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Spirou and Fantasio are spending a few days at Champignac Castle, keeping an eye on the estate while the Count is away visiting family. One night, as they are preparing to watch a comet pass in the sky, Fantasio’s clumsiness causes them to lose consciousness. They awaken to the very noisy arrival of de Champignac aboard one of his strange machines – except that the old man claims to be not the Count himself, but one of his descendants ... back from the future!
Spirou and Fantasio’s friend, the Count of Champignac, asks them to join him in Australia, where he has heard that an ancient monolith is still standing. When they arrive, Champignac’s colleague Walker Donahue informs them that Champignac has been abducted by local gangster Sam. The monolith they’re after stands in the vicinity of an aboriginal mining village, which is constantly prey to white prospectors trying to steal indigenous resources. Spirou and Fantasio must save Champignac from Sam’s clutches and help him find the legendary monolith while standing by the aboriginal people.
Accompanied everywhere by his friend Fantasio and his pet squirrel Spip, Spirou is an adventurous reporteer who fights all manner of villains in every corner of the world.
Spirou and Fantasio are caught up in another amazing adventure, set in a real historical context. It's summer 1989, a few months before the fall of the Berlin Wall, and the evil Zantafio is trying to take over East Germany. When he kidnaps the Count of Champignac, our two heroes find out and try to rescue him. But to do that, they have to cross Europe's most heavily guarded border. East Germany's notorious Secret Police, the Stasi, are soon hot on their trail, and Fantasio is arrested. So Spirou now has to free his friend as well as foil Zantafio's diabolical scheme.
This is a collection of darkly comic standalone strips by a cartoonist Herge (Tintin) idolized. Die Laughing, which is executed in stark black and white, takes aim at everyone and everything in its scathing critique of modern life, but is particularly ruthless toward animal abusers, the military industrial complex, and death penalty enthusiasts. Franquin’s loose but meticulous line work features expressionistic shadows and silhouettes that infuse his depressed, repressed, and oppressed characters with a disturbing manic energy. Die Laughing is filled with visual gags and gag-inducing visuals that will haunt you.
Rigour versus fantasy, order versus chaos ... the accountant versus Mr Goof!!
Arriving back at Champignac after their resounding victory over Zorglub and his Zorglmen – poor souls enslaved by a terrible will-negating wave – Spirou, Fantasio and the count discover the entire village paralysed! Another potential use of the zorglwave, and a sign that Zorglub’s remorse and his promise to free all of his men may not have been entirely sincere. Discovering the truth will take time, though, and send our friends on a trip far from home...
After the Marsupilami causes a series of disasters, Spirou and Fantasio finally resolve to bring the strange animal back to its birth place, Palombia. Unfortunately, it’s a nation in turmoil they find upon their arrival. The military is all-powerful, rumours of impending war are growing and a ruthless tyrant has seized power. To counter the dictator’s plans, the two adventurers’ only weapon is the Count of Champignac’s latest outrageous invention: a mushroom extract that makes metals go soft...
Spirou and Fantasio, in transit through Paris airport, are kidnapped by French counter-intelligence: in exchange for the release of two French nationals from Soviet prisons, the KGB demanded the two reporters’ assistance. Because Moscow has a problem: the mob is getting increasingly powerful and bold, and it has infiltrated the authorities so thoroughly they can’t fight back anymore. They do know, however, that the big boss is someone Spirou and Fantasio have met before and simply cannot ignore...
Spirou and Fantasio are famous – among other things, as the official discoverers of that legendary creature, the Marsupilami, one of which often accompanies them on their adventures. So when one of their conferences is cancelled in favour of a documentary film from an unknown author, they are understandably irritated... until, that is, they realise the film is the very first to record the family life of wild Marsupilamis!