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The Chapel of St Peter-on-the-Wall, built on the ruins of a Roman fort, dates from the mid-seventh century and is one of the oldest largely intact churches in England. It stands in splendid isolation on the shoreline at the mouth of the Blackwater Estuary in Essex, where the land meets and interpenetrates with the sea and the sky. This book brings together contributors from across the arts, humanities and social sciences to uncover the pre-modern contexts and modern resonances of this medieval building and its landscape setting. The impetus for this collection was the recently published designs for a new nuclear power station at Bradwell on Sea, which, if built, would have a significant impact on the chapel and its landscape setting. St Peter-on-the-Wall highlights the multiple ways in which the chapel and landscape are historically and archaeologically significant, while also drawing attention to the modern importance of Bradwell as a place of Christian worship, of sanctuary and of cultural production. In analysing the significance of the chapel and surrounding landscape over more than a thousand years, this collection additionally contributes to wider debates about the relationship between space and place, and particularly the interfaces between both medieval and modern cultures and also heritage and the natural environment.
Originally published: 1st ed. Garden City, N.Y.: Doubleday, 1982.
Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.
This book was inspired by the records made by Carolyn Heighway during the thirty years when she was archaeological consultant at Gloucester Cathedral. The survival of so much of the abbey of 1089 is remarkable, and often not appreciated by the casual visitor since it is ingeniously overlaid by Gothic alterations. Since 2000, surveys have been produced which enable accurate plans and elevations to be made which clarify the late 11th and early 12th century appearance of the building; deductions have also been made from archaeological observations. Since there are almost no documents for the abbey before the 15th century which relate to construction matters, the building itself is primary evidence, and archaeology is an important element. The book is lavishly illustrated with photographs, plans and measured drawings including accurate reconstructions; comparative scale plans of Worcester and Tewkesbury are also included. The late 11th-12th century church is described in detail, along with the surviving claustral buildings. There is a chapter on polychromy and on the surviving 11th-12th century sculpture, and a full bibliography. The whole is set in context by Malcolm Thurlby, who comments on the wider sources and associations.
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French architect Paul Letarouilly (1795-1855), author of the masterpiece Edifices de Rome Moderne, was unequaled in his observational ability and impeccable drawing skills. He devoted many years of his life living in austerity and refusing paying commissions to compile and draw the intricate details and decorative elements of the most breathtaking buildings in Italy's Vatican City, including St. Peter's Basilica, the Sistine Chapel, the Pontifical Palace, the Museo Pio Clementino, and the Villa Pia. Published in 1882, after his death, Vatican served as an unparalleled sourcebook of everything from plans, elevations, interior room views, and perspective drawings to mosaics, wall panels, door frames, fountains, towers, domes, cornices, and moldings. Prior to the books original publication, these details were not easily replicated in other parts of the world. Vatican gave access to rigorous documentation of the work of some of the most significant Renaissance architects Michelangelo, Bernini, Bramante, Sangallo, and Peruzzi and is now often credited as one of the primary catalysts for the American Renaissance style, the results of which can be seen in any capital city in America. The precision and attention to detail that Letarouilly demanded of his engravers advanced the art of etching in the nineteenth century. Exquisite rendering techniques and precise execution make this book as beautiful as it is useful. Originally published in three volumes, Vatican is presented as a single facsimile edition in our Classic Reprints series and includes a new foreword by architectural historian Ingrid Rowland. Published in association with the Institute of Classical Architecture and Classical America.
A Texas oilman. A brilliant female archaeologist. An unknown world underneath the Vatican. In 1939, a team of workers beneath the Vatican unearthed an early Christian grave. This surprising discovery launched a secret quest that would last decades — a quest to discover the long-lost burial place of the Apostle Peter. From earliest times, Christian tradition held that Peter — a lowly fisherman from Galilee, whom Christ made leader of his Church — was executed in Rome by Emperor Nero and buried on Vatican Hill. But his tomb had been lost to history. Now, funded anonymously by a wealthy American, a small army of workers embarked on the dig of a lifetime. The incredible, sometimes shocking, story of the 75-year search and its key players has never been fully told — until now. The quest would pit one of the 20th century’s most talented archaeologists — a woman — against top Vatican insiders. The Fisherman’s Tomb is a story of the triumph of faith and genius against all odds. ABOUT THE AUTHOR John O’Neill is a lawyer and #1 New York Times bestselling author. He has spent much of his life visiting and researching early Christian sites. He is a 1967 graduate of the Naval Academy, a former law clerk to Supreme Court Chief Justice William Rehnquist, and senior partner at a large international law firm.
The Essex landscape gently undulates, with the hilliest country is in the north and west, near the Herfordshire and Cambridgeshire borders. On the marshes of Essex, for example, there is a genuine feeling of solitude that is hard to find anywhere else in southern England. Colchester, the oldest recorded town in Britain, is featured in one of the walks, and there are routes through Epping and Hatfield forests, which contain some of the finest surviving fragments of England's medieval forests. The Essex-Suffolk border is Constable Country, and walkers are guided through Dedham Vale, passing Flatford Mill and Willy Lott's Cottage.
This volume presents an overview of St. Peter's history from the late antique period to the twentieth century.
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.