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Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes and forgeries.
The three books of Horace's Odes were published in 23 BC and gained him his reputation as the greatest Latin lyric poet. This book provides the Latin text (from the Oxford Classical Text series) of the third book together with a new translation by David West which attempts to be close to the Latin while catching the flavour of the original. There is also a commentary which explains the poems aimed at students of Latin literature and Roman history, whether or not they know Latin.
Gulliver's Travels by Jonathan Swift is one of the greatest satirical works ever written. Through the misadventures of Lemuel Gulliver, his hopelessly "modern" protagonist, Swift exposes many of the follies of the English Enlightenment, from its worship of science to its neglect of traditional philosophy and theology. In Swift's eighteenth century, as in our twenty-first, a war being fought between the "ancients"and the "moderns", between those rooted in the traditions of the West and those seeking to uproot tradition to make way for dangerous and ultimatcly destructive new ideas. Swift's satire on the threats posed by the Enlightenment and the embryonic spirit of secular fundamentalism makes Gulliver's Travels priceless reading for today's defenders of tradition. Yet Swift's subtlety has bemused many modern critics, with the lamentable of result that this classic of western civilization is often misread and misunderstood. This new critical edition, edited by Dutton kearney of Aquinas College in Nashville, contains detailed notes to the text, bringing it to life for today's reader, and a selection of tradition-oriented essays by some of the finest contemporay Swift scholars. The Ignatius Critical Editions Series represents a tradition-oriented approach to reading the Classics of world literature. While many modern critical editions have succumbed to the fads of modernism and post-modernism, this series concentrates on critical examinations informed by our Judco-Christian heritage as passed down through the ages---the same heritage that provided the crucible in which the great authors formed these classic works. Edited by acclaimed literary biographer Joseph Pearce, the lgnatius Critical Editions ensure that readings of the works are filtered through the richness of Western tradition, meeting the authors in their clement, instead of the currently popular method of deconstructing a classic to fit a modern mindsct---a lamentable flaw that often proliferates in other series of critical editions. The Series is ideal for anyone wishing to understand the great works of Western Civilization, enabling the modern reader to enjoy these classics in the company of some of the finest literature professors alive today.
BLOODLESS On the evening of November 24, 1971, D. B. Cooper hijacked Flight 305—Portland to Seattle—with a fake bomb, collected a ransom of $200,000, and then parachuted from the rear of the plane, disappearing into the night…and into history. Fifty years later, Agent Pendergast takes on a bizarre and gruesome case: in the ghost-haunted city of Savannah, Georgia, bodies are found with no blood left in their veins—sowing panic and reviving whispered tales of the infamous Savannah Vampire. As the mystery rises along with the body count, Pendergast and his partner, Agent Coldmoon, race to understand how—or if—these murders are connected to the only unsolved skyjacking in American history. Together, they uncover not just the answer…but an unearthly evil beyond all imagining. THE CABINET OF DR. LENG Astoundingly, Constance has found a way back to the place of her origins: New York City in the late 1800s. She leaps at the chance to return…although it means leaving the present forever. Constance sets off on a quest to prevent the events that lead to the deaths of her sister and brother. But along the road to redemption, Manhattan’s most infamous serial killer, Dr. Enoch Leng, lies in wait, ready to strike at the slightest provocation. Meanwhile, in contemporary New York, Pendergast feverishly searches for a way to reunite with Constance—but will he discover a way back to her before it’s too late? ANGEL OF VENGEANCE Constance Greene confronts Manhattan’s most dangerous serial killer, Enoch Leng, bartering for her sister's life – but she is betrayed and turned away empty-handed, incandescent with rage. Unknown to Leng, Pendergast’s brother, Diogenes, appears unexpectedly, offering to help—for mysterious reasons of his own. Disguised as a cleric, Diogenes establishes himself in New York's notorious Five Points slum, manipulating events like a chess master, watching Leng’s every move…and awaiting his own chance to strike. Meanwhile, as Pendergast focuses on saving the unstable Constance in her fanatical quest for vengeance, she strikes out on her own: to rescue her beloved siblings from a tragic fate and take savage retribution on Leng. But Leng is one step ahead and has a surprise for them all…
The #1 New York Times and Wall Street Journal bestseller, named one of the best books of the year by The Boston Globe and National Geographic: acclaimed journalist Douglas Preston takes readers on a true adventure deep into the Honduran rainforest in this riveting narrative about the discovery of a lost civilization -- culminating in a stunning medical mystery. Since the days of conquistador Hernán Cortés, rumors have circulated about a lost city of immense wealth hidden somewhere in the Honduran interior, called the White City or the Lost City of the Monkey God. Indigenous tribes speak of ancestors who fled there to escape the Spanish invaders, and they warn that anyone who enters this sacred city will fall ill and die. In 1940, swashbuckling journalist Theodore Morde returned from the rainforest with hundreds of artifacts and an electrifying story of having found the Lost City of the Monkey God-but then committed suicide without revealing its location. Three quarters of a century later, bestselling author Doug Preston joined a team of scientists on a groundbreaking new quest. In 2012 he climbed aboard a rickety, single-engine plane carrying the machine that would change everything: lidar, a highly advanced, classified technology that could map the terrain under the densest rainforest canopy. In an unexplored valley ringed by steep mountains, that flight revealed the unmistakable image of a sprawling metropolis, tantalizing evidence of not just an undiscovered city but an enigmatic, lost civilization. Venturing into this raw, treacherous, but breathtakingly beautiful wilderness to confirm the discovery, Preston and the team battled torrential rains, quickmud, disease-carrying insects, jaguars, and deadly snakes. But it wasn't until they returned that tragedy struck: Preston and others found they had contracted in the ruins a horrifying, sometimes lethal-and incurable-disease. Suspenseful and shocking, filled with colorful history, hair-raising adventure, and dramatic twists of fortune, THE LOST CITY OF THE MONKEY GOD is the absolutely true, eyewitness account of one of the great discoveries of the twenty-first century.
The Latest Early American Literature, according to readers for the University of Delaware Press, is “a collection of polemics and manifestoes.” In it R. C. De Prospo bids to follow in the footsteps of the two, rare, early Americanist dissenters whom Philip F. Gura once distinguished as “prophets without honor in the field”: William Spengemann and Michael Colacurcio. The book contends that a supposedly retired nationalist/modernist “telos” continues to reign in most of the latest scholarship, and even more influentially in all of the current literary histories and anthologies, no matter how expansive in gender, ethnic, racial, and “hemispheric” inclusiveness they profess to be. Old teloi, in particular that old American exceptionalist one, can be cunning. Updating and expanding upon essays written over the past thirty years, De Prospo proposes not only negatively to critique how the latest scholarly receptions of early American literature differ insignificantly from the earlier ones, but positively to propose how a transnationalist concession—that as a neocolonial culture America’s lags behind that of Europe—might advance post-modern historiography by radically repositioning the past as no longer the present’s diachronic predecessor but, to quote Lyotard’s semiotics, its synchronic “differend.” Closer to earth, De Prospo tries at the same time to remain mindful of the pedagogical imperative that ultimately to save the texts of early American literature will require making them legible to average non-specialist, never-to-become specialist undergraduate general education students. To facilitate this he introduces in the concluding section of The Latest Early American Literature what will probably be taken as its most radical intervention: the redefinition of Edgar Allan Poe as an early American writer.