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Stained glass is a monumental art, a corporate enterprise dependent on a patron with whom artists blend their voices. Combining the fields now labeled decorative arts, architecture, and painting, the window transforms our experience of space. Windows of colored glass were essential features of medieval and Renaissance buildings. They provided not only light to illuminate the interior but also specific and permanent imagery that proclaimed the importance of place. Commissioned by monks, nuns, bishops, and kings, as well as by merchants, prosperous farmers, and a host of anonymous patrons, these windows vividly reflect the social, religious, civic, and aesthetic values of their eras. Beautifully illustrated with reproductions from the remarkable stained glass collection at the J. Paul Getty Museum, Stained Glass addresses the making of a stained glass window, its iconography and architectural context, the patrons and collectors, and the challenges of restoration and display. The selected works include examples from Austria, Belgium, England, France, Germany, the Netherlands, and Switzerland. Subject matter ranges from monumental religious scenes for Gothic churches to lively heraldic panels made for houses and other secular settings. Integrating comparisons to works of art in other media, such as manuscripts, drawings, and panel paintings, this book encourages the general reader to see stained glass as an element of a broad artistic production.
An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art
Instructions on basic copper-foil and leaded-glass techniques, selecting and cutting glass, safety tips, and other illuminating topics.
This volume combines two rare and important early 20th-century portfolios to present nearly 200 full-color stained glass designs. Chiefly works by Arnold Lyongrün; includes designs by Bacard, Beauclair, Geyling, others.
"Di Spirito expands the visual and dictionary definition of what it means to put colored glass together. [She] presents in-depth information on glass and techniques. Five projects, one each for her identified types, are well positioned for both beginners and somewhat experienced crafters...The final touch is a panoply of 30-something pages filled with designs to copy."--"Booklist."
Basic principles, techniques of stained glass design. Topics include design sources, enlarging and reworking, flat and three-dimensional projects, drawing techniques, computer technology, more. 84 projects included. 209 illustrations.
Viewers are irresistibly drawn to the radiance of Impressionist art — and with this coloring book, you can recapture the luminous quality that makes these paintings so popular. Splendid stained glass reproductions include 16 of the most beloved Impressionist works: van Gogh's The Starry Night, Mary Cassatt's The Bath, and Hassam's The Flower Girl, plus others by Gauguin, Manet, Monet, Sargent, Cézanne, Renoir, and more.
91 designs for workable projects: abstract patterns in both straight-line and curve; men and women in characteristic 1920s garb; geometrically stylized birds, trees and animals; and more. Intermediate to advanced level. 60 plates.