men Marry? (1928), Laurel headlined dozens of short comedies for a variety of producers and production companies, often playing characters far removed from the meek, dimwitted "Stanley" persona that we know and love. This is a film-by-film look at the pictures Stan made as a solo artist, as well as those he wrote and directed for other stars, shows his development as a movie comedian and filmmaker. Comedy legend Jerry Lewis, a longtime friend and admirer of Stan Laurel, provides an affectionate and eloquent foreword. Included are several rare photographs and production stills.
A biography of Laurel and Hardy describes their original teaming in the 1927 short, "Duck Soup, " their considerable innovations, and their ongoing influence.
While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing! Explanation of comedic archetypes and devices will both inspire and inform your creative choices Exploration of various modes of storytelling allows you to give the right context for your story and characters Tips for creating worlds, scenarios, and casts for your characters to flourish in Companion website includes example videos and further resources to expand your skillset--check it out at www.comedyforanimators.com! Jonathan Lyons delivers simple, fun, illustrated lessons that teach readers to apply the principles of history’s greatest physical comedians to their animated characters. This isn’t stand-up comedy—it’s the falling down and jumping around sort!
This delightful biography conveys the warmth and humour of the much-loved duo whose hilarious escapades convulsed a generation of movie-goers and who continue to acquire new worldwide audiences via the medium of television. Describing the book as 'positively miraculous', the Times Literary Supplement was moved to add 'it is difficult to see how this book could be improved upon'.
John Connolly conjures the Golden Age of Hollywood in this moving, literary portrait of Laurel & Hardy--two men who found their true selves in a comedic partnership. "AMBITIOUS . . . EVOKES THE STYLE OF SAMUEL BECKETT." --NEW YORK TIMES "BRILLIANT." --SEATTLE BOOK REVIEW "EXTRAORDINARY." --LIBRARY JOURNAL (STARRED REVIEW) An unforgettable testament to the redemptive power of love, as experienced by one of the twentieth century's greatest performers. When Stan Laurel is paired with Oliver Hardy, affectionately known as Babe, the history of comedy--not to mention their personal and professional lives--is altered forever. Yet Laurel's simple screen persona masks a complex human being, one who endures rejection and intense loss; who struggles to build a character from the dying stages of vaudeville to the seedy and often volatile movie studios of Los Angeles in the early years of cinema; and who is haunted by the figure of another comic genius, the brilliant, driven, and cruel Charlie Chaplin. Eventually, Laurel becomes one of the greatest screen comedians the world has ever known: a man who enjoys both adoration and humiliation; who loves, and is loved in turn; who betrays, and is betrayed; who never seeks to cause pain to anyone else, yet leaves a trail of affairs and broken marriages in his wake. But Laurel's life is ultimately defined by one relationship of such astonishing tenderness and devotion that only death could sever this profound connection: his love for Babe.
Because they rely heavily on physical comedy, many Hollywood slapstick films can be understood as comic meditations on the place and nature of the human body. Focusing on the works of Charlie Chaplin, Buster Keaton, Harold Lloyd, and Laurel and Hardy, among others, this book examines ways that the body represents or interacts with the mind, setting, voice and machines in slapstick films. Also covered are female performances in slapstick and brutality and suffering in the slapstick tradition.
From the early days of film came Laurel and Hardy, a comedy team that created slapstick hilarity from life's simplest situations. Some seventy years after their heyday, Arthur Stanley Jefferson and Oliver Norvell "Babe" Hardy are still remembered for the comic chaos they created in film shorts. They gave us something to laugh at by reminding us of our own foibles, in a way that was genuine and unpretentious. The lanky Stan Laurel (1890-1965) and portly Ollie Hardy (1892-1957) had but one objective: to create as many laughs as would fit in one short film. And that, they did. The book begins by exploring their comedy in the early days of film. A chapter is dedicated to each of "the boys"--Laurel from Ulverston, England, and Hardy from the state of Georgia--as a person and performer. Further chapters explore the slapstick and gags of Laurel and Hardy and how the pair survived the transition to sound that left behind many actors of the day. It was only when they began to work for large studios, churning out cookie-cutter scripts, that their art began to lose its way. The book takes the reader through the ups and downs of their careers and to a final comeback. A filmography lists works from 1917 to 1951 with information on availability.
For the first time, all 99 Laurel and Hardy comedies, from early two-reelers through classic shorts and great features, are fully documented with cast-lists, credits and plot outlines. 400 photos.