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Essays based on a monumental-sized photograph by preeminent visual artist Stan Douglas.
This is an art book on the politics of urban conflict based around artist Stan Douglas' stunning photo installation of the same name, depicting a violent confrontation in 1971 between police and Vancouver's counterculture known as the Gastown Riot. The book, which features essays by Alexander Alberro, Serge Guilbaut, and others, addresses various issues raised by Douglas' work, including the suppression and assimilation of the counterculture. It also includes other works from Douglas' Crowds and Riots series. Stan Douglas has exhibited widely, including at the Venice Biennale, Whitney Biennial, and documenta. He is the subject of numerous books, including Stan Douglas (Phaidon Press).
Picture a six-minute conversation filmed by 20 cameras, then sliced, diced and reshuffled by computer into a film that's 157-hours long. (Yes, that's more than a week, but you don't have to watch the whole thing at once.) It's the essence of Stan Douglas, who "witholds the artificial neatness of conclusion and gives us instead a sense of the interminable," as one admiring critic wrote. In Inconsolable Memories, Douglas uses photos he took in Cuba as the base for his unique approach to narrative, putting together a look at exile and identity against the backdrop of the 1980 Mariel Boatlift. Includes essays by Svon Luttiken and Phillip Monk, the lavishly illustrated screenplay, and 40 color plates of recent photographs.
Visual artist Stan Douglas explores the turbulent history of 1970s Portugal, a time when the nation both freed itself from a dictatorship and relinquished its colonial holdings. The book features three works. The first, a video installation titled 'The Secret Agent', follows a story written by Joseph Conrad in 1907. Douglas keeps the plot characters but transports the narrative to Lisbon, soon after the Carnation Revolution. 'Disco Angola', a series of staged historic photos in New York and Angola, juxtaposes the city's hedonistic nightlife with the African nation's brutal civil war. Finally, 'Luanda-Kinshasa' is a six-hour-long film comprising eleven jazz songs from the legendary 30th Street Studio. Exhibition: Wiels, Brussels, Belgium (09.10.2015-10.01.2016).
From public-access television to social media: EAI's groundbreaking history with video art This volume marks the 50th anniversary of Electronic Arts Intermix (EAI), one of the first nonprofit organizations dedicated to the advocacy and development of video art.
Text by Christopher Eamon, Mieke Bal, Beatriz Colomina, Thomas McDonough.
Applied Pharmacology provides the essential details that are required for a solid understanding of pharmacology: how the drugs work, why side effects occur, and how the drugs are used clinically. Drs. Stan Bardal, Jason Waechter, and Doug Martin integrate the experience of the pharmacologist and the physician for a clinical focus that ensures a complete understanding of pharmacology.in print and online. Find information quickly and compare and contrast drugs easily thanks to a clear and consistent format without extraneous material. Apply basic pharmacology to clinical situations through integrated text. Enhance your learning with "For Your Information" sections detailing history and anecdotes for many agents within a given drug class. Access the fully searchable text online at studentconsult.com, along with 150 USMLE-style multiple choice questions, downloadable images, and online only references. Learn the essential details of pharmacology and enhance your understanding through an entirely new, fantastic art program. Gain a thorough understanding of key pharmacology components in a concise and efficient format
A deeply powerful, poetic and compelling book on the challenges facing our world, from one of Australia's most experienced journalists and international commentators, Stan Grant. History is turning. In only a few short decades, we have come a long way from Francis Fukuyama's declaration of the 'end of history' and the triumph of liberal democracy in 1989. Now, with the inexorable rise of China, the ascendancy of authoritarianism and the retreat of democracy, the world stands at a moment of crisis. This is a time of momentous upheaval and enormous geopolitical shifts, compounded by the global pandemic, economic collapse and growing inequality, Islamist and far right terror, and a resurgent white supremacy. The world is in lockdown and the showdown with China is accelerating - and while the West has been at the forefront of history for 200 years, it must now adapt to a world it no longer dominates. At this moment, we stand on a precipice - what will become of us? Stan Grant is one of our foremost observers and chroniclers of the world in crisis. Weaving his personal experiences of reporting from the front lines of the world's flashpoints, together with his deep understanding of politics, history and philosophy, he explores what is driving the world to crisis and how it might be averted. He fears the worst, but begins to chart the way forward. There is bitterness, anger and history here, but there is also the capacity for negotiation, forgiveness and hope. A powerful and incisive analysis of the state of our world, and our place within it.
This book celebrates the fortieth anniversary of the Hasselblad Award ? the world?s most prestigious photography prize ? and the influential work of all its winners to date. Their photography reveals a broad spectrum of engagement with the world, from the personal and intimate to the scientific and political, from the street to the studio, from the cinematic, poetic and surreal to the curious, engaged and caring. They are artists, innovators, activists and legends who have shaped the modern history of photography. Foreword by Sir Elton John. Essays by Duncan Forbes, Director of Photography, Victoria and Albert Museum, London.0Texts by: Duncan Forbes, Elton John, Nina Strand, Louise Wolthers, Dragana Vujanovic Östlind.