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Original newspaper reports of Wyatt Earp, Belle Gunness, Billy the Kid, Dr. H.H. Holmes, and others compiled by the New York Times–bestselling author. Former detective and bestselling author Mike Rothmiller has brought together classic works of journalism that will take the reader back to when these horrific tales mesmerized a nation. Some may find these articles and their descriptions of people and crimes shocking by today’s standards, but they are representative of the most colorful true crime stories of the day. True Crime Chronicles, Volume One includes stories about Belle Gunness, who had a penchant for killing men and feeding them to her hogs, Dr. Holmes and his “murder castle,” The Bloody Benders, and Amelia Dyer, the “baby farmer,” the darker side of Wyatt Earp, and the forerunners of the American Mafia, “The Black Hand.” Imagine yourself accompanying these reporters visiting the crime scenes, interviewing witnesses, and penning the stories of murder, lynchings, evil, and swift frontier justice.
Newspaper reports of Jack the Ripper, Jesse James, Butch Cassidy and the Sundance Kid, and others compiled by the New York Times–bestselling author. Former detective and bestselling author Mike Rothmiller has brought together classic works of journalism that will take the reader on a fascinating journey back in time to when these horrific tales mesmerized a nation. Some may find these articles and their descriptions of people and crimes shocking by today’s standards, but they are representative of the most colorful true crime stories of the day True Crime Chronicles, Volume Two includes stories about Billy the Kid, Jesse James, the legendary “Jack the Ripper,” Lizzie Halliday, Anna Maria Zwanziger, Jack the Haircutter, Butch Cassidy and the Sundance Kid, The Nebraska Murderer, and many more shocking stories. Follow along as these reporters from another century visit the crime scenes, interview witnesses, and pen the stories of murder, evil, and swift frontier justice.
Pontiac, Boone, Lincoln, Grant, Lovejoy, Benton, Kefauver . . . they all had some tie to crimes in the St. Louis area over the past two hundred years. In St. Louis Crime Chronicles: The First 200 Years, 1764 - 1964, kidnappers, arsonists, outlaws, poisoners, boodlers, mobsters, and more leap from the page. Stories cover frontier justice on a fur trade expedition, the infamous Greenlease kidnapping, the Grant administration s whisky ring, the murder of St. Louis most famous civil rights leader, riverfront duels, and more. Author Bill Lhotka documents nearly fifty crimes on both side of the river in this engaging collection.
Watch a duel on Bloody Island from the stern of a river pirate's ship and be glad that Abraham Lincoln did not have to keep his appointment. Venture into a brothel where a madam's grin was filled with diamonds or where "Ta Ra Ra Boom de Ay" was hummed for the first time. Witness children forced into labor and aristocrats driven to suicide. Keep company with the gangsters who were a little too "cuckoo" for Al Capone. Visit Wicked St. Louis.
St. Louis was a city under siege during Prohibition. Seven different criminal gangs violently vied for control of the town's illegal enterprises. Although their names (the Green Ones, the Pillow Gang, the Russo Gang, Egan's Rats, the Hogan Gang, the Cuckoo Gang and the Shelton Gang) are familiar to many, their exploits have remained largely undocumented until now. Learn how an awkward gunshot wound gave the Pillow Gang its name, and read why Willie Russo's bizarre midnight interview with a reporter from the St. Louis Star involved an automatic pistol and a floating hunk of cheese. From daring bank robberies to cold-blooded betrayals, The Gangs of St. Louis chronicles a fierce yet juicy slice of the Gateway City's history that rivaled anything seen in New York or Chicago.
A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration.