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Slither's Tale is the eleventh book in Joseph Delaney's terrifying Wardstone Chronicles – over 3 million copies sold worldwide! 'My name is Slither, and before my tale is finished you'll find out why . . .' Slither preys upon humans, gorging upon their blood while they sleep. But a desperate farmer needs Slither to save the lives of his two youngest girls. In return he can have the eldest daughter, Nessa, to do with as he wishes. Slither's promise takes him and Nessa on a treacherous journey - and into the path of Grimalkin, the terrifying witch assassin . . .
Slither, an inhuman monster, preys upon humans by sneaking into their houses while they sleep. But a farmer offers him a trade - in return for taking his younger daughters to safety, Slither can have his eldest daughter, Nessa, to do with as he wishes...
Slither's Tale is the eleventh book in Joseph Delaney's terrifying Wardstone Chronicles - over 3 million copies sold worldwide! 'My name is Slither, and before my tale is finished you'll find out why . . .' Slither preys upon humans, gorging upon their blood while they sleep. But a desperate farmer needs Slither to save the lives of his two youngest girls. In return he can have the eldest daughter, Nessa, to do with as he wishes. Slither's promise takes him and Nessa on a treacherous journey - and into the path of Grimalkin, the terrifying witch assassin . . .
From the two defining personalities of post-cyberpunk SF, a brilliant collaboration to rival 1987's The Difference Engine by William Gibson and Bruce Sterling
My name is Slither, and before my tale is finished, you'll find out why . . . Slither is not human. Far from the Spook-protected County, he preys upon humans, sneaking into their homes to gorge upon their blood while they sleep. When a local farmer dies, it's only natural that Slither should want to feast on his lovely daughters. But the farmer has offered him a trade: in return for taking the younger girls to safety, Slither can have the eldest daughter, Nessa, to do with as he wishes . . . Slither's promise takes him and Nessa on a treacherous journey where enemies await at every turn. Enemies that include Grimalkin, the terrifying witch assassin, still searching for a way to destroy the Fiend for good. The latest instalment of the Wardstone Chronicles, the series that inspired the forthcoming movie The Seventh Son, starring Jeff Bridges, Ben Barnes and Julianne Moore.
The Spook's Blood is the tenth book in Joseph Delaney's terrifying Wardstone Chronicles – over 3 million copies sold worldwide! 'I am Siscoi, the Lord of Blood, the Drinker of Souls! Obey me now or you will suffer as few have suffered.' Thomas Ward's final battle with the Fiend is drawing near, but he has never felt more alone in his task. Isolated and afraid, Tom must risk his life against a ferocious vampire god, even as he learns that the final destruction of the Fiend may involve a sacrifice more terrible than he can imagine . . .
Thomas Ward has spent two years as the Spook's apprentice. He's faced unimaginable peril, and survived. But a new danger has emerged: an ancient water witch, Bloodeye, is roaming the County intent on destroying everything in her path. To strengthen his skills, Tom is sent to the far north to train with the demanding Bill Arkwright. Arkwright lives in a haunted mill on the edge of a treacherous marsh, and his training methods prove to be harsh and sometimes cruel. Will Tom's new bag of tricks be enough to overcome a critical mistake that leaves him confronting Bloodeye on his own?
The Singularity. It is the era of the posthuman. Artificial intelligences have surpassed the limits of human intellect. Biotechnological beings have rendered people all but extinct. Molecular nanotechnology runs rampant, replicating and reprogramming at will. Contact with extraterrestrial life grows more imminent with each new day. Struggling to survive and thrive in this accelerated world are three generations of the Macx clan: Manfred, an entrepreneur dealing in intelligence amplification technology whose mind is divided between his physical environment and the Internet; his daughter, Amber, on the run from her domineering mother, seeking her fortune in the outer system as an indentured astronaut; and Sirhan, Amber’s son, who finds his destiny linked to the fate of all of humanity. For something is systematically dismantling the nine planets of the solar system. Something beyond human comprehension. Something that has no use for biological life in any form...
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. Praise for Black Swan Green “[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe “[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time
When young novice monk Brother Beowulf is sent to spy on Spook Johnson, he has no idea of the trouble he's about to find himself in. Johnson boasts to Wulf of his battles against demonic creatures, and even seems to imprisons local witches, though Wulf is sceptical - not least because the church has taught him that Spooks are a force for evil, and not to be trusted. But then the monsters Johnson claims to fight turn out to be very real indeed, and soon Wulf is forced to seek help from another young Spook, Tom Ward, who terrifies and charms him in equal measure. But the forces of the dark are many, and it's not long until Wulf and Tom realise they've bitten off far more than they can chew. A horrifying new enemy is rising - and only Wulf can stop it.