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“Everyone who is interested in the ivory-billed woodpecker will want to read this book—from scientists who wish to examine the data from all the places Tanner explored to the average person who just wants to read a compelling story.” —Tim Gallagher, author of The Grail Bird: The Rediscovery of the Ivory-billed Woodpecker In 1935 naturalist James T. Tanner was a twenty-one-year-old graduate student when he saw his first ivory-billed woodpecker, one of America’s Istudent when he saw his first ivory-billed woodpecker, one of America’s rarest birds, in a remote swamp in northern Louisiana. At the time, he rarest birds, in a remote swamp in northern Louisiana. At the time, he was part of an ambitious expedition traveling across the country to record and photograph as many avian species as possible, a trip organized by Dr. Arthur Allen, founder of the famed Cornell Lab of Ornithology. Two years later, Tanner hit the road again, this time by himself and in search of only one species—that ever-elusive ivory-bill. Sponsored by Cornell and the Audubon Society, Jim Tanner’s work would result in some of the most extensive field research ever conducted on the magnificent woodpecker. Drawing on Tanner’s personal journals and written with the cooperation of his widow, Nancy, Ghost Birds recounts, in fascinating detail, the scientist’s dogged quest for the ivory-bill as he chased down leads in eight southern states. With Stephen Lyn Bales as our guide, we experience the same awe and excitement that Tanner felt when he returned to the Louisiana wetland he had visited earlier and was able to observe and document several of the “ghost birds”—including a nestling that he handled, banded, and photographed at close range. Investigating the ivory-bill was particularly urgent because it was a fast-vanishing species, the victim of indiscriminant specimen hunting and widespread logging that was destroying its habitat. As sightings became rarer and rarer in the decades following Tanner’s remarkable research, the bird was feared to have become extinct. Since 2005, reports of sightings in Arkansas and Florida made headlines and have given new hope to ornithologists and bird lovers, although extensive subsequent investigations have yet to produce definitive confirmation. Before he died in 1991, Jim Tanner himself had come to believe that the majestic woodpeckers were probably gone forever, but he remained hopeful that someone would prove him wrong. This book fully captures Tanner’s determined spirit as he tracked down what was then, as now, one of ornithology’s true Holy Grails. STEPHEN LYN BALES is a naturalist at the Ijams Nature Center in Knoxville, Tennessee. He is the author of Natural Histories, published by UT Press in 2007.
Unseen for more than sixty years and thought to be extinct, interest in the Ivory-Billed Woodpecker exploded in 2004 when two birders reported capturing the bird on film while searching a bottomland forest in Arkansas. STAKING THE GHOST BIRD examines the lengthy debate over the ivory-bill's status by examining the reported sightings and extensive efforts to find the rare bird in Louisiana. In this absorbing study, author Steinberg turns his lifelong interest in the majestic ivory-billed woodpecker into a tale that encapsulates both the mystery and intrigue surrounding the legendary bird.
After stumbling upon a book of photographs depicting extinct animals, B.J. Hollars became fascinated by the creatures that are no longer with us; specifically, extinct North American birds. How, he wondered, could we preserve so beautifully on film what we’ve failed to preserve in life? And so begins his yearlong journey to find out, one that leads him from bogs to art museums, from archives to Christmas Counts, until he at last comes as close to extinct birds as he ever will during a behind-the-scenes visit at the Chicago Field Museum. Heartbroken by the birds we’ve lost, Hollars takes refuge in those that remain. Armed with binoculars, a field guide, and knowledgeable friends, he begins his transition from budding birder to environmentally conscious citizen, a first step on a longer journey toward understanding the true tragedy of a bird’s song silenced forever. Told with charm and wit, Flock Together is a remarkable memoir that shows how “knowing” the natural world—even just a small part—illuminates what it means to be a global citizen and how only by embracing our ecological responsibilities do we ever become fully human. A moving elegy to birds we’ve lost, Hollars’s exploration of what we can learn from extinct species will resonate in the minds of readers long beyond the final page. Purchase the audio edition. Watch a book trailer for Hollars’s newest book, Midwestern Strange.
We are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not.
A comprehensive review of the hundreds of bird species that have become extinct over the last 1,000 years of habitat degradation, over-hunting and rat introduction. Extinct Birds has become the standard text on this subject, covering both familiar icons of extinction as well as more obscure birds, some known from just one specimen or from travellers' tales. This second edition is expanded to include dozens of new species, as more are constantly added to the list, either through extinction or through new subfossil discoveries. The book is the result of decades of research into literature and museum drawers, as well as caves and subfossil deposits, which often reveal birds long-gone that disappeared without ever being recorded by scientists while they lived. From Great Auks, Carolina Parakeets and Dodos to the amazing yet almost completely vanished bird radiations of Hawaii and New Zealand via rafts of extinction in the Pacific and elsewhere, this book is both a sumptuous reference and astounding testament to humanity's devastating impact on wildlife.
The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects. Scientific observation and representation tend to be seen as exclusively visual affairs. But scientists have often drawn on sensory experiences other than the visual. Since the end of the nineteenth century, biologists have used a variety of techniques to register wildlife sounds. In this book, Joeri Bruyninckx describes the evolution of sound recording into a scientific technique for studying the songs and calls of wild birds and asks, what it means to listen to animal voices as a scientist. The practice of recording birdsong took shape at the intersection of popular entertainment and field ornithology, turning recordings into objects of investigation and popular fascination. Shaped by the technologies and interests of amateur naturalism and music teaching, radio broadcasting and gramophone production, hobby electronics and communication engineering, birdsong recordings traveled back and forth between scientific and popular domains, to appear on gramophone recordings, radio broadcasts, and movie soundtracks. Bruyninckx follows four technologies—the musical score, the electric microphone, the portable magnetic tape recorder, and the sound spectrograph—through a cultural history of field recording and scientific listening. He chronicles a period when verbal descriptions, musical notations, and onomatopoeic syllables represented birdsong and shaped a community of listeners; later electric recordings struggled with notions of fidelity, realism, objectivity, and authenticity; scientists, early citizen scientists, and the recording industry negotiated recording exchange; and trained listeners complemented the visual authority of spectrographic laboratory analyses. This book reveals a scientific process fraught with conversions, between field and laboratory, sound and image, science and its various audiences.
Woody’s Last Laugh explores a simmering controversy amid scientists, conservationists, birders and the media: the supposed “extinction” of American ivory-billed woodpecker. Among the first to identify rampant mental errors inside conservation and environmental professions, the book identifies 53 distinct kinds of cognitive blunders, psychological biases, and logical fallacies on both sides of the woodpecker controversy. Few species have ever provoked such social rancor. Why are rumors of its persistence so prevalent, unlike other near or recently extinct animals? Why are we so bad mannered with each other about a mere bird? How is it that we cannot agree even on whether a mere bird is alive or dead? Woody’s Last Laugh uncovers why such mysteries so mess with our heads. By exploring uncharted borders between conservation and mental perception, new ways of evaluating truth and accuracy are opened to everyone. Author Dr. J. Christopher Haney is a biologist, conservation scientist and lifelong birder. For 12 years he was Chief Scientist at Defenders of Wildlife. In 2010, following the Deepwater Horizon oil blowout, the U.S. Fish & Wildlife Service invited him to lead the largest pelagic study of marine birds ever conducted in the Gulf of Mexico. Since 2013 he has been president of Terra Mar Applied Sciences, an independent public-interest conservation research firm which he founded. If there is one lesson Dr. Haney hopes his book delivers, it is to not overvalue our thinking skills. Human reason is fallible, even among scientists and technical experts. To improve our essential relationship with nature, conservation practices will need to devote as much attention to the unbridled thoughts as the unswerving sentiments. Dead or alive, however, the ivory-bill got the last laugh on us all.
A prizewinning poet and nature writer weaves together natural history, biology, sociology, and personal narrative to tell the story of the lives, habitats, and deaths of six extinct bird species.
In The Edge of Extinction, Jules Pretty explores life and change in a dozen environments and cultures across the world, taking us on a series of remarkable journeys through deserts, coasts, mountains, steppes, snowscapes, marshes, and farms to show that there are many different ways to live in cooperation with nature. From these accounts of people living close to the land and close to the edge emerge a larger story about sustainability and the future of the planet. Pretty addresses not only current threats to natural and cultural diversity but also the unsustainability of modern lifestyles typical of industrialized countries. In a very real sense, Pretty discovers, what we manage to preserve now may well save us later.Jules Pretty's travels take him among the Maori people along the coasts of the Pacific, into the mountains of China, and across petroglyph-rich deserts of Australia. He treks with nomads over the continent-wide steppes of Tuva in southern Siberia, walks and boats in the wildlife-rich inland swamps of southern Africa, and experiences the Arctic with ice fishermen in Finland. He explores the coasts and inland marshes of eastern England and Northern Ireland and accompanies Innu people across the taiga’s snowy forests and the lakes of the Labrador interior. Pretty concludes his global journey immersed in the discrete cultures and landscapes embedded within the American landscape: the small farms of the Amish, the swamps of the Cajuns in the deep South, and the deserts of California.The diverse people Pretty meets in The Edge of Extinction display deep pride in their relationships with the land and are only willing to join with the modern world on their own terms. By the examples they set, they offer valuable lessons for anyone seeking to find harmony in a world cracking under the pressures of apparently insatiable consumption patterns of the affluent.
The brook trout (Salvelinus fontinalis) is an iconic species among fly anglers and cold-water conservationists in eastern North America. This fish registers as a powerful symbol for its beauty and its imagery in art and literature. Its presence also tells us a great deal about the health of the larger environment. When an angler has a brook trout in hand, there is confidence that the water is close to pristine. Besides being an important indicator species, the brook trout, with its gold and reddish markings and its camouflaged green and black back, is one of the most beautiful freshwater fish in North America. And beyond the beauty of the fish itself, the environment in which it is found is also part of its past and present appeal. To fish for brook trout is often to fish in the last remote and rugged landscapes in the East, “fishscapes” that have not been polluted by stocking trucks that dump nonnative brown and rainbow trout in most of the East’s accessible cold waterways. Searching for Home Waters is part science, part environmental history, and part personal journey of the author, Michael K. Steinberg, and those he interviewed during his travels. The work takes a broad perspective that examines the status of brook trout in the eastern United States, employing a “landscape” approach. In other words, brook trout do not exist in a vacuum; they are impacted by logging, agriculture, fishing policies, suburban development, mining, air pollution, and climate change. Thus, while the book focuses specifically on the status and management of the brook trout—from Georgia to Labrador—it also tells the larger story of the status of the eastern environment. As a “pilgrimage,” this book is also a journey of the heart and contains Steinberg’s personal reflections on his relationship with the brook trout and its geography.