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In this dramatic journey through religious and artistic history, R. A. Scotti traces the defining event of a glorious epoch: the building of St. Peter's Basilica. Begun by the ferociously ambitious Pope Julius II in 1506, the endeavor would span two tumultuous centuries, challenge the greatest Renaissance masters—Michelangelo, Raphael, and Bramante—and enrage Martin Luther. By the time it was completed, Shakespeare had written all of his plays, the Mayflower had reached Plymouth—and Rome had risen with its astounding basilica to become Europe's holy metropolis. A dazzling portrait of human achievement and excess, Basilica is a triumph of historical writing.
Michelangelo, Raphael, Bramante—together these artists created some of the most glorious treasures of the Vatican, viewed daily by thousands of tourists. But how many visitors understand the way these artworks reflect the passions, dreams, and struggles of the popes who commissioned them? For anyone making an artistic pilgrimage to the High Renaissance splendors of the Vatican, George L. Hersey's book is the ideal guide. Before starting the tour of individual works, Hersey describes how the treacherously shifting political and religious alliances of sixteenth-century Italy, France, and Spain played themselves out in the Eternal City. He offers vivid accounts of the lives and personalities of four popes, each a great patron of art and architecture: Julius II, Leo X, Clement VII, and Paul III. He also tells of the complicated rebuilding and expanding of St. Peter's, a project in which Bramante, Raphael, and Michelangelo all took part. Having set the historical scene, Hersey then explores the Vatican's magnificent Renaissance art and architecture. In separate chapters, organized spatially, he leads the reader through the Cortile del Belvedere and Vatican Museums, with their impressive holdings of statuary and paintings; the richly decorated Stanze and Logge of Raphael; and Michelangelo's Last Judgment and newly cleaned Sistine Chapel ceiling. A fascinating final chapter entitled "The Tragedy of the Tomb" recounts the vicissitudes of Michelangelo's projected funeral monument to Julius II. Hersey is never content to simply identify the subject of a painting or sculpture. He gives us the story behind the works, telling us what their particular themes signified at the time for the artist, the papacy, and the Church. He also indicates how the art was received by contemporaries and viewed by later generations. Generously illustrated and complete with a useful chronology, High Renaissance Art in St. Peter's and the Vatican is a valuable reference for any traveler to Rome or lover of Italian art who has yearned for a single-volume work more informative and stimulating than ordinary guidebooks. At the same time, Hersey's many anecdotes and intriguing comparisons with works outside the Vatican will provide new insights even for specialists.
This volume presents an overview of St. Peter's history from the late antique period to the twentieth century.
Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.
Shedding light on a memorable monument in the Italian metropolis, this beautifully illustrated guide demonstrates why St. Peter’s Basilica is a "must-see” for any visitor to Rome. The tour begins in St. Peter’s Square, following a walkabout through the Basilica, the lower church, the dome overlooking the gardens of the Vatican, the excavations underneath St. Peter and the Campo Santo Teutonico, and the German cemetery, which is only accessible through the Vatican city. A plan of the Basilica and the lower church is also included, and the religious experience of the site is emphasized, citing excerpts from the scriptures related to St. Peter. Combining the history of the arts, the Italian culture, and the institution of the church itself, this is a superb overview of a magnificent landmark.
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A Texas oilman. A brilliant female archaeologist. An unknown world underneath the Vatican. In 1939, a team of workers beneath the Vatican unearthed an early Christian grave. This surprising discovery launched a secret quest that would last decades — a quest to discover the long-lost burial place of the Apostle Peter. From earliest times, Christian tradition held that Peter — a lowly fisherman from Galilee, whom Christ made leader of his Church — was executed in Rome by Emperor Nero and buried on Vatican Hill. But his tomb had been lost to history. Now, funded anonymously by a wealthy American, a small army of workers embarked on the dig of a lifetime. The incredible, sometimes shocking, story of the 75-year search and its key players has never been fully told — until now. The quest would pit one of the 20th century’s most talented archaeologists — a woman — against top Vatican insiders. The Fisherman’s Tomb is a story of the triumph of faith and genius against all odds. ABOUT THE AUTHOR John O’Neill is a lawyer and #1 New York Times bestselling author. He has spent much of his life visiting and researching early Christian sites. He is a 1967 graduate of the Naval Academy, a former law clerk to Supreme Court Chief Justice William Rehnquist, and senior partner at a large international law firm.
The story of St Peter's begins in the 1st century CE with the Hippodrome of Nero, one of two places where the Apostle Peter may have been crucified. 250 years later Constantine the Great marked the supposed site of Peter's tomb in an ancient cemetery with a great basilica. That in turn was replaced over a hundred-year period by a series of competitive renaissance and baroque Popes using the greatest artists of their day, all seeking to leave their mark on St Peter's. Here Keith Miller offers a rewarding account of a world-famous building: who built it; what it looks like and why; and how it affects the tourist or pilgrim. An intricate history, telling biography and the study of great art and architecture all play their part in a book that is a brilliant debut.