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Houses of God is the first broad survey of American religious architecture, a cultural cross-country expedition that will benefit travelers as much as scholars. Beautifully illustrated with over 100 photographs — some by well-known photographers such as Walker Evans and Dorothea Lange — this handsome book provides a highly accessible look at how Americans shape their places of worship into multifaceted reflections of their culture, beliefs, and times.
How did a humble, quiet man, whose formal education ended with the sixth grade, and who did not marry until he was forty years of age, make an indelible impression on the lives of thousands of individuals over the span of thirty-six years? By working 108 hours every two weeks as an orderly in a city-owned hospital, the name J. Chandler Carlson came to be well-known. And, more than known, he was as much loved as he was respected by patients and fellow staff alike.
Uncovers the often overlooked participation of African Americans and Native Americans in early Protestant churches Phillis Wheatley was stolen from her family in Senegambia, and, in 1761, slave traders transported her to Boston, Massachusetts, to be sold. She was purchased by the Wheatley family who treated Phillis far better than most eighteenth-century slaves could hope, and she received a thorough education while still, of course, longing for her freedom. After four years, Wheatley began writing religious poetry. She was baptized and became a member of a predominantly white Congregational church in Boston. More than ten years after her enslavement began, some of her poetry was published in London, England, as a book titled Poems on Various Subjects, Religious and Moral. This book is evidence that her experience of enslavement was exceptional. Wheatley remains the most famous black Christian of the colonial era. Though her experiences and accomplishments were unique, her religious affiliation with a predominantly white church was quite ordinary. Dividing the Faith argues that, contrary to the traditional scholarly consensus, a significant portion of northern Protestants worshipped in interracial contexts during the eighteenth century. Yet in another fifty years, such an affiliation would become increasingly rare as churches were by-and-large segregated. Richard Boles draws from the records of over four hundred congregations to scrutinize the factors that made different Christian traditions either accessible or inaccessible to African American and American Indian peoples. By including Indians, Afro-Indians, and black people in the study of race and religion in the North, this research breaks new ground and uses patterns of church participation to illuminate broader social histories. Overall, it explains the dynamic history of racial integration and segregation in northern colonies and states.
Rhode Island is the smallest state in the union: slightly more than 1,200 square miles, 14 percent of which is taken up by the waters of Narragansett Bay. Yet this tiny enclave contains one of the richest concentrations of important historical architecture to be found anywhere in the United States. Buildings of Rhode Island, the ninth volume in the Society of Architectural Historians' Buildings of the United States series, is a guide to this heritage. Covering the state's thirty-nine cities and towns in some 900 building entries accompanied by approximately 330 illustrations and 55 maps, it combines the comprehensive approach that is a hallmark of the series with a special perspective on Rhode Island's built environment. It is one of the last works of esteemed historian of American architecture William H. Jordy, edited and updated by two of his collaborators and contributors for the volume, Ronald J. Onorato and William McKenzie Woodward. lThe volume covers not only Rhode Island's most important architecture, but also a substantial selection of lesser structures chosen for their distinction or uniqueness. It traces the legacy of nineteenth-century industrialists from their Providence mansions to the cultural and educational institutions they financed to the mills that generated their fortunes to the communities that they built (and in some cases designed) for their workers. Extensive entries on Newport's civic buildings and palatial "cottages" follow finely tuned comparisons among examples of modest vernacular building types found in villages and rural areas throughout Rhode Island. The book also tours the lighthouses, coastal fortifications, and summer enclaves of the Ocean State. The individual entries of Buildings of Rhode Island accumulate as a compelling narrative rooted in William Jordy's years of intimate association with the state and its architecture. Rich in substance, luminous and lucid in insights, his observations also have a lively immediacy that gives a sense of direct encounter with the buildings. We experience their qualities as though standing before the building, then moving around it and sometimes through it. In such a compact territory, fascinating interrelationships among building histories, including links among the architects and clients responsible for the state's building heritage, are especially evident. THE BUILDINGS OF THE UNITED STATES SERIES Sponsored by the Society of Architectural Historians, Buildings of the United States is a series that the New York Times called "one of the most ambitious in publishing history." This is the ninth volume to be published; the full series will include fifty-eight volumes, organized on a state-by-state basis, that together will serve as a valuable resource for scholarship in American architectural history, teaching, preservation, and urban planning and as an indispensable guidebook for general readers interested in their architectural surroundings.