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Discover how the designers of women's sporting attire navigated the worlds of fashion, function, and propriety, from the beginning of the 19th century to 1960. This book offers a stunning visual record of the evolution of women's sporting attire over nearly two centuries. With selections from Keds, Pendleton, and Spalding and garments by Coco Chanel, Claire McCardell, and Jean Patou, among many others, it features familiar names in fashion, as well as significant rediscoveries. At the intersection of the history of fashion and feminism, Sporting Fashion highlights the extraordinary impact of new technologies and evolving social mores on women's clothing for sport. It explores how the basic forms of women's sportswear we know today--from swimsuits to sneakers--were developed during a time when women were achieving more freedom. Full color illustrations of sport and leisure ensembles are included, along with magazine spreads and archival images. In thematic sections, the authors examine the ways women entered into the sporting world--from traveling to calisthenics, motorcycling to promenading. The book looks at examples of clothing that allowed women to walk freely and compete in sports previously restricted to men. It explores how designers reacted to and encouraged the growing acceptance of exposed skin at public beaches and pools--and how cold weather fashion made its way onto the slopes and ice. Never before have the garments that defined women's roles as both spectators and athletes been presented on this scale and in such detail. Published with the American Federation of Arts and the FIDM Museum at the Fashion Institute of Design & Merchandising/Los Angeles The Costume Society of America is pleased to announce Kevin Jones and Christina Johnson as recipients of the 2022 CSA Millia Davenport Publications Award for their work titled Sporting Fashion: Outdoor Girls 1800-1960.
This is the first edited collection of its kind to analyse the distinct but overlapping topics of dress, costume, sport and leisure history. For researchers of bodily adornment and movement, sport and costume history are both primarily concerned with industrial practice and embodied experience. The ways in which bodies are adorned, embellished and clothed (or revealed) highlights the hybrid nature of dress history, encompassing as it does the everyday clothing solutions of the mass of people and the unusual or more ceremonial aspects of costume, as well as elite high fashion. Although this is as yet an under-researched area, there are an increasing number of fashion and clothing undergraduate and postgraduate courses that specialise in sport and leisurewear. This publication is intended to give an introductory overview of the historical and contemporary issues as it does for the growing number of sport marketing and sports studies courses concerned with dress, costume history and branding. This book was published as a special issue of Sport in History.
Explores how the influence of fashion and sport extends from high performance textiles developed for competition, to high-end fashion and finally, through the filter of adapted advertising and magazine imagery, to the consumer, who adopts and adapts the styles to make their own unique fashion statements.
Why did killing a fox mean liberty? What did parish revels have to do with the Peterloo Massacre? What did animal cruelty have to do with the English constitution? What did the Factory Acts mean for modern football? In This Sporting Life, Robert Colls explains sport as one of England's great civil cultures. The lived experiences of people from all walks of life are reclaimed to tell England's history through its great sporting cultures, from the horseback pursuits of the wealthy and politically connected, to the street games in working-class neighbourhoods which needed nothing but a ball. It observes people at play, describes how they felt and thought, carries the reader along to a match or a hunt or a fight, draws out the sounds and smells of humans and animals, showing that sport has been as important in defining British culture as gender, politics, education, class, and religion.
The definitive guide to the history of fashion. From Ancient Egypt and Marie Antionette to Alexander McQueen and Chanel, this visually stunning fashion design book charts the evolution of clothing and shows how every generation reinvents fashion! The perfect fashion coffee table book! Here’s what you’ll find inside: • Covers the most important fashion periods in vivid detail, from ancient times to the present day, in extensive catalog spreads • From a crinoline to a Givenchy gown, specially photographed “virtual tours” of classic pieces spotlight the details that make up a masterpiece • Profiles showcase the key styles and works of trailblazing designers, describing how they have influenced the clothes we wear • Beautiful double-page images from fashion archives show how people have embraced fashion in every era and place fashion in its cultural context The fashion industry is yours to explore! Packed with a dazzling combination of original fashion plates, archive images and commissioned photography, Fashion takes you on a fabulous tour across the centuries! It catalogs the history of what people wear — revealing how Western fashion has been influenced by design from around the world — and celebrating everything from costumes to haute couture. Now fully revised and updated, this lavishly illustrated book about fashion includes recent subjects of interest including the increased role of social media, fast fashion, sustainable fashion, and the drive for improved diversity and beauty ideals. The illustrated glossary of technical terms and a comprehensive index help make this page-turning fashion book an indispensable work of reference for any fashion student or fashionista’s shelf. Look out for more titles in The Definitive Visual Guide series from DK. Experience the power of art and take a guided tour of the world’s most influential paintings in Art, or celebrate the history and evolution of design movements in Design.
This unique four-volume encyclopedia examines the historical significance of fashion trends, revealing the social and cultural connections of clothing from the precolonial times to the present day. This sweeping overview of fashion and apparel covers several centuries of American history as seen through the lens of the clothes we wear—from the Native American moccasin to Manolo Blahnik's contribution to stiletto heels. Through four detailed volumes, this work delves into what people wore in various periods in our country's past and why—from hand-crafted family garments in the 1600s, to the rough clothing of slaves, to the sophisticated textile designs of the 21st century. More than 100 fashion experts and clothing historians pay tribute to the most notable garments, accessories, and people comprising design and fashion. The four volumes contain more than 800 alphabetical entries, with each volume representing a different era. Content includes fascinating information such as that beginning in 1619 through 1654, every man in Virginia was required to plant a number of mulberry trees to support the silk industry in England; what is known about the clothing of enslaved African Americans; and that there were regulations placed on clothing design during World War II. The set also includes color inserts that better communicate the visual impact of clothing and fashion across eras.
Many historians have described early industrial Britain as a 'bleak age' where the masses possessed little time, energy or money to devote to sport. Adrian Harvey reveals a very different picture of Britain at this time to show a rich, diverse and commercial sporting culture accessible to almost everyone. Far from being tied to a recreational calendar that was dependent upon established, traditional holidays, sporting events occurred within their own leisure timetable. Indeed, by the 1840s, it was common for sporting events to be conducted on a regular basis every week. Harvey demonstrates how newspapers and periodicals began to recognize that sport had the capacity to capture the public's imagination, and the importance of the spectating audience transformed the staging of events into a major source of revenue. The increasing amount of money involved in sport created a situation in which the participants were often unable to regulate and administer activity, especially as they were confronted with instances of substantial corruption and fraud. The public perception of activity in many sports changed dramatically, with the existence of professionals expanding and the social elite withdrawing from the various roles that they had previously performed as organizers, supervisors and competitors. This is the first in-depth study of sporting culture in Britain during the first half of the nineteenth century that is based upon sporting periodicals, newspapers and sporting archives. Harvey depicts a society that is not suffering from a severe attack on recreations by commerce, industry and government, but one in which the principal problems experienced stemmed from criminal activity. As such, this book provides a much-needed revision of many misconceptions about the early history of sport in Britain.