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First published in 1992.
Part fiction, history, and mythology, this unconventional retelling of the life of divine spiritual master Guru Nanak, founder of the Sikh religion and revered by Muslims and Hindus alike, provides an intimate look at the enlightened Guru while bringing his ancient wisdom to a modern audience. From the best-selling author of Ganesha Goes to Lunch and Rumi’s Tales from the Silk Road comes an original novel about the life and travels of Guru Nanak, a musician, enlightened thinker, and one of the most beloved figures in Eastern spirituality. In this fascinating book, Kamla K. Kapur weaves together facts, legends, folktales, myths, and over forty of Guru Nanak’s poems—preserved in the Sikh holy book, the Granth Sahib—to form this captivating depiction of the leader’s life. From being seduced by deadly women to almost getting eaten by cannibals, the exciting account presented in The Singing Guruincludes moral tales without being proselytizing. Factual details are intermingled with fantasy to produce a symbolic portrait in which humor and imagination combine to convey a profound and entertaining spiritual narrative.
Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region. The texts and practices are contextualized in relation to the broader social and political background in which they emerged, showing how religious affiliations, caste dynamics and political concerns played a role in shaping social identities as well as aesthetic sensibilities. By doing so this book sheds light into theoretical issues of more general significance, such as textual versus oral norms; the features of oral performance and improvisation; the role of the text in performance; the aesthetics and social dimension of performance; the significance of space in performance history and important considerations on repertoires of story-telling. The book also contains links to audio files of some of the works discussed in the text. Tellings and Texts is essential reading for anyone with an interest in South Asian culture and, more generally, in the theory and practice of oral literature, performance and story-telling.