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Ghosts A series of mild-mannered, malcontent, miscreants telling stories of mischief, malevolence, and murder. “I think that there are ghosts. I haven’t seen or heard anything. I’ve definitely felt something, but it’s not scary.” Robbie Williams “I don’t believe in ghosts.” Ryan Gosling
A man journeys to Cornwall seeking a Ghost - and flowers; while another, visits an old Lifeboat Station where a long time ago, he lost his friends. Why would an obnoxious bully be so welcomed to spend the night at an old Museum?
The Handbook to the Ghost Story sets out to survey and significantly extend a new field of criticism which has been taking shape over recent years, centring on the ghost story and bringing together a vast range of interpretive methods and theoretical perspectives. The main task of the volume is to properly situate the genre within historical and contemporary literary cultures across the globe, and to explore its significance within wider literary contexts as well as those of the supernatural. The Handbook offers the most significant contribution to this new critical field to date, assembling some of its leading scholars to examine the key contexts and issues required for understanding the emergence and development of the ghost story.
The Vertical Plane: The Mystery of the Dodleston Messages: A unique supernatural detective story.
Reprint of the original, first published in 1881.
“In part an account of sociological fieldwork among scientists in the field and part astronomy-history mystery. . . . a terrific read.” —Nature Gravity’s Ghost and Big Dog brings to life science’s efforts to detect cosmic gravitational waves. These ripples in space-time are predicted by general relativity, and their discovery will not only demonstrate the truth of Einstein’s theories but also transform astronomy. Although no gravitational wave has ever been directly detected, the previous five years have been an exciting period in the field. Sociologist Harry Collins offers readers an unprecedented view of the research and explains what it means for an analyst to do work of this kind. Collins was embedded with the gravitational wave physicists as they confronted two possible discoveries—“Big Dog,” fully analyzed in this volume for the first time, and the “Equinox Event,” which was first chronicled by Collins in Gravity’s Ghost. Collins records the agonizing arguments that arose as the scientists worked out what they had seen and how to present it to the world, along the way demonstrating how even the most statistical of sciences rest on social and philosophical choices. Gravity’s Ghost and Big Dog draws on nearly fifty years of fieldwork observing scientists at the American Laser Interferometer Gravitational Wave Observatory and elsewhere around the world to offer an inspired commentary on the place of science in society today. “The physics junkie or philosophy of science enthusiast . . . will find lots to mull over.” —Science News “Makes for very entertaining reading.” —Daniel Kennefick, University of Arkansas, author of Traveling at the Speed of Thought
Focusing on the ways in which women writers from across the political spectrum engage with and adapt Wollstonecraft's political philosophy in order to advocate feminist reform, Andrew McInnes explores the aftermath of Wollstonecraft's death, the controversial publication of William Godwin's memoir of his wife, and Wollstonecraft's reception in the early nineteenth century. McInnes positions Wollstonecraft within the context of the eighteenth-century female philosopher figure as a literary archetype used in plays, poetry, polemic and especially novels, to represent the thinking woman and address anxieties about political, religious, and sexual heterodoxy. He provides detailed analyses of the ways in which women writers such as Mary Hays, Elizabeth Hamilton, Amelia Opie, and Maria Edgeworth negotiate Wollstonecraft's reputation as personal, political, and sexual pariah to reformulate her radical politics for a post-revolutionary Britain in urgent need of reform. Frances Burney's The Wanderer and Jane Austen's Mansfield Park, McInnes suggests, work as state-of-the-nation novels, drawing on Wollstonecraft's ideas to explore a changing England. McInnes concludes with an examination of Mary Shelley's engagement with her mother throughout her career as a novelist, arguing that Shelley gradually overcomes her anxiety over her mother's stature to address Wollstonecraft's ideas with increasing confidence.