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Prior to the 1666 fire of London, St Paul's Cathedral was an important central site for religious, commercial, and social life in London. The literature of the period - both fictional and historical - reveals a great interest in the space, and show it to be complex and contested, with multiple functions and uses beyond its status as a church. St Paul's Cathedral Precinct in Early Modern Literature and Culture: Spatial Practices animates the cathedral space by focusing on the every day functions of the building, deepening and sometimes complicating previous works on St Paul's. St Paul's Cathedral Precinct in Early Modern Literature and Culture is a study of London's cathedral, its immediate surroundings, and its everyday users in early modern literary and historical documents and images, with special emphasis on the late sixteenth and early seventeenth centuries. It discusses representations of several of the seemingly discrete spaces of the precinct to reveal how these spaces overlap with and inform one another spatially, and argues that specific locations should be seen as mutually constitutive and in a dynamic and ever-evolving state. The varied uses of the precinct, including the embodied spatial practices of early modern Londoners and visitors, are examined, including the walkers in the nave, sermon-goers, those who shopped for books, the residents of the precinct, the choristers, and those who were devoted to church repairs and renovations.
This book is a cultural study of St Paul's Cathedral, its immediate surroundings, and the people who inhabited it prior to the 1666 fire of London.
The Lithic Imagination from More to Miltonexplores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a rolethat, in turn, informs the period's poetic and visual imagination.The scale ofthe human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies.Thetexts and images participate in specifically English histories (literary, artistic, political,religious) although Continental influences are frequently in dialogue.The religious orbitencompasses the Christian rivalry with Jewish culture, touches on Christianity'stension with Islam, but most intently centers on the antagonism between Catholic and varians ofProtestant andReformed belief. The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton, and Pulter, but puts them in company with lesser-known religiouspolemicists, alchemists, anatomists, painters, mothers, and stonemasons.Accordingly,the multimediaarchive includes drama, lyric, and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomicaldrawings, and statues.The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoarstone, to salt, iron, limestone, marble, flint, and silicon.The assemblage of materialsbears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism andsupersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts,elitist ideologies of an elect, chosen people.All come together via the storied pathways of stoneas densely material and as a foundation for the abstract imaginary along the scala naturae.Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation.
The extraordinary story of St. Paul’s Churchyard—the area of London that was a center of social and intellectual life for more than a millennium St. Paul’s Cathedral stands at the heart of London, an enduring symbol of the city. Less well known is the neighborhood at its base that hummed with life for over a thousand years, becoming a theater for debate and protest, knowledge and gossip. For the first time Margaret Willes tells the full story of the area. She explores the dramatic religious debates at Paul’s Cross, the bookshops where Shakespeare came in search of inspiration, and the theater where boy actors performed plays by leading dramatists. After the Great Fire of 1666, the Churchyard became the center of the English literary world, its bookshops nestling among establishments offering luxury goods. This remarkable community came to an abrupt end with the Blitz. First the soaring spire of Old St. Paul’s and then Wren’s splendid Baroque dome had dominated the area, but now the vibrant secular society that had lived in their shadow was no more.
Old St Paul’s and Culture is an interdisciplinary collection of essays that looks predominantly at the culture of Old St Paul’s and its wider precinct in the early modern period, while also providing important insights into the Cathedral’s medieval institution. The chapters examine the symbolic role of the site in England’s Christian history, the London book trade based in and around St Paul’s, the place of St Paul’s commercial indoor playhouse within the performance culture of sixteenth and seventeenth-century London, and the intersection of religion and politics through events such as civic ceremonies and occasional sermons. Through the organising theme of culture, the authors demonstrate how the site, as well as the people and trades occupying the precinct, can be positioned within wider fields of representations, practices, and social networks. A focus on St Paul’s is therefore about more than just the specific site on Ludgate Hill: it is about those practices and representations connected to it, which either extended beyond or originated in places other than the Cathedral environs. This points to the range of localised, regional, national, and transnational relationships in which the precinct and its people were situated and to which they contributed.
A guidebook to walking the Pilgrims’ Way, a 230 km (138 mile) historic pilgrimage route to Canterbury Cathedral in Kent, home of the shrine of the martyred archbishop, St Thomas Becket. With relatively easy walking on ancient pathways, it can be comfortably completed in under a fortnight. The route is presented in 15 stages ranging between 7 and 22 kms (5-14 miles) and is described from both Winchester in Hampshire (138 miles) and London’s Southwark Cathedral (90 miles), with an optional link to Rochester. 1:50,000 OS mapping for each stage Detailed information on accommodation, public transport, and refreshments for each stage Information on the historical background of the pilgrimage, historical figures, and local points of interest GPX files available to download Facilities table to help you plan your itinerary
This book seeks to address the journeying context of pilgrimage within the landscapes of Medieval Britain. Using four case studies, an interdisciplinary methodology developed by the author is applied to four different geographical and cultural areas of Britain to investigate the practicalities of travel along the Medieval road network.
First published as a special issue of the journal Medieval Encounters (vol. 23, 2017), this volume, edited by Josefina Rodríguez-Arribas, Charles Burnett, Silke Ackermann, and Ryan Szpiech, brings together fifteen studies on various aspects of the astrolabe in medieval cultures. The astrolabe, developed in antiquity and elaborated throughout the Middle Ages, was used for calculation, teaching, and observation, and also served astrological and medical purposes. It was the most popular and prestigious of the mathematical instruments, and was found equally among practitioners of various sciences and arts as among princes in royal courts. By considering sources and instruments from Muslim, Christian, and Jewish contexts, this volume provides state-of-the-art research on the history and use of the astrolabe throughout the Middle Ages. Contributors are Silke Ackermann, Emilia Calvo, John Davis, Laura Fernández Fernández, Miquel Forcada, Azucena Hernández, David A. King, Taro Mimura, Günther Oestmann, Josefina Rodríguez-Arribas, Sreeramula Rajeswara Sarma, Petra G. Schmidl, Giorgio Strano, Flora Vafea, and Johannes Thomann.