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This book offers fresh insights into the central role of journalism in shaping popular memories of community heroism in times of crisis. Further, it challenges familiar assumptions about Hollywood celebrity reporting and shows journalists’ active role in connecting popular culture icons with local communities. This book showcases fresh insights into how audiences collaborated and contributed to these widespread stories. The chapters included show how His Girl Friday, a Hollywood classic about tabloid newsroom stars, became a must-see movie for journalists, inspiring hundreds to choose the profession. Other appearances include Peter Fleming (James Bond creator Ian Fleming’s brother) and Norman Rockwell who helped create heroic characters in the news that became global symbols of community leadership. This offers a look at digital news activists who recreated heroic icons in social media to champion human rights in the Middle East. The historical and contemporary case studies offer insights into larger news trends that have contributed to the enduring popularity of these diverse, heroic identities in journalism. Presenting unique views of community, collaborative and interactive journalism, this book will be a valuable resource to students and scholars of journalism, communication, media and political history, as well as professionals already operating within the field of journalism.
Building on the momentum of the recent “historical turn” in digital media and Internet studies, this volume explores how digital journalism has developed from a historical perspective. With contributions from established and emerging scholars from Europe, Asia, South and North America, the book investigates not only how established journalistic systems transformed in the early days of digital but how the structural, technological, and cultural changes induced by digitization have reconfigured the trajectory of journalism. The book argues in support of three main claims. The first is that emphasis should be given to the plurality of histories instead of one single digital journalism history, thereby acknowledging the complexities, interactions of social relations, cultural traditions, power configurations, and technological changes that have shaped journalism and digitization. The second is the decentralization and decolonization of digital journalism histories. The third refers to the need to highlight and demonstrate the idea that the evolution of digital journalism should be viewed as the co-construction of the social and technological realms. With theoretical and methodological reflections on historicizing digital journalism along with original case studies or comparative inquiries into the phenomena over the decades-long digital revolution of journalism, this volume will shape the nascent field of digital journalism history and start a global critical exchange of various approaches to and aspects of historicizing digital journalism. As such, it will interest scholars and students of digital journalism, journalism history, digital media, Internet studies, and technology studies.
This book makes a critical intervention into debates about journalism and the crisis in local news. Interrogating the history and current practice of court coverage in the UK, the author argues for its importance as a central feature of both open justice and public interest reporting. The book challenges narratives of a decline in the perceived quality of local media. Yet it also highlights a reliance on major local press companies facing acute financial challenges, meaning court reporting faces a potentially precarious future. The book critically examines coverage of the courts in the context of financial crises, which have diminished both newspapers and the criminal justice system. How the norms of court journalism emerged and evolved are put under scrutiny, and the book then considers how court reporting is practiced today, including the use of cameras and social media as well as remote hearings during and since the pandemic. The author takes us inside a major murder trial and explores why court reporting remains worth preserving and enhancing. Offering recommendations which could help to maintain and extend coverage of the courts, this volume will interest students and scholars of journalism, mass communication, media studies, media law and communication studies.
Whether it's the rule-defying lifer, the sharp-witted female newshound, or the irascible editor in chief, journalists in popular culture have shaped our views of the press and its role in a free society since mass culture arose over a century ago. Drawing on portrayals of journalists in television, film, radio, novels, comics, plays, and other media, Matthew C. Ehrlich and Joe Saltzman survey how popular media has depicted the profession across time. Their creative use of media artifacts provides thought-provoking forays into such fundamental issues as how pop culture mythologizes and demythologizes key events in journalism history and how it confronts issues of race, gender, and sexual orientation on the job. From Network to The Wire, from Lois Lane to Mikael Blomkvist, Heroes and Scoundrels reveals how portrayals of journalism's relationship to history, professionalism, power, image, and war influence our thinking and the very practice of democracy.
Examines, through the lives of five important English and French figures, the history of the exploration and colonization of Africa between 1870 and 1914, and the role the mass media played in promoting colonial conquest.
The First Amendment to the U.S. Constitution prohibits Congress from abridging freedom of the press. But, as the printed press has been transformed into mass media with Americans now more likely to get their political information from television or social media than from print, confidence in this important, mediating institution has fallen dramatically. Movies, in their role as cultural artifacts, have long reflected and influenced those public attitudes, inventing such iconic phrases as “follow the money” from All the President’s Men and “I’m mad as hell and I’m not going to take this anymore” from Network. Filming the First: Cinematic Portrayals of Freedom of the Press analyzes eighteen films that span from Citizen Kane to Spotlight showing changes in how the press have been portrayed over time, which voices receive the most attention and why, the relationship between the press’s “Fourth Estate” role and the imperatives of capitalism, and how, despite the First Amendment’s seemingly absolute language, the government has sometimes been able to limit what the public can read or view.
Newcastle United Cult Heroes recounts the careers of 20 of the club's greatest icons, men who entertained, week in, week out and regularly set fans' pulses racing. Each individual biography analyses each player's career, and examines exactly each player was idolised and how they achieved cult status. Featuring Colin Veitch, Bill McCracken, Albert Shepherd, Hughie Gallacher, Albert Stubbins, Len Shackleton, Jackie Milburn, Joe Harvey, Frank Brennan, George Robledo, Bobby Mitchell, Len White, Wyn Davies, Malcolm Macdonald, Tony Green, Kevin Keegan, Peter Beardsley, Paul Gascoigne, Andy Cole and Alan Shearer.Key features- Part of the popular and successful Cult Heroes series which features a number of football clubs- Features 20 of Newcastle United's most iconic players of all time- Details their careers, their impact on the club and the reasons why they were such cult figures- Includes contemporary and historic images of those legendary figures featured- Written by respected football author Dylan Younger
"Style: A Queer Cosmology considers artists and critics whose work defines style as that which eludes paraphrase or social scientific categorization; rather, they show style to be the attributes that make us all more like ourselves and less like each other"--
Railroads, telegraphs, lithographs, photographs, and mass periodicals--the major technological advances of the 19th century seemed to diminish the space separating people from one another, creating new and apparently closer, albeit highly mediated, social relationships. Nowhere was this phenomenon more evident than in the relationship between celebrity and fan, leader and follower, the famous and the unknown. By mid-century, heroes and celebrities constituted a new and powerful social force, as innovations in print and visual media made it possible for ordinary people to identify with the famous; to feel they knew the hero, leader, or "star"; to imagine that public figures belonged to their private lives. This volume examines the origins and nature of modern mass media and the culture of celebrity and fame they helped to create. Crossing disciplines and national boundaries, the book focuses on arts celebrities (Sarah Bernhardt, Byron and Liszt); charismatic political figures (Napoleon and Wilhelm II); famous explorers (Stanley and Brazza); and celebrated fictional characters (Cyrano de Bergerac).
The fully revised and updated version of this classic text examines the link between three key obsessions of the 21st century: the media, sport and popular culture. Gathering new material from around the 2007 Rugby World Cup, the Beijing Olympics and the rise of new sports stars such as boxing's Amir Khan and cycling's Victoria Pendleton, the authors explore a wide range of sports, as well as issues including nationalism, gender, race, political economy and the changing patterns of media sport consumption.For those interested in media and sport the second edition combines new and original material with an overview of the developing field of media sport, and examines the way in which the media has increasingly come to dominate how sport is played, organized and thought about in society. It traces the historical evolution of the relationship between sport and the media and examines the complex business relationships that have grown up around television, sponsors and sport.Covers the following topics: the history of media in sport; television, sport and sponsorship; why sport matters to television; sports stars; sports journalism; fans and the audience; sport in the digital media economy.