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A fascinating history of frontier Stalinism that sheds new light on the nature of Soviet society and Stalinism in the 1930s.
"This is a fascinating account of frontier Stalinism told through the previously unexplored history of a campaign to attract female settlers to the socialist frontiers of the Soviet Far East in the late 1930s. Elena Shulman reveals the instrumental part these migrants played in the extension of Soviet state power and cultural dominion in the region. Their remarkable stories, recovered from archival letters, party documents, memoirs, press coverage, and films, shed new light on Soviet women's roles in state formation, the role of frontier Stalinism in structuring gender ideals, and the nature of Soviet society and Stalinism in the 1930s. Through these narratives, Elena Shulman offers a nuanced and complex picture of the "subcultures" of Stalinism--generational, regional, and semi-criminal--as well as the complexities of women's lives under Stalin and the limits of Moscow's rule over the periphery and even the Gulag."--Publisher's description.
Focusing on how women, peasants and orphans responded to Bolshevk attempts to remake the family, this text reveals how, by 1936, legislation designed to liberate women had given way to increasingly conservative solutions strengthening traditional family values.
In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was "full of heroes," a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.
Bolshevik Women is a history of the women who joined the Soviet Communist Party before 1921. The book examines the reasons these women became revolutionaries, the work they did in the underground before 1917, their participation in the revolution and civil war, and their service in the building of the USSR. Drawing on a database of more than five hundred individuals as well as on intensive research into the lives of the most prominent female Bolsheviks, the study argues that women were important members of the Communist Party at its lower levels during its formative years. They were lieutenants, printing leaflets, speaking to crowds, and running party operations in the cities. They also created one of the most remarkable efforts to emancipate women from traditional society of the twentieth century. This book traces their fascinating lives from the earliest years of the revolutionary movement through to their old age in the time of Khrushchev and Brezhnev.
NEW YORK TIMES BESTSELLER • A revelatory history of one of Stalin's greatest crimes, the consequences of which still resonate today, as Russia has placed Ukrainian independence in its sights once more—from the author of the Pulitzer Prize-winning Gulag and the National Book Award finalist Iron Curtain. "With searing clarity, Red Famine demonstrates the horrific consequences of a campaign to eradicate 'backwardness' when undertaken by a regime in a state of war with its own people." —The Economist In 1929 Stalin launched his policy of agricultural collectivization—in effect a second Russian revolution—which forced millions of peasants off their land and onto collective farms. The result was a catastrophic famine, the most lethal in European history. At least five million people died between 1931 and 1933 in the USSR. But instead of sending relief the Soviet state made use of the catastrophe to rid itself of a political problem. In Red Famine, Anne Applebaum argues that more than three million of those dead were Ukrainians who perished not because they were accidental victims of a bad policy but because the state deliberately set out to kill them. Devastating and definitive, Red Famine captures the horror of ordinary people struggling to survive extraordinary evil. Applebaum’s compulsively readable narrative recalls one of the worst crimes of the twentieth century, and shows how it may foreshadow a new threat to the political order in the twenty-first.
An examination of political, social and cultural developments in the Soviet Union. The book identifies the social tensions and political inconsistencies that spurred radical change in the government of Russia, from the turn of the century to the revolution of 1917. Kenez envisions that revolution as a crisis of authority that posed the question, 'Who shall govern Russia?' This question was resolved with the creation of the Soviet Union. Kenez traces the development of the Soviet Union from the Revolution, through the 1920s, the years of the New Economic Policies and into the Stalinist order. He shows how post-Stalin Soviet leaders struggled to find ways to rule the country without using Stalin's methods but also without openly repudiating the past, and to negotiate a peaceful but antipathetic coexistence with the capitalist West. In this second edition, he also examines the post-Soviet period, tracing Russia's development up to the time of publication.
In contrast to those who see the 1950s as essentially a conservative period, and who view the 1960s as a time of rapid moral change, The Permissive Society points to the emergence of a liberalizing impulse during the Truman and Eisenhower years. The book shows how, during the 1950s, a traditionalist moral framework was beginning to give way to a less authoritarian approach to moral issues as demonstrated by a more relaxed style of child-rearing, the rising status of women both inside and outside the home, the increasing reluctance of Americans to regard alcoholism as a sin, loosening sexual attitudes, the increasing influence of modern psychology, and, correspondingly, the declining influence of religion in the personal lives of most Americans.
The second volume of The Cambridge History of Communism explores the rise of Communist states and movements after World War II. Leading experts analyze archival sources from formerly Communist states to re-examine the limits to Moscow's control of its satellites; the de-Stalinization of 1956; Communist reform movements; the rise and fall of the Sino-Soviet alliance; the growth of Communism in Asia, Africa and Latin America; and the effects of the Sino-Soviet split on world Communism. Chapters explore the cultures of Communism in the United States, Western Europe and China, and the conflicts engendered by nationalism and the continued need for support from Moscow. With the danger of a new Cold War developing between former and current Communist states and the West, this account of the roots, development and dissolution of the socialist bloc is essential reading.
Malgorzata Fidelis' study of female industrial workers in postwar Poland proves that women were central to the making of communist society.