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The profound and pious poem “Sri Suka Sari Stava” extols the virtues of Lord Krishna as related by Sage Sukadeva Goswami in the ancient text “Srimad Bhagavatam.” This hymn serves as a poetic and inspirational statement of adoration and devotion to Lord Krishna, the Supreme Personality of Godhead.
On Krishna, Hindu deity.
On Krishna, Hindu deity.
Concept of Bhakti according to Chaitanya (Sect) in Vaishnavism.
Treatise on the rituals and doctrines of Vaishnavism.
We cannot be happy without satisfying our fundamental desire to love. Discover all the intricacies of spiritual love, bhakti, in this devotional classic. This is a summary study of Bhakti-rasamrita-sindhu, the Vaishnava classic written by Rupa Goswami that analyzes the various stages of bhakti (devotion) as a methodical practice resulting in love of God. Rupa Goswami uses a metaphor comparing an ocean (sindhu) to a devotional relationship with God. The title of the book conveys that loving relationships are enjoyable like sweet nectar and deep like an ocean. However, devotion is truly only meant for the supreme beloved, Krishna. Srila Prabhupada has written this summary study to show the essential understanding of the practices and ideals of Krishna consciousness, and to introduce the Western world to the beauty of devotional concepts. The spiritually thirsty can develop their relationship with Krishna by drinking from the unlimited reservoir of The Nectar of Devotion. Drink deeply.
This work describes the various associates of Kṛṣṇa in his Vṛndāvana pastimes, giving details such as age, complexion, and relationship with others. To give proof, Rūpa Gosvāmī often quotes from various scriptures to support his statements. Though Ujjvala-nīla-maṇi describes some associates, it deals primary with persons in madhurya-rasa. This work however deals with devotees in a variety of rasas. The first part dedicates a major portion to describing Rādhā's associates. The second part largley describes Kṛṣṇa's associates.
This is the first study to examine in detail ritual objects known as 'Lamak', a fascinating and unique form of ephemeral material culture which is a prominent feature of Balinese creativity.
The aim of this book is to reflect on ''vernacularity'' and culture. It concentrates on two major domains: first it attempts to reframe our understanding of vernacularity by addressing the subject in the context of globalisation, cross-disciplinarity, and development, and second, it discusses the phenomenon of how vernacularity has been treated, used, employed, manipulated, practiced, maintained, learned, reconstructed, preserved and conserved, at the level of individual and community experience. Scholars from a wide variety of knowledge fields have participated in enriching and engaging discussions, as to how both domains can be addressed. To expedite these aims, this book adopts the theme "Reframing the Vernacular: Politics, Semiotics, and Representation",organised around the following major sub-themes: • Transformation in the vernacular built environment • Vernacular architecture and representation • The meaning of home • Symbolic intervention and interpretation of vernacularity • The semiotics of place • The politics of ethnicity and settlement • Global tourism and its impacts on vernacular settlement • Vernacular built form and aesthetics • Technology and construction in vernacular built forms • Vernacular language - writing and oral traditions