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Milwaukee was home to the Great Circus Parade for almost 30 years. Beginning in 1963 and continuing until 1972, the parade became an annual tradition, except in 1967 when the event was cancelled because of civil unrest. Revived on a smaller scale in 1980, the parade traveled between Baraboo and Chicago until it returned to Milwaukee in 1985. Each year, it grew in size and scope, gaining national prominence. The old-fashioned circus parade became an event of mammoth proportions, requiring an army of volunteers working behind the scenes.
Milwaukee was home to the Great Circus Parade for almost 30 years. Beginning in 1963 and continuing until 1972, the parade became an annual tradition, except in 1967 when the event was cancelled because of civil unrest. Revived on a smaller scale in 1980, the parade traveled between Baraboo and Chicago until it returned to Milwaukee in 1985. Each year, it grew in size and scope, gaining national prominence. The old-fashioned circus parade became an event of mammoth proportions, requiring an army of volunteers working behind the scenes.
Title Page View From The Box Norwegian Carriages and Harness. The Norwegian Fjord Pony What Courage and Determination Can Do Sir Walter Scott's Phaeton Drive Smartly-Drive Safely A Couple of Unusual Vehicles Annual Meeting and Carriage Conference The World Driving Championship for Pairs Questions & Answers The Great Circus Parade Animal Power . Book Reviews The Carriage Trade Financial statements 1984
The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born before the end of the First World War. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.
A beautiful book that showcases how circus figures and artifacts have been portrayed in art over the past two centuries The circus is a dazzling world filled with acrobats and harlequins, tumblers and riders, monsters and celestial creatures. Now this engaging book sets that world in a new light, examining how painters, sculptors, and photographers from the eighteenth century to the present have used the circus as a springboard for their imaginative expression and have envisioned the clown as a metaphor for the modern artist. The book presents more than 175 works by such artists as Degas, Toulouse-Lautrec, Rouault, Picasso, Chagall, and Léger. Some of these are masterful works shown for the first time; these range from the 18-meter stage curtain Picasso designed in 1917 for Erik Satie's ballet Parade to more intimate works such as Nadar and Tournachon's photographs of Pierrot as played by celebrated mime Charles Debureau.