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This fully illustrated book brings together over six years of research and an archive of thousands of high-quality photographs, to produce a detailed narrative outlining the range and development of stained glass in Wales from the 14th century up to the present day.
Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.
A book of images of St David from Welsh churches over the centuries, from the medieval to the modern, and discussing his life and impact.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
Major interdisciplnary study of medieval church porches, bringing out their importance and significance.
Some thirty years since its first publication, David Caron returns with an updated and greatly expanded edition of the Gazetteer of Irish Stained Glass, the definitive guide to Irish stained glass from 1900 to the present day.This is a practical and comprehensive guide for glass aficionados and those new to the art form that lists all of Ireland's significant stained-glass works, county by county, and the most noteworthy pieces abroad by Irish artists. Beautifully illustrated with vibrant new photography, the Gazetteer of Irish Stained Glass is bursting with colour and brimming with information about our most famous stained-glass artists, those who deserve to be better known, and the best contemporary artists working in the medium today.With over 2,500 entries, two essays, and biographical notes on major artists, this is the key reference book for both academics and all who wish to learn more about Ireland's celebrated stained-glass and where it can be found.
The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.
These churches are visually arresting, with often quaint, at times far-fetched and capricious exteriors. Internally, they often contain beautiful works of art, including reredoses, pulpits, lecterns, pews, doors, lighting, stained glass and altars. They also tell a fascinating story about religion as Britain entered the age of modernity. While the architects were often religiously sceptical, they were still committed to making beauty, despite their ambivalence about its higher purpose. Beginning with an introductory section in which author Alec Hamilton sets out the social and political context in which these churches were designed and constructed; on the Arts & Crafts more generally; and on the architects' and clients' beliefs, this book is then divided into regional sections: West Country; the South of England; the South East; London; the Home Counties; the Marches; the West Midlands; the East Midlands; the East of England; the North West; Yorkshire; the North of England; Wales; Scotland. Each section is headed by a short essay highlighting key architects and descriptions of notable churches within each region.
Broadcaster Huw Edwards traces the history of London's Welsh churches, the origins of the London Welsh, the pattern of Welsh migration to London past and present, the influence of Howel Harris and the early Methodists, the tradition of Welsh preaching, and describes in detail the Welsh religious causes in London.