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English translation of verse biography of Chaitanya, 1486-1534, Vaishnava saint from Bengal.
Sri Chaitanya-charitamrta is the main work on the life and teachings of Sri Chaitanya Mahaprabhu, the incarnation of Krishna who appeared in India five hundred years ago. Lord Chaitanya introduced the chanting of the holy names of God as the prescribed method of God-realization for our time. He began what is today called the Hare Krishna movement, since the movement's founder, Srila Prabhupada, comes in the Chaitanya line of spiritual masters. Lord Chaitanya transformed the face of India in four respects: philosophically, by encountering, defeating and converting the greatest philosophers and thinkers of His day; religiously, by organizing the largest, most widespread theistic movement in India's history; socially, by His strong challenges to the religious inequities of the caste system; politically, by His organization of a massive civil disobedience movement in Bengal, more than four centuries before Gandhi. This English translation with commentary, by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, reveals his consummate Bengali and Sanskrit scholarship, his intimate familiarity with the precepts of Sri Chaitanya, and his pure devotion to God.
Concept of Bhakti according to Chaitanya (Sect) in Vaishnavism.
The transcendental pastimes of Lord Caitanya (Sri Chaitanya Mangal (Vol 1)) Previously in Bengal the poets used to compose sacred songs and verses in different forms of classic rhymes and rythmic meters called Panchali. The Panchali style of composition was especially used for glorifying the Lord. Srila Locana Dasa Thakura used the Panchali form of verse-meter in composing his famous work, Sri Caitanya Mangala. The Panchali form employs five different kinds of song styles.
Bhakti Sandarbha is the fifth Sandarbha of Jīva Gosvāmī. The first Sandarbha deals with pramāna, the Bhāgavatam. The second, third and fourth Sandarbhas deal with sambandha: defining the Lord in his aspects as Paramātmā, Bhagavān and Kṛṣṇa. The present Sandarbha deals with the abhideya (method), the sādhana of bhakti. This is the means to realize Kṛṣṇa. The same topic is covered in the second chapter of the Eastern Section of Bhakti-rasāmṛta-sindhu of Rūpa Gosvāmī, but is expanded greatly. It discusses the spiritual nature of this process, the qualification of bhakti, the various actions of bhakti, vaidhi and rāgānuga types, mixed and pure forms of bhakti and various types of devotees.
Vedanta is often equated exclusively to Advaita Vedanta of Sri Sankaracharya, but there are several other acharyas who have expounded the Vedanta in quite a different way and whose status as teachers of Vedanta requires recognition.This book by Swami Tapasyananda, a scholar-monk and former vice-president of the Ramakrishna Order, expounds the life and philosophy of Sri Chaitanya, whose illustrious disciples formed a distinctive set of metaphysics and theology around his teachings that came to be known as Acintya-bhedabheda philosophy. This book will help readers acquaint themselves with his devotional life and the fundamental concepts of Vedanta as formulated by his disciples based on his teachings.
Illustrations: 1 B/w Illustration Description: This is a comprehensive, critical and comparative study of all aspects of the philosophy and religion of Sri Caitanya. In the first three chapters the history of the Vaisnava religion is traced from the earliest Vedic period to pre-Caitanya Vaisnavism in Bengal and some controversies regarding the life of Sri Caitanya and the Sampradaya or the sect to which he belongs are set at rest. In the succeeding chapters the problems of philosophy and religion are discussed in detail. It is shown how Sri Caitanya breathes a new spirit into philosophy and religion by transcending the narrow and mutually conflicting 'isms' and dogmas and reconciling them in a higher synthesis by means of the concept of the absolute as Bhagavan and the doctrine of Acintya-bhedabheda or inconceivable identity-indifference. The importance of Bhakti as the exclusive means of attaining God is His highest and sweetest form is stressed. Prema or divine love is distinguished from eroticism and established as the highest end. The doctrine of Rasa or transcendental relish is explained and Parakiya Rasa is established as the highest Rasa.
The transcendental pastimes of Lord Caitanya (Sri Chaitanya Mangal (Vol 2)) Previously in Bengal the poets used to compose sacred songs and verses in different forms of classic rhymes and rythmic meters called Panchali. The Panchali style of composition was especially used for glorifying the Lord. Srila Locana Dasa Thakura used the Panchali form of verse-meter in composing his famous work, Sri Caitanya Mangala. The Panchali form employs five different kinds of song styles.