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The cult of St Edmund was one of the most important in medieval England, and further afield, as the pieces here show. St Edmund, king and martyr, supposedly killed by Danes (or "Vikings") in 869, was one of the pre-eminent saints of the middle ages; his cult was favoured and patronised by several English kings and spawned a rich array of visual, literary, musical and political artefacts. Celebrated throughout England, especially at the abbey of Bury St Edmunds, it also inspired separate cults in France, Iceland and Italy. The essays in this collection offer a range of readings from a variety of disciplines - literature, history, music, art history - and of sources - chronicles, poems, theological material - providing an overview of the multi-faceted nature of St Edmund's cult, from the ninthcentury to the early modern period. They demonstrate the openness and dynamism of a medieval saint's cult, showing how the saint's image could be used in many and changing contexts: Edmund's image was bent to various political andpropagandistic ends, often articulating conflicting messages and ideals, negotiating identity, politics and belief. CONTRIBUTORS: ANTHONY BALE, CARL PHELPSTEAD, ALISON FINLAY, PAUL ANTONY HAYWARD, LISA COLTON, REBECCA PINNER, A.S.G. EDWARDS, ALEXANDRA GILLESPIE
An investigaton of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture.
A collection from Early English literature relating to the martyrdom of St. Edmund.
St. Edmund the Martyr was a Christian martyr and the king of East Anglia in the 9th century. Facts concerning the life of St. Edmund are few and far between, as the kingdom of East Anglia was devastated by the Vikings, who destroyed any contemporary evidence of his reign. A popular cult emerged after Edmund's death, and he was canonised by the Catholic Church sometime in the 10th century. This work, composed by the French monk Abbo, attempts to chronicle his life and acts about a century and a half after his death.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.