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This book explores, in breadth and depth, the role of sport in museums. It surveys the history of sport in museums, including the growth in sport museums and halls of fame driven by major sports teams and sport organisations. The book considers the humanistic benefits of the promotion of sporting heritage within museums, and presents cases, museums stories and best practice from around the world. Sport in Museums is essential reading for all students, researchers, curators, and historians with an interest in sport. It is also a useful resource for researchers and advanced students working in museum studies, heritage studies or cultural history.
Discover how the designers of women's sporting attire navigated the worlds of fashion, function, and propriety, from the beginning of the 19th century to 1960. This book offers a stunning visual record of the evolution of women's sporting attire over nearly two centuries. With selections from Keds, Pendleton, and Spalding and garments by Coco Chanel, Claire McCardell, and Jean Patou, among many others, it features familiar names in fashion, as well as significant rediscoveries. At the intersection of the history of fashion and feminism, Sporting Fashion highlights the extraordinary impact of new technologies and evolving social mores on women's clothing for sport. It explores how the basic forms of women's sportswear we know today--from swimsuits to sneakers--were developed during a time when women were achieving more freedom. Full color illustrations of sport and leisure ensembles are included, along with magazine spreads and archival images. In thematic sections, the authors examine the ways women entered into the sporting world--from traveling to calisthenics, motorcycling to promenading. The book looks at examples of clothing that allowed women to walk freely and compete in sports previously restricted to men. It explores how designers reacted to and encouraged the growing acceptance of exposed skin at public beaches and pools--and how cold weather fashion made its way onto the slopes and ice. Never before have the garments that defined women's roles as both spectators and athletes been presented on this scale and in such detail. Published with the American Federation of Arts and the FIDM Museum at the Fashion Institute of Design & Merchandising/Los Angeles The Costume Society of America is pleased to announce Kevin Jones and Christina Johnson as recipients of the 2022 CSA Millia Davenport Publications Award for their work titled Sporting Fashion: Outdoor Girls 1800-1960.
From its storied invention in 1891 by Dr. James Naismith as a recreational activity for "incorrigible" youth, to its current multibillion-dollar industry of franchises, stars, and merchandise, basketball has captured America's--and stolen North Carolina's--heart. To the Hoop is the exhibition catalog for the Weatherspoon Art Museum's spring 2020 exhibit featuring portrayals of basketball in contemporary art, which coincides with Greensboro hosting both ACC and NCAA tournament games. The book includes scholarly writing about the artworks by Curator Emily Stamey, and a personal reflection on the game by Coach Wes Miller. Embedded in basketball's history are many of the topics fueling current social concerns. Divisions between rural and urban cultures can be considered in the distinctions between the sport's development in farming town gymnasiums and city playgrounds. Increasing commercialization can be traced through its intersections with fashion, franchising, and pop music. Issues of racial equity reverberate through the NBA and NCAA. And, the advancement of women's roles can likewise be considered through the early adaptations of rules for female athletes, the passing of Title IX, and the successes of the WNBA. The game's golden era of the 1980s and 1990s coincided with an explosion of the contemporary art market, and the sport's celebrated players and signature orange ball appear in the work of many art world stars. That moment also corresponded with an artistic shift towards work that addresses so many of the social issues--race, gender, economics--that readily surface in basketball's widespread popularity. The game also has distinct visual qualities that make it an apt subject for artists: unlike a baseball concealed in a glove or a football buried under a pileup, a basketball is readily seen, and athletes wear relatively minimal uniforms on an indoor field where cameras easily capture their expressions as they soar towards elevated goals. Last, but not least, artists have seen the star power of so many players and the nearly religious devotion of fans to their teams as compelling markers of social values and aspirations. To the Hoop explores these myriad facets of basketball's intersection with contemporary art and culture. Featuring the work of both internationally recognized and emerging artists, it offers an opportunity to consider the world in which we live through the overlapping lenses of sport and art. Dr. Emily Stamey is curator of exhibitions at the Weatherspoon Art Museum at UNC Greensboro. She is a specialist in American art and popular culture.
Sports are more important than ever socially, economically and culturally. As well as embodying cherished values and ideals, sports now reflect many of the worries of wider society. Drugs, racism, corruption and violence are all now major concerns and our experience of sport is increasingly subject to a gigantic industry made up of owners, players, sports goods manufacturers, television networks and corporate sponsors. In this newly expanded edition of Making Sense of Sports, Cashmore addresses all these issues as well as the more basic questions about the history of sports, its social context and possible future development. Among the new editions other themes are: * the body, how it works and why it is more cultural than natural * why women continue to be devalued and depreciated by sports * Nike, globalization and the sports industry * art and how it reflects changing conceptions of sports.
This guide to the available literature on sports in American culture during the last two decades of the 20th century is a companion to Jack Higg's Sports: A Reference Guide (Greenwood, 1982). The types of individual or team sports included in this volume include those that are viewed as physical contests engaged in for physical, emotional, spiritual, or psychological fulfillment. With a focus on books alone, chapters review the available literature regarding sports and each concludes with a bibliography. Academic journals likely to contain articles on the topics discussed are listed at the end of each chapter. Twelve chapters discuss sports and American history, business and law, education, ethnicity and race, gender, literature, philosophy and religion, popular culture, psychology, science and technology, sociology and world history. This reference and guide to further research will appeal to scholars of popular culture and sports. An index and two appendixes are included, one listing important dates in American sports from 1980 through 2000 and one listing sports halls of fame, museums, periodicals, and websites.
We live in a "museum age," and sport museums are part of this phenomenon. In this book, leading international sport history scholars examine sport museums including renowned institutions like the Olympic Museum in the Swiss city of Lausanne, the Babe Ruth Birthplace and Museum in Baltimore, the Marylebone Cricket Club Museum in London, the Croke Park Museum in Dublin, and the Whyte Museum in Banff. These institutions are examined in a broad context of understanding sport museums as an identifiable genre in the "museum age", and more specifically in terms of how the sporting past is represented in these museums. Historians explain, debate and critique sport museums with the intention of understanding how this important form of public history represents sport for audiences who see museums as institutions that are inherently reliable and trustworthy.