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From two incredible rising talents comes the fantasy graphic novel Molly Knox Ostertag calls “instantly compelling.” A New England Book Award and Harvey Award winner! Aiza has always dreamt of becoming a Knight. It’s the highest military honor in the once-great Bayt-Sajji Empire, and as a member of the subjugated Ornu people, Knighthood is her only path to full citizenship. Ravaged by famine and mounting tensions, Bayt-Sajji finds itself on the brink of war once again, so Aiza can finally enlist in the competitive Squire training program. It’s not how she imagined it, though. Aiza must navigate new friendships, rivalries, and rigorous training under the unyielding General Hende, all while hiding her Ornu background. As the pressure mounts, Aiza realizes that the “greater good” that Bayt-Sajji’s military promises might not include her, and that the recruits might be in greater danger than she ever imagined. In this breathtaking and timely story, Aiza will have to choose, once and for all: loyalty to her heart and heritage, or loyalty to the Empire.
The third book in the New York Times bestselling series from the fantasy author who is a legend herself: TAMORA PIERCE. The path to knighthood is full of surprises. . . . Keladry of Mindelan dreams of becoming squire to the famous female knight Alanna the Lioness, but she worries that she will not be selected by her hero—perhaps not by any knight master. When Kel is picked instead by the legendary Lord Raoul, the unexpected honor shocks her enemies across the realm. Kel must quickly prove herself up to the task, mastering her fighting and leadership skills while discovering what it takes to be part of the royal guard. A new romance is blossoming as well, bringing with it the rush of first love and the unexpected challenges of balancing knight work and a relationship. All the while, Kel prepares for her biggest fear: the infamous “Ordeal,” the last challenge that stands between her and knighthood. More timely than ever, the Protector of the Small series is Anti-Bullying 101 while also touching on issues of bravery, friendship, and dealing humanely with refugees against a backdrop of an action-packed fantasy adventure. "Tamora Pierce's books shaped me not only as a young writer but also as a young woman. She is a pillar, an icon, and an inspiration. Cracking open one of her marvelous novels always feels like coming home." —SARAH J. MAAS, #1 New York Times bestselling author "Tamora Pierce didn't just blaze a trail. Her heroines cut a swath through the fantasy world with wit, strength, and savvy. Her stories still lead the vanguard today. Pierce is the real lioness, and we're all just running to keep pace." —LEIGH BARDUGO, #1 New York Times bestselling author
After several years at King Arthur's court, Terence, as Sir Gawain's squire and friend, accompanies him on a perilous quest that tests all their skills and whose successful completion could mean certain death for Gawain.
The first novel in a new Arthurian trilogy, beginning the adventures of Christopher of Shores, Squire to Destiny. Christopher had waded with knights into battle. Now he knelt in the place of honor. The man who stood over him was said to be the chosen king, who would unite the land at last. And the sword with which he touched Christopher's shoulder had a name--Excalibur.
Tijdens de afwezigheid van haar echtgenoot wordt een hoogzwangere vrouw in beslag genomen door de beslommeringen van haar kinderen, haar personeel en haar eigen fysieke problemen.
First in the medieval fantasy series set in Camelot. “This Arthurian adventure is all heart—and humor.”—Publishers Weekly Growing up an orphan in an isolated cottage in the woods, young Terence never expected much adventure. But upon the arrival of Gawain, his life takes a surprising turn. Gawain is destined to become one of the most famous knights of the Round Table. Terence becomes Gawain’s squire and leaves his secluded life for one of adventure in King Arthur’s court. In no time Terence is plunged into the exciting world of kings, wizards, knights, wars, magic spells, dwarfs, damsels in distress, and enchanters. As he adjusts to his new life, he proves to be not only an able squire but also a keen observer of the absurdities around him. His duties take him on a quest with Gawain and on a journey of his own, to solve the mystery of his parentage. Filled with rapier-sharp wit, jousting jocularity, and chuckleheaded knights, this is King Arthur’s court as never before experienced. “The author leaves some tantalizing questions, and the tale is filled with knightly derring-do.”—The Horn Book “Well-drawn characters, excellent, snappy dialogue, detailed descriptions of medieval life, and a dry wit put a new spin on this engaging tale.”—Booklist “If your readers are looking for some notable swashing and buckling with a little chivalrous slapstick thrown in, this retelling of Arthurian legend is the book for you.”—The Bulletin “There are plenty of sword fights and flashes of sorcery to delight readers, while the plot moves at a swift clip.”—Kirkus Reviews
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Part Twelve In the list of scholarly problems it presents, The Squire’s Tale ranks among the highest in The Canterbury Tales. Being incomplete and coming to a halt on a baffling note-was it in fact evolving into a tale of incest?-the tale has undergone the most remarkable shift in critic acceptance of any of Chaucer’s works. This tale of oriental wonder, with its strong base in magic, excited the admiration of Chaucer’s contemporaries and inspired Spenser’s imitative speculation and Milton’s famous desire that the old poet be summoned up to finish his task. It retained for the eighteenth and most of the nineteenth centuries its Gothic fascination, being ranked with the very best of Chaucer’s work. In the second half of the twentieth century, it has been seen from a number of provocative perspectives. Is it a parody of the long Eastern romance? Is it a satire on the values of an aristocracy whose time is past? Is it a rhetorical joke on Chaucer’s part, extending the character of the young Squire into an earnest and somewhat naïve competition with his father, the Knight? The concerns of contemporary scholarship reveal as much about the critical temper of the time as about the work itself. On its own merits The Squire’s Tale compels our attention as an example of Chaucer’s wide-ranging and sometimes inscrutable genius. It provides us with an exotic literary type not otherwise represented in the Tales. It reverberates, in its discussion of ’gentilesse’ with other such discussions in Chaucer’s poetry; it demonstrates, in its use of the love-vision and the complaint, the experimental ways in which Chaucer handles the conventions of French poetry. Perhaps most fascinating is the range of Chaucer’s mind revealed by the casual uses of the science of his time: its knowledge of meteorology, optics, glass and metal work, astrology, and astronomy. The tale offers yet one more example of Chaucer’s genius at work, speaking to us in a voice that is at once suggestive, provocative, and mystifying as always.
Deep in the Crusades, Tom has run away from home to discover what the noble life of a knight is really like. But now that his dreams have come true and he has been knighted, all is not as rosy as he'd hoped. Terry Jones is known for his work with Monty Python, his stories for children (which won him the Children's Book Award) and his medieval books. In The Tyrant and the Squire he uses his inimitable comic imagination and originality to combine all three of these elements and create a perfect story for children and grown-ups alike. The Tyrant and the Squire is a glorious adventure from one of the UK's beloved comic performers.