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A pictorial history of St. Francisville and West Feliciana Parish.
In the rolling hills of Louisiana's Felicianas, less than an hour north of Baton Rouge on the east bank of the Mississippi River, lies the historic community of St. Francisville. For generations, this picturesque town has inspired a variety of creative artists, from naturalist John James Audubon, whose experiences in the area helped make him the world's greatest bird artist, to acclaimed novelist Katherine Anne Porter, who wrote one of her best travelogues, "Audubon's Happy Land," in 1939 after a visit to St. Francisville. Award-winning photographer Bevil Knapp embraces this lively tradition by lending her own perspective on a region Audubon once praised as an expression of "the greatness of the Creator in all his unrivaled works." Vividly evoking St. Francisville's fabled past as plantation country, Knapp offers stunning views of the stately historic homes that draw thousands of tourists annually -- including Oakley, Live Oak, Rosebank, Rosedown, and The Myrtles, among many others. But Knapp's images are more than mere architectural studies; they artfully invite the viewer to ponder who lived behind the windows of these historic homes -- and who might live there still. Knapp also captures the area's unmatched natural bounty, documenting the woods, waterways, and wildlife of a region that, in many ways, has remained unchanged for centuries. In addition to honoring St. Francisville's strong links to the past, Knapp's photographs reveal the town's continuing vitality as a respite from urban life. St. Ferdinand Street, a vibrant collage of small-town southern life; Afton Villa Baptist Church, a thriving African American congregation founded in 1871; Tunica Hills, a popular hiking destination named for the Tunica Indians who lived in the area for centuries; the nearby Port Hudson Civil War battlefield, site of thrilling annual reenactments -- all reveal their singular charm through Knapp's knowing lens. In an introductory essay, acclaimed journalist and author Danny Heitman offers a poetic counterpoint to Knapp's imagery, reflecting on photographs that, for all their historical resonance, "hum with the immediacy of news." Ultimately, Knapp's images transcend time, illuminating a flourishing community of unrivaled natural and historical beauty. A cherished memento for locals and visitors alike, St. Francisville summons readers to discover the rich treasures of this wondrous region for themselves.
Situated where the rugged Tunica Hills skirt the Mississippi River, St. Francisville began as part of Spanish West Florida in the early 1800s. The first settlers were adventurous Anglos who rebelled against Spain, established a short-lived independent republic, stopped the Civil War to bury a Union officer, and planted vast acres of indigo, cotton, and cane. In the 1900s, St. Francisville became the cultural and commercial center of the surrounding plantation country. Today, overlooking the river from atop a high, narrow ridge two miles long and two yards wide, it remains the West Feliciana parish seat. Tourists visit its picturesque downtown, a lively Main Street Community and National Register Historic District. Antebellum plantations and gardens draw tourists year-round, and the unique hilly terrain provides unsurpassed recreational opportunities for hiking, bicycling, birding, hunting, and nature studies. Ever since John James Audubon painted dozens of his birds in West Feliciana in 1821, artists, writers, and other visitors have found inspiration in this scenic, unspoiled spot.
That section of Louisiana east of the MlsslS1Slppl rl\'er, south of the M issis'3!ppl state line, north of lakes Pontchartraln and Maurepas, extending to the Pearl River, which Includes the parishes of West Feliciana, East Feliciana, East Baton Rouge, St. Helena, Livingston, Tangipahoa, Washington, and St. Tammany-a territory once called the "County of Feliciana," Is known today by. many as the "Florida Parishes." It was the westernmost section of a land that was known for nearly half a century (1763-1810) as "West Florida" and over It flags of two European kingdoms flew, the Union Jack of England for 16 years, and the banner of Spain for 31 years. On the soil of this fruitful southern land was enacted one of the most spectacular events In Louisiana's colorful history, For the space of 74 days this part of the present state was a. free and Independent nation, with Its own governing officials, Its own army, Its own navy, lts own flag, Its own declaration of Independence. To secure this daring, It short-lived freedom, liberty loving Anglo-Saxon Inhabitants, many British to the backbone, literally fashioned their plowshares Into swords and, at the point of these weapons, captured a fort by force and beat down the defenders, to throw off the shackles of a hated European despotism.
The Little Way of Ruthie Leming follows Rod Dreher, a Philadelphia journalist, back to his hometown of St. Francisville, Louisiana (pop. 1,700) in the wake of his younger sister Ruthie's death. When she was diagnosed at age 40 with a virulent form of cancer in 2010, Dreher was moved by the way the community he had left behind rallied around his dying sister, a schoolteacher. He was also struck by the grace and courage with which his sister dealt with the disease that eventually took her life. In Louisiana for Ruthie's funeral in the fall of 2011, Dreher began to wonder whether the ordinary life Ruthie led in their country town was in fact a path of hidden grandeur, even spiritual greatness, concealed within the modest life of a mother and teacher. In order to explore this revelation, Dreher and his wife decided to leave Philadelphia, move home to help with family responsibilities and have their three children grow up amidst the rituals that had defined his family for five generations-Mardi Gras, L.S.U. football games, and deer hunting. As David Brooks poignantly described Dreher's journey homeward in a recent New York Times column, Dreher and his wife Julie "decided to accept the limitations of small-town life in exchange for the privilege of being part of a community."
This comprehensive history fills an important gap in the story of the Civil War. Too often the war waged west of the Mississippi River has been given short shrift by historians and scholars, who have tended to focus their attention on the great battles east of the river. This book looks in detail at the military operations that occurred in Louisiana—most of them minor skirmishes, but some of them battles and campaigns of major importance. The Civil War in Louisiana begins with the first talk of secession in the state and ends with the last tragic days of the war. John D. Winters describes with great fervor and detail such events as the fall of Confederate New Orleans and the burning of Alexandria. In addition to military action, Winters discusses the political, economic, and social aspects of the war in Louisiana. His accounts of battles and the men who waged them provide a fuller story of Louisiana in the Civil War than has ever before been told.
Anne Butler and Helen Williams uncover nearly two centuries of history on the small Louisiana town of Bayou Sara, a once thriving port and town on the Mississippi River that has disappeared through the ravages of time and nature.
This book doesn't pretend to include everything about St. Francisville, Louisiana. Instead, it's just aglance?but what a beautiful glance, as seen through the eyes of an artist and writer whohave both used their unique knowledge and immense talents to take a peek into the verysoul of a beloved place, where the history is palpable, the landscapes lush, the peoplefriendly, and, oh yes, that magical mystical light.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
DIVDIVPercy’s stirring sequel to Love in the Ruins follows Tom More’s redemptive mission to cure the mysterious ailment afflicting the residents of his hometown/divDIV/divDIVDr. Tom More returns to his parish in Louisiana determined to live a simpler life. Fresh out of prison after getting caught selling uppers to truck drivers, he wants nothing more than to live “a small life.” But when everyone in town begins acting strangely—from losing their sexual inhibitions to speaking only in blunt, truncated sentences—More, with help from his cousin Lucy Lipscomb, takes it upon himself to reveal what and who is responsible. Their investigation leads them to the highest seats of power, where they discover that a government conspiracy is poised to rob its citizens of their selves, their free will, and ultimately their humanity./div /div