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Part of a multi-volume work that catalogs the enormous range of enamel-painted figures made predominantly in the Staffordshire Potteries between 1780 and 1840, Volume 2 presents figures portraying equestrians, fairground entertainers, personalities from literature and the stage, biblical characters, and a host of people of national and international significance. Also shown are sporting pastimes and figures reflecting a patriotic theme. It includes over 1000 brilliant color photos of figures. Literary figures range from Cleopatra and Doctor Syntax, while important persons as varied as Benjamin Franklin and Admiral Lord Nelson are captured in clay. The works also include the early pugilists, bull and bear baiting, and sportsmen and women of those days. Many of these figures have long been hidden from the public eye. Fashioned in an era before photography, they give us rare glimpses of a world that has vanished. In many cases, they are hauntingly beautiful. To hold one is to touch the past.
All lovers of British history and ceramics enthusiasts will want to own the first comprehensive collectors' reference book devoted exclusively to early 19th century enamel painted figures made in the Staffordshire potteries. In this lavish volume, over 400 superb color photographs of figures from museums and private collections serve as time capsules. Along with a meticuously researched text, they reveal astonishing information about life almost two centuries ago. The book also explores and illustrates design sources used for the figures and divulges a wealth of information for collectors.
This unique book offers an in-depth look at the cultural, socio-economic, religious, political, and technological conditions that defined the subject matter of Staffordshire Figures. Each chapter is a self-contained study of the potteries, the potters, and various categories of pre-Victorian and Victorian figures including spaniels and other animals, the monarchy, religious figures, children, heroes and rouges, architectural figures and much more. Included are over 550 superb color photographs of Staffordshire figures (some previously unrecorded), and detailed captions with values.
Over 700 color photos display the ceramic dogs produced by potters of England's famous Staffordshire district during the Victorian era. They include King Charles Spaniels, Whippets, Bull Mastiffs, Poodles, St. Bernards, and many others. Among the figures are dogs alone, and with men, women, and children engaged in a variety of pursuits. Histories for potteries known to produce Staffordshire dogs are presented, including James Dudson, the Par-Kent Factory, Poole & Unwin, Ridgway & Robey, and Sampson-Smith. Instruction on differentiating original antique Staffordshire dogs from modern reproduction are provided. The various decorative treatments used on these popular dogs over the decades are also discussed. Value codes are provided in every caption.
Published to coincide with an exhibition at Temple Newsam House, Leeds, November 2005-January 2006, this work deals exclusively with this area of ceramic production. The new edition introduces many new colour illustrations and gives details of a new maker who came to light during the research for the book.
This book brings to the attention of the collecting public nearly 300 transferware items from 1780-1840. With more than 1200 images, this book of pottery objects for every conceivable use will appeal to collectors, historians, and dealers.
* The first title to describe Victorian religious figures in the context of their times* A comprehensive illustrated catalog of well over 200 figures with an assessment of their dating and rarity* Individual descriptions of the figures in their biblical or historic settingsA multitude of colourful and na�ve biblical and other religious pottery figures found their way into 19th century Victorian homes in Britain. They were bought by tradesmen, shop-keepers, clerks, teachers and the more skilled working class people. This book tells the story of these Staffordshire pottery figures, which sold in their thousands to stand on the mantelpieces of Christian families, both Protestant and Catholic.Three chapters provide a social history context: the religious background, an assessment of who purchased the figures, the Victorian home and how it was furnished. The final four chapters review the pottery figures themselves, which are based on the Old Testament, the New Testament, relevant religious themes and portraits of preachers. A catalogue of well over 200 figures in full colour with an assessment of their dating and rarity completes the book.This is the first comprehensive record of Victorian religious figures placed in the context of their times.