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The memoirs of one of Illinois’ great poets, author of Spoon River Anthology, with many vignettes of the Chicago Renaissance. This intimate and provocative autobiography, first published in 1936, reveals the innermost thoughts of a great American poet. Edgar Lee Masters was a transitional figure in American literature with one foot planted in the nineteenth century and the other firmly placed on the path of what we now think of as the modern period. Richly illustrated throughout with black and white photographs. “Across Spoon River: An Autobiography is blunt and cranky about a life [Masters] saw as largely “scrappy and unmanageable.” Emphasizing life on his grandfather’s farm, his school days, his political battles, the workday world, and the growth of a poet’s mind through wide reading, the book is a valuable record of Masters’s work habits and offers considerable insight on his position as a critic and his place in American literature.”—Ronald Primeau, American National Biography
The Spoon River Anthology is a classic collection of poems by Edgar Lee Masters, with verses dedicated and named for members of a fictional small American town. Edgar Masters intention when he composed these verses was to demystify the culture of small town America. Over the decades prior to this anthology's publication in 1915, rural and urban cultures in the USA had diverged considerably: to many city-dwellers, how life in the country actually proceeded was simply unknown. Originally serialized in a magazine named Reedy's Mirror, each of the poems give the reader insight into the lives, events, and culture of a typical small country town. Each is titled after a specific character, and contains their thoughts and concerns at a given time. This acts to build a narrative around the small town, which is proven to be colorful and emotionally distinct place, with several characters coping with grief and loss.
From Main Street to Stranger Things, how poetry changed our idea of small town life A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River Anthology won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century. A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.
DIVAn American poetry classic, in which former citizens of a mythical midwestern town speak touchingly from the grave of the thwarted hopes and dreams of their lives. /div
This one-of-a-kind masterpiece is a classic of American literature. In Spoon River Anthology, Kansas-born poet and playwright Edgar Lee Masters channels the imagined voices of the deceased men, women, and children buried in a cemetery in rural Illinois. Haunting and ethereal, inspiring and unforgettable, these poems will remain etched in readers' memories.
One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war's rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict. In this new biography Guy Cuthbertson provides a fresh account of Owen's life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. Cuthbertson chronicles a great poet's growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen's enduring verse can be understood.
With The Gone and the Going Way, Pulitzer finalist Maurice Manning returns us to the beloved and lamented lives and landscape of the hill people of his native Kentucky.
CLASSIC POETRY Spoon River Anthology by Edgar Lee Masters Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free-form poems that collectively narrates the epitaphs of the residents of Spoon River, a fictional small town named after the real Spoon River that ran near Masters' home town. The aim of the poems is to demystify the rural, small town American life. The collection includes two hundred and twelve separate characters, all providing two-hundred forty-four accounts of their lives and losses. The poems were originally published in the magazine Reedy's Mirror. Each following poem is an epitaph of a dead citizen, delivered by the dead themselves. They speak about the sorts of things one might expect: some recite their histories and turning points, others make observations of life from the outside, and petty ones complain of the treatment of their graves, while few tell how they really died. Speaking without reason to lie or fear the consequences, they construct a picture of life in their town that is shorn of facades. The interplay of various villagers - e.g. a bright and successful man crediting his parents for all he's accomplished, and an old woman weeping because he is secretly her illegitimate child - forms a gripping, if not pretty, whole."