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Blackpool has an unenviable reputation for its stag and hen parties. Every weekend marauding packs of brides and grooms, close friends and family, overflow its streets on a mission to consume dangerous, liver-crushing levels of alcohol. This, their rite of passage acted out on the last night of freedom, before the conventions and responsibilities of marital life, mortgage, children. Dougie Wallace presents an unflinching depiction of these nights in this unforgettable series of images.
Premier Padmini taxis, first introduced to Mumbai in the 1960s, have now all but disappeared. Over a 4 year period Dougie Wallace photographed these elaborate Bollywood disco bars on wheels.
An uncompromising and revealing series of pictures which draw attention to the excesses of the super rich
Wild, brash, outrageous and laced with humour, Dougie Wallace's photos capture the extreme variety of street life in one of London's most iconic areas: Shoreditch. Old people, young revellers, street vendors, those from many ethnic backgrounds and at all times of day - no one is immune to Wallace's sharp eye. They are captured in vivid colour in over 50 images in this beautiful book.
Graffiti now appears in galleries and museums worldwide. Artists who were once hoodied, hidden and nocturnal are out in the open, working in broad daylight from cherry-picker platforms. In East Ended you see every code of cool fashion and attitude, alongside scenes of poverty and people on the streets trading in anything but the cool. Gentrification has brought a numming sameness. Yet look carefully and you'll spot the cheeky protest posters - political critique to climate change resistance - purposefully plastered over and defacing the ads. The voice of the streets is reclaiming its walls.
A cynical peek into the excessive and deliciously kitsch world of Mexico's rich and famous, by critically acclaimed artist, Daniela Rossell.
- An important photo book that visually documents student life at Oxford University during the 1980s- The major work of award-winning photographer Dafyyd Jones- A powerful record of the future British establishment"I had access to what felt like a secret world. It was a subject that had been written about and dramatized but I don't think any photographers had ever tackled before. There was a change going on. Someone described it as a 'last hurrah' of the upper classes." - Dafydd Jones Oxford University at the start of the eighties, rife with black ties and ballgowns. A change was on its way - best described by a newspaper as 'the Return of the Bright Young Things'. At this time, Oxford University was synonymous with the wealthy, the powerful and the privileged. Many of the young people in these pictures moved on to have careers in the establishment including Boris Johnson and David Cameron. In these photographs, however, their youth is undeniable: teenagers in full suits celebrate the rise of Thatcher in England and Reagan in America, in between punting on the river, chasing romance and partying through the night. "It was Thatcher's Britain, a period of celebration for those that had money" - Dafydd Jones The Oxford Years shows a world that has been written about and dramatized, yet never photographed. Affectionate and critical, it pokes affectionate fun at its subjects while celebrating English eccentricity. From the architectural marvels of the colleges to misty mornings along the river at dawn, this is Oxford at its most beautiful - and the students of the 1980s at their most raw and honest.
Scientific information on four-footed animals given within a fictional narrative structure.
Terry Pratchett takes Shakespeare's Macbeth and then turns it up 'till the knob comes off. It's all there - a wicked duke and duchess, the ghost of the murdered king, dim soldiers, strolling players, a land in peril. And who stands between the Kingdom and destruction? Three witches. Granny Weatherwax (intolerant, self-opinionated, powerful), Nanny Ogg (down-to-earth, vulgar) and Magrat Garlick (naïve, fond of occult jewellery and bunnies). Stephen Briggs has been involved in amateur dramatics for over 25 years and he assures us that the play can be staged without needing the budget of Industrial Light and Magic. Not only that, but the cast should still be able to be in the pub by 10 o'clock! Oh, and a world of advice omitted from the play text: LEARN THE WORDS Havelock, Lord Vetinari
Former Disney animator offers expert advice on drawing animals both realistically and as caricatures. Use of line, brush technique, establishing mood, conveying action, much more. Construction drawings reveal development process in creating animal figures. Many chapters on drawing individual animal forms — dogs, cats, horses, deer, cows, foxes, kangaroos. 53 halftones, 706 line illustrations.