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First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.
Archaeological excavation, architectural survey and historical research carried out between 1978 and 1993 have elucidated the origins and early development of Wells Cathedral. Study concentrated primarily on the cloister and its adjuncts, and excavation took place in the adjoining ‘Camery’ garden. Here lay an ancient cemetery and the foundations of a succession of demolished buildings, ranging in date from Roman to post-medieval. Collectively, these enshrined a continuous development of religious and sepulchral activity, probably from the fourth to the mid-sixteenth century; secular uses followed. Adjacent to the Camery are the springs from which Wells takes its name. The first mention of the ‘holy well’ and minster church of St Andrew is in A.D. 766. Excavation yielded a complex stratigraphic sequence, demonstrating how an anonymous late Roman mausoleum burial probably provided the raison d’être for the development of a Middle Saxon cemetery and chapel, and hence for the origins of Wells Cathedral itself in 909. The establishment of this sequence is uniquely important in the history of English cathedral archaeology and sets Wells alongside developments in continental Europe.
This interdisciplinary study interprets the façade of Wells Cathedral as an integral part of thirteenth-century Church liturgy and politics. The façade promoted the aims of the church of Wells, the Fourth Lateran Council, and the English Church and State following Magna Carta.
"Indexes to papers read before the Museums Association, 1890-1909. Comp. by Charles Madeley": v. 9, p. 427-452.

Accessions

Victoria and Albert Museum. Department of Engraving, Illustration, and Design

Published: 1915

Total Pages: 780


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Cross the threshold into the world of the High Middle Ages and explore the illuminating wisdom, beauty and art of the Gothic cathedrals, stunning wonders of the medieval era for all to see today. From bejewelled stained glass windows to a pilgrimage “on the road” to Compostela, the wonders of Gothic architecture continue to inspire many worldwide. From the 12th century, the Gothic architectural style continued to spread throughout Europe. Highly-regarded medievalist Dr. Karen Ralls explores the legacy of this exquisite architectural period, whose artistic beauty and expert craftsmanship have served for centuries to inspire feelings of spiritual reverence and aesthetic wonder. She details the relationship between architecture, geometry, and music; explores the concept of the labyrinth; pilgrimage; Black Madonnas; astronomical calculations in the design and location of cathedrals; stone and wood carvings; gargoyles; the teachings of Pythagoras and the later Neo-Platonists, and more. For the general reader and specialist alike, Dr. Ralls guides the reader through the history, places, art, and symbolism of these unique "books in stone", providing a lively portal and solid resource for all. Lavishly illustrated with color photographs, a recommended reading section, lists of the major European cathedral sites and a full Bibliography, Gothic Cathedrals is a fascinating showcase of the mystic and spiritual symbolism found in these great structures of Europe, information that will help modern readers visit these sites and share in the energy of the sacred they continue to radiate.