Download Free Srimanta Sankaradeva Book in PDF and EPUB Free Download. You can read online Srimanta Sankaradeva and write the review.

Sankaradevas 16thcentury figured silk tapestries, known as Vrindavani Vastra, today adorn museums of the world including those at London, Paris and Los Angeles. However, Srimanta Sankaradeva, the Vashnava Saint of Assam, is revered most as a religious reformer. A contemporary of Kabir, Nanak and Chaitanya, Sankaradeva is one of the religious leaders of great endowment who blazed across the Indian horizon in the 15thcentury bearing the message ofbhaktito the people. Sankaradeva (1469-1568) was a man of creativity, and above all, he was a man of religion. His literary and artistic activities are not ends in themselves; they are consciously oriented towards the sharing of his creed. His work be it a hymn, a verse for chanting, dramas for the stage, dance forms, or even a drum for accompaniment was only to draw his audience to the word of God. That he performed each task with consummate excellence is a measure of his greatness. His key literary texts are a part of every Assamese household and his dance forms are today a part of classical canon of Indian dance traditions. It remains a pity that despite his great achievements, Sankaradeva is relatively unknown outside his native state of Assam. This book attempts to give an overview of the life and works of the multi-faceted genius encompassing art, literature, music, dance and drama.
গুণমালা পুথি মহাপুৰুষ শংকৰদেৱৰ এক অনন্য সৃষ্টি। মহাভাগৱতৰ সাৰমৰ্ম মাত্ৰ ৬ টি অধ্যায়ত সামৰি ৰচনা কৰা গুণমালা পুথিখন গুৰুজনাৰ এক অপূৰ্ব সৃষ্টি হিচাপে গণ্য কৰা হয়। কোঁচৰজা নৰনাৰায়ণৰ ৰাজসভাত মহাপুৰুষজনাৰ ভাগৱত কথা শুনি থাকোঁতে বিচাৰ কথাত বিদ্যামান ব্ৰাহ্মণ পণ্ডিতক মহাভাগৱতৰ শাস্ত্ৰভাগ একেদিনাই পঢ়িব পৰাকৈ লিখি দিবলৈ দিয়া নিৰ্দেশনা ব্ৰাহ্মণ পণ্ডিতসকলে একেমুখে অসম্ভৱ বুলি কোৱাৰ বিপৰীতে শঙ্কৰদেৱ গুৰুজনাই ১ ইঞ্চি x ২ ইঞ্চি সাঁচি পাতত কুষম মালা স্তম্বত কৃষ্ণস্তৱ বা ব্ৰহ্মস্ততি অথবা গুণমালা পুথিখন একে ৰাতিৰ ভিতৰতে ৰচনা কৰি ৰজাক প্ৰদান কৰিছিল। ভাগৱৎ প্ৰেমময় গ্ৰন্থ গুণমালা পুথিখন ভক্তিৰ মাধ্যমৰে এখন তত্ত্বমূলক গ্ৰন্থ। এই পুথিখন কলেৱৰত সৰু হ’লেও শ্ৰীকৃষ্ণৰ মাহাত্ম্য লীলা বিষয়ক কথা চমুকৈ কিন্তু বৈশিষ্ট্য পূৰ্ণ ভাৱে ব্যক্ত হোৱা বাবে পুথিখন সাহিত্যৰ এক মূল্যবান গ্ৰন্থ হিচাপে মান্যতা প্ৰদান কৰা হয়। ইয়াত নাৰায়নৰ পূৰ্ণৰূপ অৱতাৰ ভগৱান শ্ৰীকৃষ্ণৰ মহত্বময় গুণ বৰ্ণোৱা হৈছে।
Śaṅkaradēva, 1449-1569, Assamese Vaishnavite religious leader.
This volume brings a critical lens to dance and culture within North East India. Through case studies, first-hand accounts, and interviews, it explores unique folk dances of Indigenous communities of North East India that reflect diverse journeys, lifestyles, and connections within their ethnic groups, marking almost every ritual and festival. Dance for people of North East India, as elsewhere, is also a way of declaring, establishing, celebrating, and asserting humans' relationship with nature. The book draws attention to the origins and special circumstances of dances from North East India. It discusses a range of important folk-dance forms alongside classical dance forms in North East India, with a focus on Sattriya dance. The chapters examine how these dance forms play an important role in the region’s socio-cultural, economic, and political life, intertwining religion and the arts through music, dance, and drama. Further, they also explore how folk dance cultures in North East India have never been relegated to the background, never considered secondary, aesthetically, or otherwise, but have become expressions of political and cultural identity. An evocative work, this volume will be of interest to students and researchers of pedagogy, choreography, community dance practice, theatre and performance studies, social and cultural studies, aesthetics, interdisciplinary arts, and more. It will be an invaluable resource for artists and practitioners working in dance schools and communities.
This book unveils the myriad streams of ecocentric thoughts that have been flowing through the human mind – in indigenous communities, in the wisdom of philosophers, in the creative expressions of poets and writers – sometimes latent, but sometimes more explicit. The strength of this book lies in the fact that it attempts to show that ecocentrism had not emerged suddenly as a distinct line of philosophical thought or found its place among the various normative approaches toward nature, but the seeds of ecocentrism had always been running through human societies. Thus, this book not only emphasizes the “unity of life” but also reveals the inherent unity of all hues of ecocentrism. The book adopts a multidisciplinary approach, which is essential to dwell on a topic like ecocentrism which permeates the domains of disciplines as disparate as science, philosophy, religion, normative ethics, myths and folklore, poetry, and literature, among others. Despite this eclectic approach, the book attempts to maintain continuity among the chapters and present these concepts in a simple form that will be easily accessible by readers from all conceivable backgrounds. This book would be useful to the students, researchers, and faculty from the fields of ecology and environmental science, philosophy, sociology, religious studies, and literature. It will also be an indispensable companion for all nature lovers, activists, and general readers interested in the emergence and evolution of environmental thoughts.
This anthology of essays aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world. The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections? How do we describe, analyze, and theorize these relationships? The first of two volumes, this book focuses on these questions in relation to long-established, traditional practices using puppets, devotional objects, and related items with sacred aspects to them or that perform ritual roles. Looking at performance traditions and artifacts from China, Indonesia, Korea, Mali, Brazil, Iran, Germany, and elsewhere, the essays from scholars and practitioners provide a range of useful models and critical vocabularies for addressing the ritual and spiritual aspects of puppet performance, further expanding the growing understanding and appreciation of puppetry generally. This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives.