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Rodmakers featured in this book. Book jacket.
This book is intended as an aid for those who wish to pursue the art of cane-rod making or repairing, containing a wealth of information regarding the methods, devices, and techniques. Many tips are given to guide the rod-maker in how to accomplish a particular and/or unusually difficult task, focusing on specific information and problem solving.
Not everyone should own or fish a split cane bamboo fly rod. Some folks are just too addicted to high tech. After all bamboo only offers a fly rod that warms the heart, bounces the summer sun in a thousand different directions and is uniquely in tune with the rhythms of the rivers, streams and lakes it touches. Bamboo's unique characteristics made it one of the finest choices for the construction of fly rods. Its' flexibility, recoil and recovery and overall toughness were just the qualities that have traditionally been most appreciated in working fishing gear. There's just nothing quite like a well-made split cane rod for performance and "feel." And there's nothing like the satisfaction of bringing one of these classic rods back to life. Hands on advice, tips and instructions for bringing that classic bamboo fly rod back to life. From how bamboo rods are put together to repairing cracks, splits, broken ferrules, cork grip repair and replacement to the do's and don'ts of windings.
The bamboo fly rod still represents the pinnacle of the fly-fishing art; its apparent simplicity and delicacy belie the craftsmanship and strength that are the hallmarks of all great rods. A growing number of people have tried to learn the art of making bamboo rods from a shrinking number of secretive craftsmen. The revised and expanded Handcrafting Bamboo Fly Rods is the definitive reference for beginners and experts alike. Wayne Cattanach begins by explaining the qualities that distinguish bamboo from all other materials: It has a tensile strength akin to steel, yet it is very light. He describes the process that will take anyone from lengths of hard, raw bamboo to a beautiful finished rod with clear, step-by-step instructions and illustrations, including how to find the best supplies; select tools and materials; make heat treaters and binders; cut culms; straighten bamboo strips; plane and stagger strips; bind strips; apply finishes; mount the reel seat, ferrules, and tip-top; and much more. This is surely the most thorough book available for those who wish to make and fish their own bamboo fly rods.
In Oboe Art and Method, veteran oboe performer and instructor Martin Schuring describes in detail all of the basic techniques of oboe playing (including breathing, embouchure, finger technique, articulation, and phrasing) and reed making, with expert tips and step-by-step instructions for how best to perform each of these tasks with grace and technical efficiency.
The sugarcane crop, one of the most important crops commercially grown in about 115 countries of the world, faces a number of problems, such as low cane productivity, biotic and abiotic stresses, high cost of cultivation, postharvest losses, and low sugar recovery. This volume addresses these issues and provides a comprehensive account of the major advancements in sugarcane research. The book is compilation of recent achievements in sugarcane development and cultivation. It covers a number of improvements made in cane and sugar yield using both conventional and new biotechnological approaches by agricultural scientists and researchers. The comprehensive coverage includes sustainable sugarcane cultivation, development, and management of sugarcane production, covering farming and biotechnology, entomology, pathology, breeding, physiology, biotechnology, agronomy, seed production, and more. It also presents research on modern crop production methods in a comprehensive and easily understood manner. With chapters from expert researchers from internationally renowned institutes (primarily in India), the volume presents the latest information from the literature at the international level to make it usable to many agroecological regions of the world. It will be a valuable resource for agronomists, breeders, plant physiologists, farmers, and students of agricultural sciences.
Louisiana Coushatta Basket Makers brings together oral histories, tribal records, archival materials, and archaeological evidence to explore the fascinating history of the Coushatta Tribe’s famed basket weavers. After settling at their present location near the town of Elton, Louisiana, in the 1880s, the Coushatta (Koasati) tribe developed a basket industry that bolstered the local tribal economy and became the basis for generating tourism and political mobilization. The baskets represented a material culture that distinguished the Coushattas as Indigenous people within an ethnically and racially diverse region. Tribal leaders serving as diplomats also used baskets as strategic gifts as they built political and economic allegiances throughout the twentieth century, thereby securing the Coushattas’ future. Behind all these efforts were the basket makers themselves. Although a few Coushatta men assisted in the production of baskets, it was mostly women who put in the long hours to gather and process the materials, then skillfully stitch them together to produce treasures of all shapes and sizes. The art of basket making exists within a broader framework of Coushatta traditional teachings and educational practices that have persisted to the present. As they tell the story of Coushatta basket makers, Linda P. Langley and Denise E. Bates provide a better understanding of the tribe’s culture and values. The weavers’ own “language of baskets” shapes this narrative, which depicts how the tribe survived repeated hardships as weavers responded on their own terms to market demands. The work of Coushatta basket makers represents the perseverance of traditional knowledge in the form of unique and carefully crafted fine art that continues to garner greater recognition and appreciation with every successive generation.
The Art of Oboe Playing is actually two books in one -- one part by Robert Sprenkle on playing the oboe, and another part by David Ledet on reed-making. Sprenkle was the renowned teacher of some of the finest oboists, among them Robert Bloom of the Rochester Philharmonic. Ledet has an exceptionally broad professional background, including assistant band director, teacher of oboe and theory, and administrator.