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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Pope Gelasius, who canonized St George in 494, described him as one of those 'whose names are rightly reverenced among us, but whose actions are known only to God.' The story of England's Patron Saint is so encased in myth and legend that the truth of his remarkable life is unknown to the great majority of us. In many ways the attitude of the English, reflects the many contradictions in the story of St George and the growth of his legend worldwide. A Christian martyr, murdered by a Roman emperor in Palestine, he is a legendary dragon-slayer who saved a virgin princess from sacrifice - but not before insisting her entire town converts to Christianity. Yet he is also the model for mythical Islamic hero Al Khidr. He is the Patron Saint of England but never set foot on English soil and the legend of his knightly deeds came from the imagination of a bishop in Italy. In recent years, through national pride more than religious fervour, the popularity of St George's Day has risen sharply, with more parades, parties and pub get-togethers than we saw in the latter half of the twentieth century.
How St. George became the patron saint of England has always been a subject of speculation. He was not English, nor was his principal shrine there - the usual criteria for national patronage ; yet his status and fame came to eclipse that of all other saints. Edward III's use of the saint in his wars against the French established him as a patron and protector of the king ; unlike other saints George was adopted by the English to signify membership of the "community of the realm". This book traces the origins and growth of the cult of St. George, arguing that, especially after Edward's death, George came to represent a "good" politics (deriving from Edward's prosecution of a war with spoils for everyone) and could be used to rebuke subsequent kings for their poor governance. Most medieval kings came to understand this fact, and venerated St. George in order to prove their worthiness to hold their office. The political dimension of the cult never completely displaced the devotional one, but it was so strong that St. George survived the Reformation as a national symbol - one that continues in importance in the recovery of a specifically English identity.
The image of St. George—atop his horse, lance plunged halfway into a dragon’s body—is so familiar to us that we take for granted what a long history it has had. As Samantha Riches demonstrates in this book, St. George is easily one of the most transported icons across cultures, and his history is the history of myth writ large. Traveling in Georgia, Greece, Malta, Belgium, Lebanon, Palestine, Ethiopia, Estonia, and many other places, she offers a fascinating look at one of the most popular mythical figures of all time. Riches traces St. George in his various appearances and guises across a wealth of religions and traditions. From Eastern Orthodox, Coptic, and Western European Christian traditions, she follows his trail into Islam, Hinduism, Judaism, Candomblé, and the many pagan systems where he has functioned a symbol of nature, springtime, and healing. Exploring the innumerable ways artists, poets, and painters have engaged his mythical import, she shows him to be at the center of many political divisions, where he has been used to advance one agenda or another. Drawing together many aspects of the cult of St. George, Riches provides a fascinating history of an enduring icon.
Join Joseph Pearce on a journey into the real Shire—a voyage into the mysterious presence of an England which is more real than the one you are accustomed to seeing, the one which seems to be in terminal decline. The England Pearce wants us to know is an enchanted and unchanging place, full of ghosts who are as alive as the saints. It is an England that is rural, sacramental, liturgical, local, beautiful . . . a place “charged with the grandeur of God”. In this wonder-filled journey, Joseph Pearce shows us the true England through the splendor of the Good, the True, and the Beautiful. He shows us an England that can never die, not because it lingers like a fading coal in the memory of mortal men, but because it exists as a beautiful flower in the Gardens of Eternity.