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In a series of newly commissioned essays by both established and emerging scholars, Globalization and Contemporary Art probes the effects of internationalist culture and politics on art across a variety of media. Globalization and Contemporary Art is the first anthology to consider the role and impact of art and artist in an increasingly borderless world. First major anthology of essays concerned with the impact of globalization on contemporary art Extensive bibliography and a full index designed to enable the reader to broaden knowledge of art and its relationship to globalization Unique analysis of the contemporary art market and its operation in a globalized economy
In recent decades, contemporary art in Asia and the Pacific has acted as a dramatic reflection of the social and political events taking place in the region. The unique perspectives and expertise of the authors contributing to this collection bring unparalleled insights to bear on this relationship between creativity and social transformation. Extensively illustrated with work by some of the most dynamic artists practising today, Art and Social Change is a compelling map of the developments within contemporary art and society in Asia and the Pacific. As the most up-to-date and engaging survey available, Art and Social Change is an indispensable resource for those interested in the engagement of art with society. Book jacket.
Works of the artist.
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
An updated monograph devoted to the Thai contemporary artist Natee Utarit.0Born in 1970 in Bangkok, Thailand, where he completed his studies and presently works, Utarit does not belong to the vast group of artists who chose to move to a major Western capital and obtain dual citizenship, and whose work is attributable to both their country of origin and their adoptive country. Despite the numerous references made to language, genres and iconographic themes found in European art, his use of discordant references allows him to fuse the analysis of pictorial language with mythical-religious, political and folk narratives, all of which are related to the present day through narrative expedients and philosophical conceptions that create a dyscrasy between language and subject.0This monograph offers a survey of Natee Utarit?s work, with particular attention to the 'Optimism Is Ridiculous' cycle and to the entire series of 'The Altarpieces' which make Natee Utarit one of the key exponents of Southeast Asian art.
Special attention is given in the early chapters to King Chulalongkorn, whose patronage played a major role in disseminating Western art in Bangkok, and to the Italian art teacher, Silpa Bhirasri, a pivotal figure in the institutional development of modern art in Thailand in the 1930s and 1940s.
This authoritative textbook embodies the current standard in molecular testing for practicing pathologists, and residents and fellows in training. The text is organized into eight sections: genetics, inherited cancers, infectious disease, neoplastic hematopathology, solid tumors, HLA typing, identity testing, and laboratory management. Discussion of each diagnostic test includes its clinical significance, available assays, quality control and lab issues, interpretation, and reasons for testing. Coverage extends to HIV, hepatitis, developmental disorders, bioterrorism, warfare organisms, lymphomas, breast cancer and melanoma, forensics, parentage, and much more. Includes 189 illustrations, 45 in full-color. This textbook is a classic in the making and a must-have reference.
Histories, Practices, Interventions: A Reader in Singapore Contemporary Art brings together key writings about ideas, practices, issues and art institutions that shape the understanding of contemporary art in Singapore. This reader is conceived as an essential resource for advancing critical debates on post-independence Singapore art and culture. It comprises a total of thirty-three texts by art historians, art theorists, art critics, artists and curators. In addition, there is an introduction by the co-editors, Jeffrey Say and Seng Yu Jin,as well as three section introductions contributed by Seng Yu Jin; artist, curator and writer Susie Wong; and art educator and writer Lim Kok Boon.Bundle set: A Reader in Singapore Modern and Contemporary Art