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In the late 1960s, Spokane's civic leaders were desperately looking for a way to revitalize a large section of downtown, especially a motley collection of little-used railroad lines and polluted industrial sites along the Spokane River. Their solution was to use the area for Expo '74, which was billed as the first ecologically themed world's fair. Critics predicted the project was sure to fail, as Spokane was the smallest city to ever host a world's fair, but history proved them wrong. From the minute the gates opened on May 4, 1974, the crowds loved the fair. Hosting 5.4 million visitors, with participation from several major companies and countries, Expo '74 was a success. As planned, it launched a rebirth along the river that left a permanent legacy, the popular Riverfront Park.
J. William T. Youngs headed the research staff who interviewed over 200 citizens and reviewed thousands of pages of records, in order to write this definitive history of Spokane, its people, and the first ever Environmental World's Fair to be ratified by the Bureau of International Expositions in Paris. This comprehensive history of a midsize western American city chronicles the coming of white settlers and their interchanges with the Indians of the region; the harnessing and exploitation of the Spokane River and its beautiful falls for energy to run mills and light streets, stores, and homes; and the impact of the railroads. At the heart of this meticulously researched account is the growth and decay of Spokane's inner city by the falls, as its economy ebbed and flowed, and the reclamation of the falls through the resounding success of Spokane's World Fair-Expo '74.
In 1888, black men were recruited from the southern states to come to Roslyn, Washington, to work in the mines. What they had not known until their arrival was that they were there to break the strike against the coal company. Upon their arrival on the Northern Pacific Coal Company train, they were met with much violence. When the strike was finally settled, everyone-black and white-went to work. After the mines closed, the blacks migrated across the Pacific Northwest. Arcadia's African Americans in Spokane is about those black families who arrived in Spokane, Washington, in 1899. This collection of historic images reveals the story of their survival, culture, churches, and significance in the Spokane community throughout the decades that followed; this is the story of the journey that began once their final destination was reached, in Spokane.
The 1964-1965 New York World's Fair was the largest international exhibition ever built in the United States. More than one hundred fifty pavilions and exhibits spread over six hundred forty-six acres helped the fair live up to its reputation as "the Billion-Dollar Fair." With the cold war in full swing, the fair offered visitors a refreshingly positive view of the future, mirroring the official theme: Peace through Understanding. Guests could travel back in time through a display of full-sized dinosaurs, or look into a future where underwater hotels and flying cars were commonplace. They could enjoy Walt Disney's popular shows, or study actual spacecraft flown in orbit. More than fifty-one million guests visited the fair before it closed forever in 1965. The 1964-1965 New York World's Fair captures the history of this event through vintage photographs, published here for the first time.
Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
The Expo Book: A Guide to the Planning, Organization, Design & Operation of World Expositions
In 1935, nine-year-old George Weyerhaeuser, heir to one of the wealthiest families in America, is snatched off the streets two blocks from his home. The boy is kept manacled in a pit, chained to a tree, and locked in a closet. The perps—a career bank robber, a petty thief, and his nineteen-year-old never-been-in-trouble Mormon wife—quickly become the targets of the biggest manhunt in Northwest history. The caper plays out like a Hollywood thriller with countless twists and improbable developments. Perhaps the most astonishing thing of all, though, is how it all ends.
Carl Maxey was, in his own words, “a guy who started from scratch - black scratch.” He was sent, at age five, to the scandal-ridden Spokane Children's Home and then kicked out at age eleven with the only other “colored” orphan. Yet Maxey managed to make a national name for himself, first as an NCAA championship boxer at Gonzaga University, and then as eastern Washington's first prominent black lawyer and a renowned civil rights attorney who always fought for the underdog. During the tumultuous civil rights and Vietnam War eras, Carl Maxey fought to break down color barriers in his hometown of Spokane and throughout the nation. As a defense lawyer, he made national headlines working on lurid murder cases and war-protest trials, including the notorious Seattle Seven trial. He even took his commitment to justice and antiwar causes to the political arena, running for the U.S. Senate against powerhouse senator Henry M. Jackson. In Carl Maxey: A Fighting Life, Jim Kershner explores the sources of Maxey's passions as well as the price he ultimately paid for his struggles. The result is a moving portrait of a man called a “Type-A Gandhi” by the New York Times, whose own personal misfortune spurred his lifelong, tireless crusade against injustice.